THE ROMANTIC

                             BY MAY SINCLAIR

                                  1920




_Every kind and beautiful thing on earth has been made so by some
cruelty_.

Saying of the Romantic




CONTENTS

BOOK ONE Charlotte Redhead

BOOK TWO John Roden Conway




THE ROMANTIC




BOOK ONE

CHARLOTTE REDHEAD




I


They turned again at the end of the platform.

The tail of her long, averted stare was conscious of him, of his big,
tweed-suited body and its behaviour, squaring and swelling and tightening
in its dignity, of its heavy swing to her shoulder as they turned.

She could stave off the worst by not looking at him, by looking at other
things, impersonal, innocent things; the bright, yellow, sharp gabled
station; the black girders of the bridge; the white signal post beside it
holding out a stiff, black-banded arm; the two rails curving there, with
the flat white glitter and sweep of scythes; pointed blades coming
together, buried in the bend of the cutting.

Small three-cornered fields, clean edged like the pieces of a puzzle, red
brown and pure bright green, dovetailed under the high black bar of the
bridge. She supposed you could paint that.

Turn.

Clear stillness after the rain. She caught herself smiling at the noise
her boots made clanking on the tiles with the harsh, joyous candour that
he hated. He walked noiselessly, with a jerk of bluff knickerbockered
hips, raising himself on his toes like a cat.

She could see him moving about in her room, like that, in the half
darkness, feeling for his things, with shamed, helpless gestures. She
could see him tiptoeing down her staircase, furtive, afraid. Always
afraid they would be found out.

That would have ruined him.

Oh well--why should he have ruined himself for her? Why? But she had
wanted, wanted to ruin herself for him, to stand, superb and reckless,
facing the world with him. If that could have been the way of it.

Turn.

That road over the hill--under the yellow painted canopy sticking out
from the goods station--it would be the Cirencester road, the Fosse Way.
She would tramp along it when he was gone.

Turn.

He must have seen her looking at the clock. Three minutes more.

Suddenly, round the bend, under the bridge, the train.

He was carrying it off fairly well, with his tight red face and his stare
over her head when she looked at him, his straight smile when she said
"Good-bye and Good-luck!"

And her silly hand clutching the window ledge. She let go, quick, afraid
he would turn sentimental at the end. But no; he was settling down
heavily in his corner, blinking and puffing over his cigar.

That was her knapsack lying on the seat there. She picked it up and slung
it over her shoulder.

Cirencester? Or back to Stow-on-the-Wold? If only he hadn't come there
last night. If only he had let her alone.

She meditated. She would have to wire to Gwinnie Denning to meet her at
Cirencester. She wondered whether Gwinnie's mother's lumbago would last
over the week-end. It was Friday. Perhaps Gwinnie had started. Perhaps
there would be a wire from her at the hotel.

Going on to Cirencester when you wanted to be in Stow-on-the-Wold, what
_was_ it but a cowardly retreat? Driven out of Stow-on-the-Wold by
Gibson? Not she!

Dusk at ten o'clock in the morning under the trees on the mile-long hill.
You climbed up and up a steep green tunnel. The sun would be blazing at
its mouth on the top. Nothing would matter. Certainly not this affair
with Gibson Herbert. She could see clearly her immense, unique passion
thus diminished. Surprising what a lot of it you could forget. Clean
forget. She supposed you forgot because you couldn't bear to remember.

But there were days that stood out; hours; little minutes that thrilled
you even now and stung.

This time, two years ago, that hot August. The day in the office when
everything went wrong all at once and the clicking of her typewriter
maddened him and he sent her out of his room.

The day when he kept her over-time. The others had gone and they were
there by themselves, the big man in his big room and she in her den, the
door open between. Suddenly she saw him standing in the doorway, looking
at her. She knew then. She could feel the blood rushing in her brain; the
stabbing click of the typewriter set up little whirling currents that
swamped her thoughts.

Her wet fingers kept slipping from the keys. He came and took her in his
arms. She lay back in his arms, crying. Crying because she was happy,
because she knew.

She remembered now what he had said then. "You must have known. You must
have thought of me. You must have wanted me to take you in my arms." And
her answer. "No. I didn't. I didn't think of it."

And his smile. His unbelieving smile. He thought she was lying. He always
thought people were lying. Women. He thought women always lied about what
they wanted.

The first time. In her Bloomsbury room, one evening, and the compact they
made then, sitting on the edge of the sofa, like children, holding each
other's hands and swearing never to go back on it, never to go back on
themselves or on each other. If it ever had to end, a clean cut. No going
back on that either.

The first night, in the big, gloomy bedroom of the hotel in Glasgow. The
thick, grey daylight oozing in at the window out of the black street; and
Gibson lying on his back, beside her, sleeping, the sheet dragged
sideways across his great chest. His innocent eyelids.

And the morning after; the happiness. All day the queer, exalted feeling
that she was herself, Charlotte Redhead, at last, undeceived and
undeceiving.

