I left Edinburgh, however, with not the least idea that I had done a
stroke of excellent business for myself, and singly delighted to escape
out of a somewhat dreary house and plunge instead into the rainbow city
of Paris. Every man has his own romance; mine clustered exclusively
about the practice of the arts, the life of Latin Quarter students, and
the world of Paris as depicted by that grimy wizard, the author of the
_Comedie Humaine_. I was not disappointed--I could not have been; for
I did not see the facts, I brought them with me ready-made. Z. Marcas
lived next door to me in my ungainly, ill-smelling hotel of the Rue
Racine; I dined at my villainous restaurant with Lousteau and with
Rastignac: if a curricle nearly ran me down at a street-crossing, Maxime
de Trailles would be the driver. I dined, I say, at a poor restaurant
and lived in a poor hotel; and this was not from need, but sentiment.
My father gave me a profuse allowance, and I might have lived (had I
chosen) in the Quartier de l'Etoile and driven to my studies daily.
Had I done so, the glamour must have fled: I should still have been
but Loudon Dodd; whereas now I was a Latin Quarter student, Murger's
successor, living in flesh and blood the life of one of those romances
I had loved to read, to re-read, and to dream over, among the woods of
Muskegon.

At this time we were all a little Murger-mad in the Latin Quarter.
The play of the _Vie de Boheme_ (a dreary, snivelling piece) had been
produced at the Odeon, had run an unconscionable time--for Paris, and
revived the freshness of the legend. The same business, you may say,
or there and thereabout, was being privately enacted in consequence in
every garret of the neighbourhood, and a good third of the students
were consciously impersonating Rodolphe or Schaunard to their own
incommunicable satisfaction. Some of us went far, and some farther. I
always looked with awful envy (for instance) on a certain countryman of
my own who had a studio in the Rue Monsieur le Prince, wore boots, and
long hair in a net, and could be seen tramping off, in this guise, to
the worst eating-house of the quarter, followed by a Corsican model, his
mistress, in the conspicuous costume of her race and calling. It takes
some greatness of soul to carry even folly to such heights as these; and
for my own part, I had to content myself by pretending very arduously
to be poor, by wearing a smoking-cap on the streets, and by pursuing,
through a series of misadventures, that extinct mammal, the grisette.
The most grievous part was the eating and the drinking. I was born with
a dainty tooth and a palate for wine; and only a genuine devotion to
romance could have supported me under the cat-civets that I had to
swallow, and the red ink of Bercy I must wash them down withal. Every
now and again, after a hard day at the studio, where I was steadily and
far from unsuccessfully industrious, a wave of distaste would overbear
me; I would slink away from my haunts and companions, indemnify myself
for weeks of self-denial with fine wines and dainty dishes; seated
perhaps on a terrace, perhaps in an arbour in a garden, with a volume
of one of my favourite authors propped open in front of me, and now
consulted awhile, and now forgotten:--so remain, relishing my situation,
till night fell and the lights of the city kindled; and thence stroll
homeward by the riverside, under the moon or stars, in a heaven of
poetry and digestion.

One such indulgence led me in the course of my second year into an
adventure which I must relate: indeed, it is the very point I have been
aiming for, since that was what brought me in acquaintance with Jim
Pinkerton. I sat down alone to dinner one October day when the rusty
leaves were falling and scuttling on the boulevard, and the minds of
impressionable men inclined in about an equal degree towards sadness
and conviviality. The restaurant was no great place, but boasted a
considerable cellar and a long printed list of vintages. This I was
perusing with the double zest of a man who is fond of wine and a lover
of beautiful names, when my eye fell (near the end of the card) on that
not very famous or familiar brand, Roussillon. I remembered it was a
wine I had never tasted, ordered a bottle, found it excellent, and when
I had discussed the contents, called (according to my habit) for a final
pint. It appears they did not keep Roussillon in half-bottles. "All
right," said I. "Another bottle." The tables at this eating-house are
close together; and the next thing I can remember, I was in somewhat
loud conversation with my nearest neighbours. From these I must have
gradually extended my attentions; for I have a clear recollection of
gazing about a room in which every chair was half turned round and every
face turned smilingly to mine. I can even remember what I was saying at
the moment; but after twenty years, the embers of shame are still alive;
and I prefer to give your imagination the cue, by simply mentioning that
my muse was the patriotic. It had been my design to adjourn for coffee
in the company of some of these new friends; but I was no sooner on
the sidewalk than I found myself unaccountably alone. The circumstance
scarce surprised me at the time, much less now; but I was somewhat
chagrined a little after to find I had walked into a kiosque. I began to
wonder if I were any the worse for my last bottle, and decided to steady
myself with coffee and brandy. In the Cafe de la Source, where I went
for this restorative, the fountain was playing, and (what greatly
surprised me) the mill and the various mechanical figures on the rockery
appeared to have been freshly repaired and performed the most enchanting
antics. The cafe was extraordinarily hot and bright, with every detail
of a conspicuous clearness, from the faces of the guests to the type of
the newspapers on the tables, and the whole apartment swang to and fro
like a hammock, with an exhilarating motion. For some while I was so
extremely pleased with these particulars that I thought I could never
be weary of beholding them: then dropped of a sudden into a causeless
sadness; and then, with the same swiftness and spontaneity, arrived at
the conclusion that I was drunk and had better get to bed.

It was but a step or two to my hotel, where I got my lighted candle from
the porter and mounted the four flights to my own room. Although I could
not deny that I was drunk, I was at the same time lucidly rational and
practical. I had but one preoccupation--to be up in time on the morrow
for my work; and when I observed the clock on my chimney-piece to have
stopped, I decided to go down stairs again and give directions to the
porter. Leaving the candle burning and my door open, to be a guide to me
on my return, I set forth accordingly. The house was quite dark; but as
there were only the three doors on each landing, it was impossible to
wander, and I had nothing to do but descend the stairs until I saw the
glimmer of the porter's night light. I counted four flights: no porter.
It was possible, of course, that I had reckoned incorrectly; so I went
down another and another, and another, still counting as I went, until
I had reached the preposterous figure of nine flights. It was now quite
clear that I had somehow passed the porter's lodge without remarking
it; indeed, I was, at the lowest figure, five pairs of stairs below
the street, and plunged in the very bowels of the earth. That my hotel
should thus be founded upon catacombs was a discovery of considerable
interest; and if I had not been in a frame of mind entirely
businesslike, I might have continued to explore all night this
subterranean empire. But I was bound I must be up betimes on the next
morning, and for that end it was imperative that I should find the
porter. I faced about accordingly, and counting with painful care,
remounted towards the level of the street. Five, six, and seven flights
I climbed, and still there was no porter. I began to be weary of the
job, and reflecting that I was now close to my own room, decided I
should go to bed. Eight, nine, ten, eleven, twelve, thirteen flights
I mounted; and my open door seemed to be as wholly lost to me as the
porter and his floating dip. I remembered that the house stood but
six stories at its highest point, from which it appeared (on the most
moderate computation) I was now three stories higher than the roof. My
original sense of amusement was succeeded by a not unnatural irritation.
"My room has just GOT to be here," said I, and I stepped towards the
door with outspread arms. There was no door and no wall; in place of
either there yawned before me a dark corridor, in which I continued to
advance for some time without encountering the smallest opposition. And
this in a house whose extreme area scantily contained three small rooms,
a narrow landing, and the stair! The thing was manifestly nonsense;
and you will scarcely be surprised to learn that I now began to lose
my temper. At this juncture I perceived a filtering of light along
the floor, stretched forth my hand which encountered the knob of a
door-handle, and without further ceremony entered a room. A young lady
was within; she was going to bed, and her toilet was far advanced, or
the other way about, if you prefer.

"I hope you will pardon this intrusion," said I; "but my room is No. 12,
and something has gone wrong with this blamed house."

She looked at me a moment; and then, "If you will step outside for a
moment, I will take you there," says she.

Thus, with perfect composure on both sides, the matter was arranged.
I waited a while outside her door. Presently she rejoined me, in a
dressing-gown, took my hand, led me up another flight, which made the
fourth above the level of the roof, and shut me into my own room, where
(being quite weary after these contraordinary explorations) I turned in,
and slumbered like a child.

I tell you the thing calmly, as it appeared to me to pass; but the next
day, when I awoke and put memory in the witness-box, I could not conceal
from myself that the tale presented a good many improbable features.
I had no mind for the studio, after all, and went instead to the
Luxembourg gardens, there, among the sparrows and the statues and the
falling leaves, to cool and clear my head. It is a garden I have always
loved. You sit there in a public place of history and fiction. Barras
and Fouche have looked from these windows. Lousteau and de Banville (one
as real as the other) have rhymed upon these benches. The city tramples
by without the railings to a lively measure; and within and about you,
trees rustle, children and sparrows utter their small cries, and the
statues look on forever. Here, then, in a seat opposite the gallery
entrance, I set to work on the events of the last night, to disengage
(if it were possible) truth from fiction.

The house, by daylight, had proved to be six stories high, the same as
ever. I could find, with all my architectural experience, no room in its
altitude for those interminable stairways, no width between its walls
for that long corridor, where I had tramped at night. And there was yet
a greater difficulty. I had read somewhere an aphorism that everything
may be false to itself save human nature. A house might elongate or
enlarge itself--or seem to do so to a gentleman who had been dining.
The ocean might dry up, the rocks melt in the sun, the stars fall from
heaven like autumn apples; and there was nothing in these incidents
to boggle the philosopher. But the case of the young lady stood upon a
different foundation. Girls were not good enough, or not good that way,
or else they were too good. I was ready to accept any of these views:
all pointed to the same conclusion, which I was thus already on the
point of reaching, when a fresh argument occurred, and instantly
confirmed it. I could remember the exact words we had each said; and I
had spoken, and she had replied, in English. Plainly, then, the whole
affair was an illusion: catacombs, and stairs, and charitable lady, all
were equally the stuff of dreams.

I had just come to this determination, when there blew a flaw of wind
through the autumnal gardens; the dead leaves showered down, and a
flight of sparrows, thick as a snowfall, wheeled above my head with
sudden pipings. This agreeable bustle was the affair of a moment, but it
startled me from the abstraction into which I had fallen like a summons.
I sat briskly up, and as I did so, my eyes rested on the figure of a
lady in a brown jacket and carrying a paint-box. By her side walked a
fellow some years older than myself, with an easel under his arm; and
alike by their course and cargo I might judge they were bound for the
gallery, where the lady was, doubtless, engaged upon some copying.
You can imagine my surprise when I recognized in her the heroine of my
adventure. To put the matter beyond question, our eyes met, and she,
seeing herself remembered and recalling the trim in which I had
last beheld her, looked swiftly on the ground with just a shadow of
confusion.