The day his wife came into the office. Her unhappy eyes and small,
sharp-pointed face, shrinking into her furs. Her name was Effie.

He had told her in the beginning that he had left off caring for his
wife. They couldn't hurt her; she didn't care enough. She never had
cared. There was another fellow. Effie would be all right.

Yet, after she had seen Effie it had never been the same thing. She
couldn't remember, quite, how it had been.

She could remember the ecstasy, how it would come swinging through you,
making you blind and deaf to impersonal, innocent things while it
lasted. Even then there was always something beyond it, something you
looked for and missed, something you thought would come that never came.
There was something he did. She couldn't remember. That would be one of
the things you wanted to forget. She saw his thick fingers at dessert,
peeling the peaches.

Perhaps his way of calling her "Poor Sharlie?" Things he let out--"I
never thought I could have loved a girl with bobbed hair. A white and
black girl." There must have been other girls then. A regular procession.
Before he married Effie.

She could see them. Pink and gold girls, fluffy and fat; girls with red
hair; brown haired girls with wide slippery mouths. Then Effie. Then
herself, with her thick bobbed mane and white face. And the beautiful
mouth he praised so.

Was it the disgust of knowing that you were only one of a procession? Or
was it that Effie's sad, sharp face slipped between?

And the end of it. The break-down, when Effie was ill.

His hysterical cries. "My wife, Sharlie, my wife. We oughtn't to have
done it....

"... I can't forgive myself, Sharlie. I've been a brute, a beast, a
stupid animal....

"... When I think of what we've done to her--the little innocent
thing--the awful unhappiness--I could kill myself."

"Do you mean she knows?"

"She thinks. That's bad enough. If she knew, it would kill her."

"You said she wouldn't care. You said there was another man."

"There wasn't."

"You lied, then?"

"Of course I lied. You wouldn't have come to me if I hadn't."

"You told me you didn't care for her."

He had met that with his "Well--what did you want?"

She went over and over it, turning it round and round to see if there was
any sort of light it would look a bit better in. She had been going to
give him up so beautifully. The end of it was to have been wonderful,
quiet, like a heavenly death, so that you would get a thrill out of that
beauty when you remembered. All the beauty of it from the beginning,
taken up and held together, safe at the end. You wouldn't remember
anything else. And he had killed it, with his conscience, suddenly sick,
whining, slobbering, vomiting remorse--Turning on her.

"I can't think what you wanted with me. Why couldn't you have let
me alone!"

Her own voice, steady and hard. "If you feel dirty, go and wash yourself
outside. Don't try and rub it off on me. I want to keep clean."

"Isn't it a bit too late?"

"Not if you clear out at once. This minute." He called her "a cruel
little devil."

She could forgive him for that. She could forgive him ending it in any
beastly way he liked, provided he did end it. But not last night. To come
crawling back, three months after, wanting to begin again. Thinking it
was possible.

There had been nothing worse than that. Except that one dreadful minute
last year when he had wanted to raise her salary--afterwards--and she had
said "What _for_?" And their faces had turned from each other, flaming
with the fire of her refusal.

What had he really thought of her? Did he think she wanted to get
anything out of their passion? What could you want to get out of it, or
give, but joy? Pure joy. Beauty.

At the bend of the road the trees parted. A slender blue channel of sky
flowed overhead between the green tops.

If not joy, then truth; reality. The clear reality of yourself, Charlotte
Redhead. Of Gibson Herbert. Even now it would be all right so long as you
knew what it was and didn't lie about it.

That evening in the office when he came to her--she could remember the
feeling that shot up suddenly and ran over her and shook her brain,
making her want him to take her in his arms. It was that. It had never
been anything but that. She _had_ wanted him to take her, and he knew
it. Only, if he hadn't come to her and looked at her she wouldn't have
thought of it; she would have gone on working for him without
thinking. That was what he didn't know, what he wouldn't have believed
if you had told him.

She had come to the top of the hill. At the crossroads she saw the grey
front of her inn, the bow window jutting, small black shining panes
picked out with the clean white paint of the frame-work.

Upstairs their breakfast table stood in the window bow as they had left
it. Bread he had broken on the greasy plate. His cup with the coffee he
couldn't drink. Pathetic, if you hadn't remembered.

"You might as well. If it isn't you, it'll be another woman, Sharlie. If
it isn't me, it'll be another man."

That was what he had thought her.

It didn't matter.




II


She stood at the five roads, swinging her stick, undecided.

The long line of the beeches drew her, their heads bowed to the north as
the south wind had driven them. The blue-white road drew her, rising,
dipping and rising; between broad green borders under grey walls.

She walked. She could feel joy breaking loose in her again, beating up
and up, provoked and appeased by the strong, quick movement of her body.
The joy she had gone to her lover for, the pure joy he couldn't give her,
coming back out of the time before she knew him.