I could not tell you to-day if she were plain or pretty; but she had
behaved with so much good sense, and I had cut so poor a figure in
her presence, that I became instantly fired with the desire to display
myself in a more favorable light. The young man besides was possibly her
brother; brothers are apt to be hasty, theirs being a part in which
it is possible, at a comparatively early age, to assume the dignity
of manhood; and it occurred to me it might be wise to forestall all
possible complications by an apology.

On this reasoning I drew near to the gallery door, and had hardly got in
position before the young man came out. Thus it was that I came face to
face with my third destiny; for my career has been entirely shaped
by these three elements,--my father, the capitol of Muskegon, and my
friend, Jim Pinkerton. As for the young lady with whom my mind was at
the moment chiefly occupied, I was never to hear more of her from that
day forward: an excellent example of the Blind Man's Buff that we call
life.




CHAPTER III. TO INTRODUCE MR. PINKERTON.


The stranger, I have said, was some years older than myself: a man of a
good stature, a very lively face, cordial, agitated manners, and a gray
eye as active as a fowl's.

"May I have a word with you?" said I.

"My dear sir," he replied, "I don't know what it can be about, but you
may have a hundred if you like."

"You have just left the side of a young lady," I continued, "towards
whom I was led (very unintentionally) into the appearance of an offence.
To speak to herself would be only to renew her embarrassment, and I
seize the occasion of making my apology, and declaring my respect, to
one of my own sex who is her friend, and perhaps," I added, with a bow,
"her natural protector."

"You are a countryman of mine; I know it!" he cried: "I am sure of it
by your delicacy to a lady. You do her no more than justice. I was
introduced to her the other night at tea, in the apartment of some
people, friends of mine; and meeting her again this morning, I could not
do less than carry her easel for her. My dear sir, what is your name?"

I was disappointed to find he had so little bond with my young lady;
and but that it was I who had sought the acquaintance, might have been
tempted to retreat. At the same time, something in the stranger's eye
engaged me.

"My name," said I, "is Loudon Dodd; I am a student of sculpture here
from Muskegon."

"Of sculpture?" he cried, as though that would have been his last
conjecture. "Mine is James Pinkerton; I am delighted to have the
pleasure of your acquaintance."

"Pinkerton!" it was now my turn to exclaim. "Are you Broken-Stool
Pinkerton?"

He admitted his identity with a laugh of boyish delight; and indeed any
young man in the quarter might have been proud to own a sobriquet thus
gallantly acquired.

In order to explain the name, I must here digress into a chapter of
the history of manners in the nineteenth century, very well worth
commemoration for its own sake. In some of the studios at that date,
the hazing of new pupils was both barbarous and obscene. Two incidents,
following one on the heels of the other tended to produce an advance in
civilization by the means (as so commonly happens) of a passing appeal
to savage standards. The first was the arrival of a little gentleman
from Armenia. He had a fez upon his head and (what nobody counted on) a
dagger in his pocket. The hazing was set about in the customary style,
and, perhaps in virtue of the victim's head-gear, even more boisterously
than usual. He bore it at first with an inviting patience; but upon one
of the students proceeding to an unpardonable freedom, plucked out
his knife and suddenly plunged it in the belly of the jester. This
gentleman, I am pleased to say, passed months upon a bed of sickness,
before he was in a position to resume his studies. The second incident
was that which had earned Pinkerton his reputation. In a crowded studio,
while some very filthy brutalities were being practised on a trembling
debutant, a tall, pale fellow sprang from his stool and (without the
smallest preface or explanation) sang out, "All English and Americans to
clear the shop!" Our race is brutal, but not filthy; and the summons
was nobly responded to. Every Anglo-Saxon student seized his stool; in
a moment the studio was full of bloody coxcombs, the French fleeing in
disorder for the door, the victim liberated and amazed. In this feat of
arms, both English-speaking nations covered themselves with glory;
but I am proud to claim the author of the whole for an American, and
a patriotic American at that, being the same gentleman who had
subsequently to be held down in the bottom of a box during a performance
of _L'Oncle Sam_, sobbing at intervals, "My country! O my country!"
While yet another (my new acquaintance, Pinkerton) was supposed to have
made the most conspicuous figure in the actual battle. At one blow, he
had broken his own stool, and sent the largest of his opponents back
foremost through what we used to call a "conscientious nude." It appears
that, in the continuation of his flight, this fallen warrior issued on
the boulevard still framed in the burst canvas.

It will be understood how much talk the incident aroused in the
students' quarter, and that I was highly gratified to make the
acquaintance of my famous countryman. It chanced I was to see more of
the quixotic side of his character before the morning was done; for as
we continued to stroll together, I found myself near the studio of a
young Frenchman whose work I had promised to examine, and in the fashion
of the quarter carried up Pinkerton along with me. Some of my comrades
of this date were pretty obnoxious fellows. I could almost always admire
and respect the grown-up practitioners of art in Paris; but many of
those who were still in a state of pupilage were sorry specimens, so
much so that I used often to wonder where the painters came from, and
where the brutes of students went to. A similar mystery hangs over the
intermediate stages of the medical profession, and must have perplexed
the least observant. The ruffian, at least, whom I now carried Pinkerton
to visit, was one of the most crapulous in the quarter. He turned
out for our delectation a huge "crust" (as we used to call it) of St.
Stephen, wallowing in red upon his belly in an exhausted receiver, and
a crowd of Hebrews in blue, green, and yellow, pelting him--apparently
with buns; and while we gazed upon this contrivance, regaled us with
a piece of his own recent biography, of which his mind was still very
full, and which he seemed to fancy, represented him in a heroic posture.
I was one of those cosmopolitan Americans, who accept the world (whether
at home or abroad) as they find it, and whose favourite part is that
of the spectator; yet even I was listening with ill-suppressed disgust,
when I was aware of a violent plucking at my sleeve.