Nothing mattered when your body was light and hard and you could feel the
ripple and thrill of the muscles in your stride.

She wouldn't have to think of him again. She wouldn't have to think of
any other man. She didn't want any more of that again, ever. She could go
on and on like this, by herself, without even Gwinnie; not caring a damn.

If she had been cruel--if she had wanted to hurt Effie. She hadn't meant
to hurt her.

She thought of things. Places she had been happy in. She loved the high
open country. Fancy sitting with Gibson in his stuffy office, day after
day, for five years. Fancy going to Glasgow with him. Glasgow--

No. No.

She thought: "I can pretend it didn't happen. Nothing's happened. I'm
myself. The same me I was before."

Suddenly she stood still. On the top of the ridge the whole sky opened,
throbbing with light, immense as the sky above a plain. Hills--thousands
of hills. Thousands of smooth curves joining and parting, overlapping,
rolling together.

What did you want? What did you want? How could you want anything but
this for ever?

Across the green field she saw the farm. Tall, long-skirted elms standing
up in a row before the sallow ricks and long grey barns. Under the loaded
droop of green a grey sharp-pointed gable, topped by a stone ball. Four
Scotch firs beside it, slender and strange.

She stood leaning over the white gate, looking and thinking.

Funny things, colts grazing. Short bodies that stopped at their
shoulders; long, long necks hanging down like tails, pushing their heads
along the ground. She could hear their nostrils breathing and the
scrinch, scrinch of their teeth tearing the grass.

You could be happy living on a farm, looking after the animals.

You could learn farming. People paid.

Suddenly she knew what she would do. She would do _that_. It wasn't
reasonable to go on sitting in a stuffy office doing work you hated when
you could pack up and go. She couldn't have stuck to it for five years if
it hadn't been for Gibson--falling in love with him, the most
unreasonable thing of all. She didn't care if you had to pay to learn
farming. You had to pay for everything you learned. There were the two
hundred pounds poor dear Daddy left, doing nothing. She could pay.

She would go down to the farm now, this minute, and see if they
would take her.

As she crossed the field she heard the farmyard gate open and shut.

The man came up towards her in the narrow path. He was looking at her as
he came, tilting his head back to get her clear into his eyes under the
shade of his slouched hat.

She called to him. "Is this your farm?" And he halted.

He smiled; the narrow smile of small, fine lips, with a queer, winged
movement of the moustache, a flutter of dark down. She saw his eyes, hard
and keen, dark blue, like the blade of a new knife.

"No. I wish it was my farm. Why?"

She could see now it wasn't. He was out tramping. The corner of a
knapsack bulged over his right shoulder. Rough greenish coat and
stockings--dust-coloured riding breeches--

But there was something about him. Something tall and distant; slender
and strange, like the fir-trees.

"Because whoever's farm it is I want to see him."

"You won't see him. There isn't anybody there."

"Oh."

He lingered.

"Do you know who he is?" she said.

"No. I don't know anything. I don't even know where I am. But I hope it's
Bourton-on-the-Hill."

"I'm afraid it isn't. It's Stow-on-the-Wold."

He laughed and shifted his knapsack to his left shoulder, and held up his
chin. His eyes slewed round, raking the horizon.

"It's all right," she said. "You can get to Bourton-on-the-Hill. I'll
show you." She pointed. "You see where that clump of trees is--like a
battleship, sailing over a green hill. That's about where it is."

"Thanks. I've been trying to get there all afternoon."

"Where have you come from?"

"Stanway. The other side of that ridge."

"You should have kept along the top. You've come miles out of your way."

"I like going out of my way. I did it for fun. For the adventure."

You could see he was innocent and happy, like a child. She turned and
went with him up the field.

She wouldn't go to Bourton-on-the-Hill. She would go back to the hotel
and see whether there was a wire for her from Gwinnie.... He liked going
out of his way.

"I suppose," he said, "there's _something_ the other side of that gate."

"I hate to tell you. There's a road there. It's your way. The end of the
adventure."

He laughed again, showing small white teeth this time. The gate fell to
with a thud and a click.

"What do I do now?"

"You go north. Straight ahead. Turn down the fifth or sixth lane on your
right--you'll see the sign-post. Then the first lane on your left.
That'll bring you out at the top of the hill."

"Thanks. Thanks most awfully." He raised his hat, backing from her,
holding her in his eyes till he turned.

He would be out of sight now at the pace he was going; his young,
slender, skimming stride.

She stood on the top of the rise and looked round. He was halting down
there at the bend by the grey cone of the lime kiln under the ash-tree.
He had turned and had his face towards her. Above his head the battleship
sailed on its green field.

He began to come back, slowly, as if he were looking for something
dropped on his path; then suddenly he stopped, turned again and was gone.

There was no wire from Gwinnie. She had waited a week now. She
wondered how long it would be before Gwinnie's mother's lumbago gave
in and let her go.

       *       *       *       *       *

She knew it by heart now, the long, narrow coffee-room of the hotel. The
draped chimney piece and little oblong gilt-framed mirror at one end; at
the other the bowed window looking west on to the ash-tree and the
fields; the two straight windows between, looking south on to the street.

To-night the long table down the middle was set with a white cloth. The
family from Birmingham had come. Father and mother, absurd pouter-pigeons
swelling and strutting; two putty-faced unmarried daughters, sulking; one
married one, pink and proper, and the son-in-law, sharp eyed and
bald-headed. From their table in the centre they stared at her where she
dined by herself at her table in the bow.

Two days. She didn't think she could bear it one day more.

She could see herself as she came down the room; her knitted silk sport's
coat, bright petunia, flaming; thick black squares of her bobbed hair
hanging over eyebrows and ears. And behind, the four women's heads
turning on fat necks to look at her, reflected.

Gwinnie's letter was there, stuck up on the mantel-piece. Gwinnie could
come at the week-end; she implored her to hang on for five days longer,
not to leave Stow-on-the-Wold till they could see it together. A letter
from Gibson, repeating himself.

The family from Birmingham were going through the door; fat faces
straining furtively. If they knew--if they only knew. She stood, reading.

She heard the door shut. She could look in the glass now and amuse
herself by the sight they had stared at. The white face raised on the
strong neck and shoulders. Soft white nose, too thick at the nuzzling
tip. Brown eyes straight and wide open. Deep-grooved, clear-cut eyelids,
heavy lashes. Mouth--clear-cut arches, moulded corners, brooding. Her
eyes and her mouth. She could see they were strange. She could see they
were beautiful.

And herself, her mysterious, her secret self, Charlotte Redhead. It had
been secret and mysterious to itself once, before she knew.

She didn't want to be secret and mysterious. Of all things she hated
secrecy and mystery. She would tell Gwinnie about Gibson Herbert when she
came. She would have to tell her.

Down at the end of the looking-glass picture, behind her, the bow window
and the slender back of a man standing there.

       *       *       *       *       *

She had got him clear by this time. If he went to-morrow he would
stay, moving about forever in your mind. The young body, alert and
energetic; slender gestures of hands. The small imperious head carried
high. The spare, oval face with the straight-jutting, pointed chin.
Honey-white face, thin dusk and bistre of eyelids and hollow temples
and the roots of the hair. Its look of being winged, lifted up, ready
to start off on an adventure. Hair brushed back in two sleek, dark
wings. The straight slender nose, with the close upward wings of its
nostrils (it wasn't Roman after all). Under it the winged flutter of
his mouth when he smiled.

Black eyebrows almost meeting, the outer ends curling up queerly, like
little moustaches. And always the hard, blue knife-blade eyes.

She knew his name the first day. He had told her. Conway. John
Roden Conway.

The family from Birmingham had frightened him. So he sat at her table in
the bow. They talked. About places--places. Places they had seen and
hadn't seen; places they wanted to see, and the ways you could get to
places. He trusted to luck; he risked things; he was out, he said, for
risk. She steered by the sun, by instinct, by the map in her head. She
remembered. But you could buy maps. He bought one the next day.

They went for long walks together. She found out the field paths. And
they talked. Long, innocent conversations. He told her about himself. He
came from Coventry. His father was a motor car manufacturer; that was why
_he_ liked tramping.

She told him she was going to learn farming. You could be happy all day
long looking after animals. Swinging up on the big bare backs of cart
horses and riding them to water; milking cows and feeding calves. And
lambs. When their mothers were dead. They would run to you then, and
climb into your lap and sit there--sucking your fingers.

As they came in and went out together the family from Birmingham
glared at them.

"Did you see how they glared?"

"Do you mind?" he said.

"Not a bit."

"No more do I. It doesn't matter what people like that do. Their souls
are horrible. They leave a glairy trail everywhere they go. If they were
dead--stretched out on their death beds--you'd see their souls, like
long, fat white slugs stretched out too, glued to their bodies.... You
know what they think? They think we met each other on purpose. They think
we're engaged."

"I don't care," she said. "It doesn't matter what they think."

They laughed at the silliness of the family from Birmingham. He had been
there five days.

       *       *       *       *       *

"I--, sa-ay--"

Gwinnie's voice drawled in slow meditative surprise.

The brooding curiosity had gone out of her face. Gwinnie's face, soft and
schoolgirlish between the fawn gold bands and plaited ear bosses of her
hair, the pink, pushed out mouth, the little routing nose, the thick grey
eyes, suddenly turned on you, staring.

Gwinnie had climbed up on to the bed to hear about it. She sat hunched up
with her arms round her knees rocking herself on the end of her spine;
and though she stared she still rocked. She was happy and excited because
of her holiday.

"It can't make any difference, Gwin. I'm the same Charlotte. Don't tell
me you didn't know I was like that."

"Of course I knew it. I know a jolly lot more than you think, kid."

"I'm not a kid--if you _are_ two years older."