"Is he saying he kicked her down stairs?" asked Pinkerton, white as St.
Stephen.

"Yes," said I: "his discarded mistress; and then he pelted her with
stones. I suppose that's what gave him the idea for his picture. He has
just been alleging the pathetic excuse that she was old enough to be his
mother."

Something like a sob broke from Pinkerton. "Tell him," he gasped--"I
can't speak this language, though I understand a little; I never had any
proper education--tell him I'm going to punch his head."

"For God's sake, do nothing of the sort!" I cried. "They don't
understand that sort of thing here." And I tried to bundle him out.

"Tell him first what we think of him," he objected. "Let me tell him
what he looks in the eyes of a pure-minded American"

"Leave that to me," said I, thrusting Pinkerton clear through the door.

"Qu'est-ce qu'il a?"[1] inquired the student.

[1] "What's the matter with him?"

"Monsieur se sent mal au coeur d'avoir trop regarde votre croute,"[2]
said I, and made my escape, scarce with dignity, at Pinkerton's heels.

[2] "The gentleman is sick at his stomach from having looked too long at
your daub."

"What did you say to him?" he asked.

"The only thing that he could feel," was my reply.

After this scene, the freedom with which I had ejected my new
acquaintance, and the precipitation with which I had followed him, the
least I could do was to propose luncheon. I have forgot the name of the
place to which I led him, nothing loath; it was on the far side of the
Luxembourg at least, with a garden behind, where we were speedily set
face to face at table, and began to dig into each other's history
and character, like terriers after rabbits, according to the approved
fashion of youth.

Pinkerton's parents were from the old country; there too, I incidentally
gathered, he had himself been born, though it was a circumstance he
seemed prone to forget. Whether he had run away, or his father had
turned him out, I never fathomed; but about the age of twelve, he was
thrown upon his own resources. A travelling tin-type photographer picked
him up, like a haw out of a hedgerow, on a wayside in New Jersey; took
a fancy to the urchin; carried him on with him in his wandering life;
taught him all he knew himself--to take tin-types (as well as I can make
out) and doubt the Scriptures; and died at last in Ohio at the corner
of a road. "He was a grand specimen," cried Pinkerton; "I wish you could
have seen him, Mr. Dodd. He had an appearance of magnanimity that used
to remind me of the patriarchs." On the death of this random protector,
the boy inherited the plant and continued the business. "It was a life
I could have chosen, Mr. Dodd!" he cried. "I have been in all the finest
scenes of that magnificent continent that we were born to be the heirs
of. I wish you could see my collection of tin-types; I wish I had them
here. They were taken for my own pleasure and to be a memento; and they
show Nature in her grandest as well as her gentlest moments." As he
tramped the Western States and Territories, taking tin-types, the boy
was continually getting hold of books, good, bad, and indifferent,
popular and abstruse, from the novels of Sylvanus Cobb to Euclid's
Elements, both of which I found (to my almost equal wonder) he had
managed to peruse: he was taking stock by the way, of the people, the
products, and the country, with an eye unusually observant and a
memory unusually retentive; and he was collecting for himself a body of
magnanimous and semi-intellectual nonsense, which he supposed to be the
natural thoughts and to contain the whole duty of the born American.
To be pure-minded, to be patriotic, to get culture and money with both
hands and with the same irrational fervour--these appeared to be the
chief articles of his creed. In later days (not of course upon this
first occasion) I would sometimes ask him why; and he had his answer
pat. "To build up the type!" he would cry. "We're all committed to that;
we're all under bond to fulfil the American Type! Loudon, the hope of
the world is there. If we fail, like these old feudal monarchies, what
is left?"

The trade of a tin-typer proved too narrow for the lad's ambition; it
was insusceptible of expansion, he explained, it was not truly modern;
and by a sudden conversion of front, he became a railroad-scalper. The
principles of this trade I never clearly understood; but its essence
appears to be to cheat the railroads out of their due fare. "I threw my
whole soul into it; I grudged myself food and sleep while I was at it;
the most practised hands admitted I had caught on to the idea in a month
and revolutionised the practice inside of a year," he said. "And there's
interest in it, too. It's amusing to pick out some one going by, make up
your mind about his character and tastes, dash out of the office and hit
him flying with an offer of the very place he wants to go to. I don't
think there was a scalper on the continent made fewer blunders. But I
took it only as a stage. I was saving every dollar; I was looking
ahead. I knew what I wanted--wealth, education, a refined home, and a
conscientious, cultured lady for a wife; for, Mr. Dodd"--this with
a formidable outcry--"every man is bound to marry above him: if the
woman's not the man's superior, I brand it as mere sensuality. There was
my idea, at least. That was what I was saving for; and enough, too! But
it isn't every man, I know that--it's far from every man--could do what
I did: close up the livest agency in Saint Jo, where he was coining
dollars by the pot, set out alone, without a friend or a word of French,
and settle down here to spend his capital learning art."