"Why--you're not twenty-four yet.... It's the silliness of it beats me.
Going off like that, with the first silly cuckoo that turns up."

"He wasn't the first that turned up, I mean. He was the third that
counted. There was poor Binky, the man I was engaged to. And Dicky
Raikes; he wanted me to go to Mexico with him. Just for a lark, and I
wouldn't. And George Corfield. _He_ wanted me to marry him. And I
wouldn't."

"Why didn't you?"

"Because Dicky's always funny when you want to be serious and George is
always serious when you want to be funny. Besides, he's so good. His
goodness would have been too much for me altogether. Fancy _beginning_
with George."

"This seems to have been a pretty rotten beginning, anyway."

"The beginning was all right. It's the end that's rotten. The really
awful thing was Effie."

"Look here--" Gwinnie left off rocking and swung herself to the edge of
the bed. Her face looked suddenly mature and full of wisdom. "I don't
believe in that Effie business. You want to think you stopped it because
of Effie; but you didn't. You've got to see it straight.... It was his
lying and funking that finished you. He fixed on the two things you
can't stand."

The two things. The two things.

"I know what you want. You want to kill him in my mind, so that I shan't
think of him any more. I'm not thinking. I only wanted you to know."

"Does anybody else know?"

She shook her head.

"Well--don't you let them."

Gwinnie slid to her feet and went to the looking-glass. She stood there a
minute, pinning closer the crushed bosses of her hair. Then she turned.

"What are you going to do with that walking-tour johnnie?"

"John--Conway? You couldn't do anything with him if you tried. He's miles
beyond all that."

"All _what_?"

"The rotten things people do. The rotten things they think. You're safe
with him, Gwinnie. Safe. Safe. You've only to look at him."

"I _have_ looked at him. Whatever you do, don't _tell_ him, Sharlie."




III


Charlotte sat on the top of the slope in the field below Barrow Farm.
John Conway lay at her feet. The tall beeches stood round them in an
unclosed ring.

Through the opening she could see the farmhouse, three ball-topped
gables, the middle one advancing, the front built out there in a huge
door-place that carried a cross windowed room under its roof.

Low heavy-browed mullions; the panes, black shining slits in the grey and
gold of the stone. All their rooms. Hers and Gwinnie's under the near
gable by the fir-trees, Mr. and Mrs. Burton's under the far gable by the
elms, John's by itself in the middle, jutting out.

She could see the shallow garden dammed up to the house out of the green
field by its wall, spilling trails of mauve campanula, brimming with pink
phlox and white phlox, the blue spires of the lupins piercing up through
the froth.

Sunday evening half an hour before milking-time. From September
nineteen-thirteen to December--to March nineteen-fourteen, to June--she
had been at the farm nine months. June--May--April. This time three
months ago John had come.

In the bottom of the field, at the corner by the yard-gate, under the
elms, she could see Gwinnie astride over the tilted bucket, feeding the
calves. It was Gwinnie's turn.

She heard the house door open and shut. The Burtons came down the flagged
path between the lavender bushes, leaving them to their peace before
milking time.

Looking down she saw John's eyes blinking up at her through their lashes.
His chest showed a red-brown V in the open neck of his sweater. He had
been quiet a long time. His voice came up out of his quietness, sudden
and queer.

"Keep your head like that one minute--looking down. I want your
eyelids.... Now I know."

"What?"

"What you're like. You're like Jeanne d'Arc.... There's a picture--the
photo of a stone head, I think--in a helmet, looking down, with
big drooped eyelids. If it isn't Jeanne it ought to be. Anyhow it's
you.... That's what's been bothering me. I thought it was just because
you had black hair bobbed like a fifteen century page. But it isn't that.
It's her forehead and her blunt nose, and her innocent, heroic chin. And
the thick, beautiful mouth.... And the look--as if she could see behind
her eyelids--dreadful things going to happen to her. All the butchery."

"I don't see any dreadful things going to happen to me."

"No. Her sight was second sight; and your sight is memory. You never
forget things.... I shall call you Jeanne. You ought to wear armour and a
helmet." His voice ceased and began again. "What are you thinking of?"

"I don't know. I don't think much, ever."

She was wondering what _he_ would think if he knew.

She wondered what the farm would be like without him. Would it be what it
was last autumn and winter and in the spring before he came? But she had
been happy all that time without him, even in the hard, frost-biting
winter. When you had gone through that you knew the worst of Barrow Farm.
It made your face coarse, though.

Joan of Arc was a peasant. No wonder she was beginning to look like her.
If John went--

"John, shall you stay on here?"

"I don't know. I shall stick to farming if that's what you mean. Though
it isn't what I wanted."

"What did you want?"

"To go into the Army."

"Why didn't you then?"

"They wouldn't have me. There's something wrong with my eyes.... So the
land's got me instead."

"Me too. We ought to have been doing this all our lives."