"Was it an old taste?" I asked him, "or a sudden fancy?"

"Neither, Mr. Dodd," he admitted. "Of course I had learned in my
tin-typing excursions to glory and exult in the works of God. But it
wasn't that. I just said to myself, What is most wanted in my age and
country? More culture and more art, I said; and I chose the best place,
saved my money, and came here to get them."

The whole attitude of this young man warmed and shamed me. He had more
fire in his little toe than I had in my whole carcase; he was stuffed to
bursting with the manly virtues; thrift and courage glowed in him; and
even if his artistic vocation seemed (to one of my exclusive tenets) not
quite clear, who could predict what might be accomplished by a creature
so full-blooded and so inspired with animal and intellectual energy? So,
when he proposed that I should come and see his work (one of the regular
stages of a Latin Quarter friendship), I followed him with interest and
hope.

He lodged parsimoniously at the top of a tall house near the
Observatory, in a bare room, principally furnished with his own trunks
and papered with his own despicable studies. No man has less taste for
disagreeable duties than myself; perhaps there is only one subject on
which I cannot flatter a man without a blush; but upon that, upon all
that touches art, my sincerity is Roman. Once and twice I made the
circuit of his walls in silence, spying in every corner for some spark
of merit; he, meanwhile, following close at my heels, reading the
verdict in my face with furtive glances, presenting some fresh study for
my inspection with undisguised anxiety, and (after it had been silently
weighed in the balances and found wanting) whisking it away with an open
gesture of despair. By the time the second round was completed, we were
both extremely depressed.

"O!" he groaned, breaking the long silence, "it's quite unnecessary you
should speak!"

"Do you want me to be frank with you? I think you are wasting time,"
said I.

"You don't see any promise?" he inquired, beguiled by some return of
hope, and turning upon me the embarrassing brightness of his eye. "Not
in this still-life here, of the melon? One fellow thought it good."

It was the least I could do to give the melon a more particular
examination; which, when I had done, I could but shake my head. "I am
truly sorry, Pinkerton," said I, "but I can't advise you to persevere."

He seemed to recover his fortitude at the moment, rebounding from
disappointment like a man of india-rubber. "Well," said he stoutly, "I
don't know that I'm surprised. But I'll go on with the course; and throw
my whole soul into it, too. You mustn't think the time is lost. It's all
culture; it will help me to extend my relations when I get back home;
it may fit me for a position on one of the illustrateds; and then I can
always turn dealer," he said, uttering the monstrous proposition,
which was enough to shake the Latin Quarter to the dust, with entire
simplicity. "It's all experience, besides;" he continued, "and it seems
to me there's a tendency to underrate experience, both as net profit and
investment. Never mind. That's done with. But it took courage for you
to say what you did, and I'll never forget it. Here's my hand, Mr. Dodd.
I'm not your equal in culture or talent--"

"You know nothing about that," I interrupted. "I have seen your work,
but you haven't seen mine.

"No more I have," he cried; "and let's go see it at once! But I know you
are away up. I can feel it here."

To say truth, I was almost ashamed to introduce him to my studio--my
work, whether absolutely good or bad, being so vastly superior to his.
But his spirits were now quite restored; and he amazed me, on the way,
with his light-hearted talk and new projects. So that I began at last
to understand how matters lay: that this was not an artist who had been
deprived of the practice of his single art; but only a business man
of very extended interests, informed (perhaps something of the most
suddenly) that one investment out of twenty had gone wrong.

As a matter of fact besides (although I never suspected it) he was
already seeking consolation with another of the muses, and pleasing
himself with the notion that he would repay me for my sincerity, cement
our friendship, and (at one and the same blow) restore my estimation of
his talents. Several times already, when I had been speaking of myself,
he had pulled out a writing-pad and scribbled a brief note; and now,
when we entered the studio, I saw it in his hand again, and the
pencil go to his mouth, as he cast a comprehensive glance round the
uncomfortable building.

"Are you going to make a sketch of it?" I could not help asking, as I
unveiled the Genius of Muskegon.

"Ah, that's my secret," said he. "Never you mind. A mouse can help a
lion."

He walked round my statue and had the design explained to him. I had
represented Muskegon as a young, almost a stripling, mother, with
something of an Indian type; the babe upon her knees was winged, to
indicate our soaring future; and her seat was a medley of sculptured
fragments, Greek, Roman, and Gothic, to remind us of the older worlds
from which we trace our generation.

"Now, does this satisfy you, Mr. Dodd?" he inquired, as soon as I had
explained to him the main features of the design.

"Well," I said, "the fellows seem to think it's not a bad bonne femme
for a beginner. I don't think it's entirely bad myself. Here is the best
point; it builds up best from here. No, it seems to me it has a kind of
merit," I admitted; "but I mean to do better."

"Ah, that's the word!" cried Pinkerton. "There's the word I love!" and
he scribbled in his pad.

"What in creation ails you?" I inquired. "It's the most commonplace
expression in the English language."

"Better and better!" chuckled Pinkerton. "The unconsciousness of genius.
Lord, but this is coming in beautiful!" and he scribbled again.

"If you're going to be fulsome," said I, "I'll close the place of
entertainment." And I threatened to replace the veil upon the Genius.