"We'll jolly well have to. We shall never be any good indoors again."

"Has old Burton said anything?"

"I'm getting on. I can drive as straight a furrow as any man in
Gloucestershire. I've told my father that. He detests me; but he'd say
you ought to work up from the plough-tail, if you _must_ farm. He turned
all of us through his workshops before he took us into the business. He
liked to see us soaked in dirt and oil, crawling on our stomachs under
his engines. He'd simply love to see me here standing up to my knees in
wet cow-dung."

"He won't mind your leaving him?"

"Not if I make a good thing out of this. Anyhow he knows he can't keep me
off it. If I can't fight I'll farm. It's in my blood and nerves and
memory. He sits there selling motor cars, but his people were fighting
men. They fought to get land; they fought to keep it. My mother's people,
the Rodens, were yeoman farmers. That's why my furrow's so straight."

"And that's why you came here?"

"No. That isn't why."

"Aren't you glad you came? Did you ever feel anything like the
peace of it?"

"It's not the peace of it I want, Charlotte,--Jeanne, I mean. It's
the fight. Fighting with things that would kill you if you didn't.
Wounding the earth to sow in it and make it feed you. Ploughing,
Charlotte--Jeanne. Feeling the thrust and the drive through, and the
thing listing over on the slope. Seeing the steel blade shine, and the
long wounds coming in rows, hundreds of wounds, wet and shining."

"What makes you think of wounds?"

"I don't know. I see it like that. Cutting through."

"I don't see it like that one bit. The earth's so kind, so beautiful. And
the hills--look at them, the clean, quiet backs, smoothed with light. You
could stroke them. And the fields, those lovely coloured fans opening and
shutting."

"They're lovely because of what's been done to them. If those hills had
been left to themselves there'd have been nothing on them but trees.
Think of the big fight with the trees, the hacking through, the cutting.
The trunks staggering and falling. You'd begin with a little hole in the
forest like that gap in the belt on the sky-line, and you'd go on hacking
and cutting. You'd go on.... If you didn't those damned trees would come
up round you and jam you between their trunks and crush you to red
pulp.... Supposing this belt of beeches drew in and got tighter and
tighter--No. There's nothing really kind and beautiful on this earth.
Except your face. And even your face--"

"My face?--"

"_Could_ be cruel. But it never will be. Something's happened to it. Some
cruelty. Some damnable cruelty."

"What makes you think so?"

"Every kind and beautiful thing on earth, Jeanne, has been made so by
some cruelty."

"That's all rot. Utter rot. You don't know what you're talking
about.... It's milking time. There's Gwinnie semaphoring. Do you know old
Burton's going to keep us on? He'll pay us wages from this quarter. He
says we were worth our keep from the third day."

"Do you want to stay on here?"

"Rather."

"Very well then, so do I. That settles it."

"Get up," she said, "and come along. Gwinnie's frantic."

He sat up, bowed forwards, his hands hanging loose over his knees.
She stood and looked down at him, at the arch of his long, slender
back dropping to the narrow hips. She could feel the sudden crush of
her breath in her chest and the sighing throb in her throat and her
lips parting.

He grasped the hands she stretched out to him at arms' length. She set
her teeth and pressed her feet to the ground, and leaned back, her weight
against his weight, tugging.

He came up to his feet, alert, laughing at the heavy strength of her
pull. As they ran down the field he still held, loosely, like a thing
forgotten, her right hand.

       *       *       *       *       *

Through the long June night on her bed in the room under the gable--the
hot room that smelt of plaster and of the apples stored in the loft
behind it--she lay thinking.

Gwinnie had turned her back, burrowing into her pillow with a final shrug
of her hips. She was asleep now in her corner.

"If I were you I wouldn't think about him, Sharlie"--She knew what
Gwinnie meant. But thinking was one thing and caring was another.
Thinking was the antidote to caring. If she had let her mind play freely
over Gibson Herbert in the beginning--But Gibson stopped her thinking,
and John Conway made her think. That was the difference.

There was nothing about John that was like Gibson. Not a look, not a
gesture, not the least thought in his mind. His mind was like his
body, clean and cold and beautiful. Set on fire only by dreams; loving
you in a dream, a dream that burned him up and left him cold to you.
Cold and clean.

There were things she laid up against him, the poor dear; a secret hoard
of grievances now clear to her in the darkness; she found herself turning
them over and over, as if positively her mind owed his romantic apathy a
grudge. Little things she remembered. Three things.

Yesterday in the hayfield, John pitching hay on to the cart, and she
standing on the top of the load, flattening down the piles as he swung
them up. Gwinnie came with a big fork, swanking, for fun, trying to pitch
a whole haycock. In the dark of the room she could see Gwinnie's little
body straining back from the waist, her legs stiffening, her face pink
and swollen; and John's face looking at Gwinnie.

She shouted down at him, "Why can't you _take_ the damned thing? She'll
break her back with it." And he shouted up, "That's her look-out." (But
he took it.) He didn't like Gwinnie.