"No, no," said he. "Don't be in a hurry. Give me a point or two. Show me
what's particularly good."

"I would rather you found that out for yourself," said I.

"The trouble is," said he, "that I've never turned my attention to
sculpture, beyond, of course, admiring it, as everybody must who has a
soul. So do just be a good fellow, and explain to me what you like in
it, and what you tried for, and where the merit comes in. It'll be all
education for me."

"Well, in sculpture, you see, the first thing you have to consider
is the masses. It's, after all, a kind of architecture," I began, and
delivered a lecture on that branch of art, with illustrations from
my own masterpiece there present, all of which, if you don't mind,
or whether you mind or not, I mean to conscientiously omit. Pinkerton
listened with a fiery interest, questioned me with a certain
uncultivated shrewdness, and continued to scratch down notes, and tear
fresh sheets from his pad. I found it inspiring to have my words thus
taken down like a professor's lecture; and having had no previous
experience of the press, I was unaware that they were all being taken
down wrong. For the same reason (incredible as it must appear in
an American) I never entertained the least suspicion that they were
destined to be dished up with a sauce of penny-a-lining gossip; and
myself, my person, and my works of art butchered to make a holiday
for the readers of a Sunday paper. Night had fallen over the Genius of
Muskegon before the issue of my theoretic eloquence was stayed, nor did
I separate from my new friend without an appointment for the morrow.

I was indeed greatly taken with this first view of my countryman,
and continued, on further acquaintance, to be interested, amused, and
attracted by him in about equal proportions. I must not say he had a
fault, not only because my mouth is sealed by gratitude, but because
those he had sprang merely from his education, and you could see he had
cultivated and improved them like virtues. For all that, I can never
deny he was a troublous friend to me, and the trouble began early.

It may have been a fortnight later that I divined the secret of the
writing-pad. My wretch (it leaked out) wrote letters for a paper in the
West, and had filled a part of one of them with descriptions of myself.
I pointed out to him that he had no right to do so without asking my
permission.

"Why, this is just what I hoped!" he exclaimed. "I thought you didn't
seem to catch on; only it seemed too good to be true."

"But, my good fellow, you were bound to warn me," I objected.

"I know it's generally considered etiquette," he admitted; "but between
friends, and when it was only with a view of serving you, I thought it
wouldn't matter. I wanted it (if possible) to come on you as a surprise;
I wanted you just to waken, like Lord Byron, and find the papers full of
you. You must admit it was a natural thought. And no man likes to boast
of a favour beforehand."

"But, heavens and earth! how do you know I think it a favour?" I cried.

He became immediately plunged in despair. "You think it a liberty," said
he; "I see that. I would rather have cut off my hand. I would stop it
now, only it's too late; it's published by now. And I wrote it with so
much pride and pleasure!"

I could think of nothing but how to console him. "O, I daresay it's all
right," said I. "I know you meant it kindly, and you would be sure to do
it in good taste."

"That you may swear to," he cried. "It's a pure, bright, A number 1
paper; the St. Jo _Sunday Herald_. The idea of the series was quite my
own; I interviewed the editor, put it to him straight; the freshness of
the idea took him, and I walked out of that office with the contract in
my pocket, and did my first Paris letter that evening in Saint Jo. The
editor did no more than glance his eye down the headlines. 'You're the
man for us,' said he."

I was certainly far from reassured by this sketch of the class of
literature in which I was to make my first appearance; but I said no
more, and possessed my soul in patience, until the day came when I
received a copy of a newspaper marked in the corner, "Compliments of
J.P." I opened it with sensible shrinkings; and there, wedged between an
account of a prize-fight and a skittish article upon chiropody--think of
chiropody treated with a leer!--I came upon a column and a half in which
myself and my poor statue were embalmed. Like the editor with the first
of the series, I did but glance my eye down the head-lines and was more
than satisfied.

     ANOTHER OF PINKERTON'S SPICY CHATS.

     ART PRACTITIONERS IN PARIS.

     MUSKEGON'S COLUMNED CAPITOL.

     SON OF MILLIONAIRE DODD,

     PATRIOT AND ARTIST.

     "HE MEANS TO DO BETTER."

In the body of the text, besides, my eye caught, as it passed, some
deadly expressions: "Figure somewhat fleshy," "bright, intellectual
smile," "the unconsciousness of genius," "'Now, Mr. Dodd,' resumed the
reporter, 'what would be your idea of a distinctively American quality
in sculpture?'" It was true the question had been asked; it was true,
alas! that I had answered; and now here was my reply, or some strange
hash of it, gibbeted in the cold publicity of type. I thanked God that
my French fellow-students were ignorant of English; but when I thought
of the British--of Myner (for instance) or the Stennises--I think I
could have fallen on Pinkerton and beat him.

To divert my thoughts (if it were possible) from this calamity, I turned
to a letter from my father which had arrived by the same post. The
envelope contained a strip of newspaper-cutting; and my eye caught
again, "Son of Millionaire Dodd--Figure somewhat fleshy," and the rest
of the degrading nonsense. What would my father think of it? I wondered,
and opened his manuscript. "My dearest boy," it began, "I send you a
cutting which has pleased me very much, from a St. Joseph paper of
high standing. At last you seem to be coming fairly to the front; and
I cannot but reflect with delight and gratitude how very few youths of
your age occupy nearly two columns of press-matter all to themselves.
I only wish your dear mother had been here to read it over my shoulder;
but we will hope she shares my grateful emotion in a better place. Of
course I have sent a copy to your grandfather and uncle in Edinburgh;
so you can keep the one I enclose. This Jim Pinkerton seems a valuable
acquaintance; he has certainly great talent; and it is a good general
rule to keep in with pressmen."

I hope it will be set down to the right side of my account, but I had
no sooner read these words, so touchingly silly, than my anger against
Pinkerton was swallowed up in gratitude. Of all the circumstances of my
career, my birth, perhaps, excepted, not one had given my poor father so
profound a pleasure as this article in the _Sunday Herald_. What a fool,
then, was I, to be lamenting! when I had at last, and for once, and
at the cost of only a few blushes, paid back a fraction of my debt
of gratitude. So that, when I next met Pinkerton, I took things very
lightly; my father was pleased, and thought the letter very clever, I
told him; for my own part, I had no taste for publicity: thought the
public had no concern with the artist, only with his art; and though I
owned he had handled it with great consideration, I should take it as a
favour if he never did it again.

"There it is," he said despondingly. "I've hurt you. You can't deceive
me, Loudon. It's the want of tact, and it's incurable." He sat down, and
leaned his head upon his hand. "I had no advantages when I was young,
you see," he added.

"Not in the least, my dear fellow," said I. "Only the next time you wish
to do me a service, just speak about my work; leave my wretched person
out, and my still more wretched conversation; and above all," I added,
with an irrepressible shudder, "don't tell them how I said it! There's
that phrase, now: 'With a proud, glad smile.' Who cares whether I smiled
or not?"

"Oh, there now, Loudon, you're entirely wrong," he broke in. "That's
what the public likes; that's the merit of the thing, the literary
value. It's to call up the scene before them; it's to enable the
humblest citizen to enjoy that afternoon the same as I did. Think what
it would have been to me when I was tramping around with my tin-types to
find a column and a half of real, cultured conversation--an artist, in
his studio abroad, talking of his art--and to know how he looked as he
did it, and what the room was like, and what he had for breakfast; and
to tell myself, eating tinned beans beside a creek, that if all went
well, the same sort of thing would, sooner or later, happen to myself:
why, Loudon, it would have been like a peephole into heaven!"

"Well, if it gives so much pleasure," I admitted, "the sufferers
shouldn't complain. Only give the other fellows a turn."

The end of the matter was to bring myself and the journalist in a more
close relation. If I know anything at all of human nature--and the IF
is no mere figure of speech, but stands for honest doubt--no series
of benefits conferred, or even dangers shared, would have so rapidly
confirmed our friendship as this quarrel avoided, this fundamental
difference of taste and training accepted and condoned.




CHAPTER IV. IN WHICH I EXPERIENCE EXTREMES OF FORTUNE.


Whether it came from my training and repeated bankruptcy at the
commercial college, or by direct inheritance from old Loudon, the
Edinburgh mason, there can be no doubt about the fact that I was
thrifty. Looking myself impartially over, I believe that is my only
manly virtue. During my first two years in Paris I not only made it a
point to keep well inside of my allowance, but accumulated considerable
savings in the bank. You will say, with my masquerade of living as a
penniless student, it must have been easy to do so: I should have had no
difficulty, however, in doing the reverse. Indeed, it is wonderful I did
not; and early in the third year, or soon after I had known Pinkerton, a
singular incident proved it to have been equally wise. Quarter-day came,
and brought no allowance. A letter of remonstrance was despatched, and
for the first time in my experience, remained unanswered. A cablegram
was more effectual; for it brought me at least a promise of attention.
"Will write at once," my father telegraphed; but I waited long for his
letter. I was puzzled, angry, and alarmed; but thanks to my previous
thrift, I cannot say that I was ever practically embarrassed. The
embarrassment, the distress, the agony, were all for my unhappy father
at home in Muskegon, struggling for life and fortune against untoward
chances, returning at night from a day of ill-starred shifts and
ventures, to read and perhaps to weep over that last harsh letter from
his only child, to which he lacked the courage to reply.

Nearly three months after time, and when my economies were beginning
to run low, I received at last a letter with the customary bills of
exchange.

"My dearest boy," it ran, "I believe, in the press of anxious business,
your letters and even your allowance have been somewhile neglected. You
must try to forgive your poor old dad, for he has had a trying time; and
now when it is over, the doctor wants me to take my shotgun and go
to the Adirondacks for a change. You must not fancy I am sick, only
over-driven and under the weather. Many of our foremost operators have
gone down: John T. M'Brady skipped to Canada with a trunkful of boodle;
Billy Sandwith, Charlie Downs, Joe Kaiser, and many others of our
leading men in this city bit the dust. But Big-Head Dodd has again
weathered the blizzard, and I think I have fixed things so that we may
be richer than ever before autumn.

"Now I will tell you, my dear, what I propose. You say you are well
advanced with your first statue; start in manfully and finish it, and if
your teacher--I can never remember how to spell his name--will send me
a certificate that it is up to market standard, you shall have ten
thousand dollars to do what you like with, either at home or in Paris.
I suggest, since you say the facilities for work are so much greater
in that city, you would do well to buy or build a little home; and
the first thing you know, your dad will be dropping in for a luncheon.
Indeed, I would come now, for I am beginning to grow old, and I long to
see my dear boy; but there are still some operations that want watching
and nursing. Tell your friend, Mr. Pinkerton, that I read his letters
every week; and though I have looked in vain lately for my Loudon's
name, still I learn something of the life he is leading in that strange,
old world, depicted by an able pen."