That time. And the time Cowslip calved, the darling choosing the one
night old Burton was away and Jim down with flu. She had to hold the
lantern. Straw littered in the half-lighted shed. Cowslip swinging her
bald-faced head round to you, her humble, sorrowful eyes imploring,
between her groans and the convulsive heavings of her flanks. A noise
between a groan and a bellow, a supreme convulsion. The dark wall, the
white funnel of light from the lantern, and John's face in the flash....

But he had been sorry for Cowslip. Going out with the lantern afterwards
she had found him in the yard, by the wall, bent double, shivering and
retching. And she had sung out to him "Buck up, John. She's licked it
clean. It's the dearest little calf you ever saw."

Pity. Pity could drag your face tight and hard, like Burton's when his
mare, Jenny, died of colic.

But before that--the night they went to Stow Fair together; crossing
the street at the sharp turn by the church gate, something happened.
They hadn't heard the motor car coming; it was down on them before they
could see it, swerving round her side of the street. He had had his
hand tight on her arm to steer her through the crowd. When the car
came ... when the car came ... he let go and jumped clean to the curb.
She could feel the splash-board graze her thigh, as she sprang clear of
it, quick, like a dog.

She was sure he jumped first. She was sure he hadn't let her go before
the car came. She could see the blaze of the lamps and feel his grip
slacken on her arm.

She wasn't sure. He couldn't have jumped. He couldn't have let go. Of
course he hadn't. She had imagined it. She imagined all sorts of things.
If she could make them bad enough she would stop thinking about him; she
would stop caring. She didn't want to care.

       *       *       *       *       *

"Charlotte--when I die, that's where I'd like to be buried."

Coming back from Bourton market they had turned into the churchyard on
the top of Stow-hill. The long path went straight between the stiff yew
cones through the green field set with graves.

"On the top, so high up you could almost breathe in your coffin here."

"I don't want to breathe in my coffin. When I'm dead I'm dead, and when
I'm alive I'm alive. Don't talk about dying."

"Why not? Think of the gorgeous risk of it--the supreme toss up. After
all, death's the most thrilling thing that happens."

"Whose death?"

"My death."

"Don't _talk_ about it."

"Your death then."

"Oh, mine--"

"Our death, Jeanne."

He turned to her in the path. His mouth was hard now, but his eyes shone
at her, smiling, suddenly warm, suddenly tender.

She knew herself then; she knew there was one cruelty, one brutality
beyond bearing, John's death.




IV


John had gone away for a week.

If she could tire herself out, and not dream. In the slack days between
hay-time and harvest she was never tired enough. She lay awake, teased by
the rucking of the coarse hot sheet under her back, and the sweat that
kept on sliding between her skin and her night gown. And she dreamed.

She was waiting in the beech ring on the top of the field. Inside the
belt of the tree trunks a belt of stones grew up, like the wall of the
garden. It went higher and higher and a hole opened in it, a long slit.
She stuck her head through the hole to look out over the hills.

This was the watch-tower. She knew, as if she remembered it, that John
had told her to go up and wait for him there; she was keeping watch for
him on the tower.

Grey mist flowed over the field like water. He was down there in the
field. If she went to him he would take her in his arms.

She was walking now on the highway to Bourton-on-the-Hill. At the dip
after the turn shallow water came out of the grass borders and ran
across the road, cold to her naked feet. She knew that something was
happening to John. He had gone away and she had got to find him and
bring him back. She had got to find the clear hill where the battleship
sailed over the field.

Instead of the ship she found the Barrow Farm beeches. They stood in a
thick ring round a clearing of grey grass and grey light. John was
standing there with a woman. She turned and showed her sharp face, the
colour of white clay, her long evil nose, her eyes tilted corner and the
thin tail of her mouth, writhing. That was Miss Lister who had been in
Gibson's office. She had John now.

Forms without faces, shrouded white women, larvae slipped from the black
grooves of the beech trunks; they made a ring round him with their
bodies, drew it in tighter and tighter. The grey light beat like a pulse
with the mounting horror.

She cried out his name, and her voice sounded tragic and immense; sharp
like a blade of lightning screaming up to the top of the sky. A black
iron curtain crashed down before her and cut off the dream.

Gwinnie looked up over the crook of her knee from the boot she was
lacing.

"You made no end of a row in your sleep, Sharlie."

       *       *       *       *       *

She had dreamed about him again, the next night. He was walking with her
on the road from the town to the Farm. By the lime kiln at the turn he
disappeared. He had never been there, really.

She had gone out to look for him. The road kept on curling round like a
snake, bringing her back and back to the white gate of the Farm.

When she got through the gate she stepped off the field on to the low
bridge over a black canal. The long, sharp-pointed road cut straight as a
dyke through the flat fields, between two lines of slender trees, tall
poles with tufted tops.