Here was a letter that no young man could possibly digest in solitude.
It marked one of those junctures when the confidant is necessary; and
the confidant selected was none other than Jim Pinkerton. My father's
message may have had an influence in this decision; but I scarce suppose
so, for the intimacy was already far advanced. I had a genuine and
lively taste for my compatriot; I laughed at, I scolded, and I loved
him. He, upon his side, paid me a kind of doglike service of admiration,
gazing at me from afar off as at one who had liberally enjoyed those
"advantages" which he envied for himself. He followed at heel; his laugh
was ready chorus; our friends gave him the nickname of "The Henchman."
It was in this insidious form that servitude approached me.

Pinkerton and I read and re-read the famous news: he, I can swear, with
an enjoyment as unalloyed and far more vocal than my own. The statue was
nearly done: a few days' work sufficed to prepare it for exhibition; the
master was approached; he gave his consent; and one cloudless morning
of May beheld us gathered in my studio for the hour of trial. The
master wore his many-hued rosette; he came attended by two of my French
fellow-pupils--friends of mine and both considerable sculptors in Paris
at this hour. "Corporal John" (as we used to call him) breaking for once
those habits of study and reserve which have since carried him so
high in the opinion of the world, had left his easel of a morning to
countenance a fellow-countryman in some suspense. My dear old Romney
was there by particular request; for who that knew him would think
a pleasure quite complete unless he shared it, or not support a
mortification more easily if he were present to console? The party
was completed by John Myner, the Englishman; by the brothers
Stennis,--Stennis-aine and Stennis-frere, as they used to figure on
their accounts at Barbizon--a pair of hare-brained Scots; and by the
inevitable Jim, as white as a sheet and bedewed with the sweat of
anxiety.

I suppose I was little better myself when I unveiled the Genius of
Muskegon. The master walked about it seriously; then he smiled.

"It is already not so bad," said he, in that funny English of which he
was so proud. "No, already not so bad."

We all drew a deep breath of relief; and Corporal John (as the most
considerable junior present) explained to him it was intended for a
public building, a kind of prefecture--

"He! Quoi?" cried he, relapsing into French. "Qu'est-ce que vous me
chantez la? O, in America," he added, on further information being
hastily furnished. "That is anozer sing. O, very good, very good."

The idea of the required certificate had to be introduced to his mind
in the light of a pleasantry--the fancy of a nabob little more advanced
than the red Indians of "Fennimore Cooperr"; and it took all our talents
combined to conceive a form of words that would be acceptable on
both sides. One was found, however: Corporal John engrossed it in his
undecipherable hand, the master lent it the sanction of his name and
flourish, I slipped it into an envelope along with one of the two
letters I had ready prepared in my pocket, and as the rest of us moved
off along the boulevard to breakfast, Pinkerton was detached in a cab
and duly committed it to the post.

The breakfast was ordered at Lavenue's, where no one need be ashamed
to entertain even the master; the table was laid in the garden; I had
chosen the bill of fare myself; on the wine question we held a council
of war with the most fortunate results; and the talk, as soon as the
master laid aside his painful English, became fast and furious. There
were a few interruptions, indeed, in the way of toasts. The master's
health had to be drunk, and he responded in a little well-turned speech,
full of neat allusions to my future and to the United States; my health
followed; and then my father's must not only be proposed and drunk,
but a full report must be despatched to him at once by cablegram--an
extravagance which was almost the means of the master's dissolution.
Choosing Corporal John to be his confidant (on the ground, I presume,
that he was already too good an artist to be any longer an American
except in name) he summed up his amazement in one oft-repeated
formula--"C'est barbare!" Apart from these genial formalities, we
talked, talked of art, and talked of it as only artists can. Here in the
South Seas we talk schooners most of the time; in the Quarter we talked
art with the like unflagging interest, and perhaps as much result.

Before very long, the master went away; Corporal John (who was already a
sort of young master) followed on his heels; and the rank and file were
naturally relieved by their departure. We were now among equals; the
bottle passed, the conversation sped. I think I can still hear the
Stennis brothers pour forth their copious tirades; Dijon, my portly
French fellow-student, drop witticisms well-conditioned like himself;
and another (who was weak in foreign languages) dash hotly into the
current of talk with some "Je trove que pore oon sontimong de delicacy,
Corot ...," or some "Pour moi Corot est le plou ...," and then, his
little raft of French foundering at once, scramble silently to shore
again. He at least could understand; but to Pinkerton, I think the
noise, the wine, the sun, the shadows of the leaves, and the esoteric
glory of being seated at a foreign festival, made up the whole available
means of entertainment.

We sat down about half past eleven; I suppose it was two when,
some point arising and some particular picture being instanced, an
adjournment to the Louvre was proposed. I paid the score, and in a
moment we were trooping down the Rue de Renne. It was smoking hot; Paris
glittered with that superficial brilliancy which is so agreeable to the
man in high spirits, and in moods of dejection so depressing; the wine
sang in my ears, it danced and brightened in my eyes. The pictures that
we saw that afternoon, as we sped briskly and loquaciously through the
immortal galleries, appear to me, upon a retrospect, the loveliest
of all; the comments we exchanged to have touched the highest mark of
criticism, grave or gay.