She knew she was awake now because the light whitened and the wind moved
in the tree tufts and the road felt hard under her feet. When she came to
the village, to the long grey walls with narrow shutters, she knew John
was there. He came down the street towards the canal bridge. A group of
women and children walked with him, dressed in black. Dutch women. Dutch
babies. She could see their overalls and high caps and large, upturned
shoes very black and distinct in the white light. This was real.

They pointed their fingers and stared at her with secretive, inimical
faces. Terror crept in over the street, subtle, drifting and penetrating
like an odour.

John's face was happy and excited; that was how she knew him. His face
was real, its happiness and excitement were real. But as he passed her it
changed; it turned on her with a look she didn't know. Eyes of hatred,
eyes that repudiated and betrayed her.

       *       *       *       *       *

The third night; the third dream.

She had lost John and was looking for him; walking a long time through a
country she could no longer see or remember. She came out of blank space
to the river bridge and the red town. She could see the road
switchbacking over the bridge and turning sharp and slanting up the river
bank to the ramparts.

Red fortresses above the ramparts, a high red town above the fortresses,
a thin red tower above the town. The whole thing looked dangerous and
unsteady, as if any minute it would topple over. She knew John was there.
Something awful was happening to him, and he wanted her.

When she stepped on the bridge the river swelled and humped itself up to
the arch. It flooded. The bridge walls made a channel for the gush. It
curled over the bank and came curving down the slant road from the
ramparts, heavy and clear, like melted glass.

She climbed up and up through the water and round behind the fortress to
the street at the top. She could see the thin tower break and lean
forward like a red crane above the houses. She had to get to the top
before the street fell down. John was shut up in the last house. She ran
under the tower as it fell.

The house stood still, straight and tall. John was lying in the dark room
behind the closed shutters. He wanted her. She could hear him calling to
her "Jeanne! Jeanne!" She couldn't see in. She couldn't open the door.

"Jeanne!"

The wall split off and leaned forward.

She woke suddenly to the tapping and splashing of the rain.




V


Feeding time and milking time were done; in his jutting room over the
door-place John was washing and dressing for Sunday evening. He called
out to her through his window, "Go up to our seat and wait for me there."

He had come back again, suddenly, that morning, a day before they had
expected him.

Charlotte came out of the hot field into the cool room of the beech ring.
She sniffed up the clean, sharp smell of sap from the rough seat that she
and John had put up there, sawing and hacking and hammering all Sunday
afternoon. Every evening when the farm work was done they would sit there
together, inside the round screen of the beeches.

The farm people wouldn't disturb them; not even Mr. Burton, now, looking
in, smiling the fat, benevolent smile that blessed them, and going away;
the very calves were so well used to them that they had left off pushing
their noses through the tree trunks and staring.

John's window faced her where she sat; she could see his head passing and
passing across the black window space. To her sharp, waiting soul Barrow
Farm took on a sudden poignant and foreign beauty. The house was yellow
where the rain had soaked it, gold yellow like a sun-struck southern
house, under the black plume of the firs, a yellow that made the sky's
blue solid and thick. The grass, bright green after the rain, stretched
with the tight smoothness of velvet over the slopes and ridges of the
field. A stripe of darker green, where their feet had trodden down the
blades, led straight as a sheep's track from the garden gate to the
opening of the ring.

To think that she had dreamed bad dreams in a place like this. She
thought: "There must be something wrong about me, anyhow, to dream bad
dreams about John."

John was coming up the field, walking slowly, his hands thrust in his
pockets, his eyes fixed steadily on a point in front of him that his mind
didn't see, drawn back in some intense contemplation. He strolled into
the ring so slowly that she had time to note the meditative gestures of
his shoulders and chin. He stood beside her, very straight and tall, not
speaking, still hiding his hands in his pockets, keeping up to the last
minute his pose of indestructible tranquillity. He was so close that she
could hear his breathing and feel his coat brushing her shoulder.

He seated himself, slowly, without a break in the silence of his
meditation.

She knew that something wonderful and beautiful was going to happen. It
had happened; it was happening now, growing more certain and more real
with every minute that she waited for John to say something. If nothing
changed, if this minute that she was living now prolonged itself, if it
went on for ever and ever, that would be happiness enough.

If she could keep still like this for ever--Any movement would be
dangerous. She was afraid almost to breathe.

Then she remembered. Of course, she would have to _tell_ him.

She could feel the jerk and throb in John's breathing, measuring off the
moments of his silence. Her thoughts came and went. "When he says he
cares for me I shall have to tell him"--"This is going on for ever. If he
cared for me he would have said it before now."--"It doesn't matter. He
can care or not as he likes. Nothing can stop my caring."

Then she was aware of her will, breaking through her peace, going out
towards him, fastening on his mind to make him care; to make him say he
cared, now, this minute. She was aware of her hands, clenched and
unclenched, pressing the sharp edge of the seat into their palms as she
dragged back her will.

She was quiet now.

John was looking at his own loose clasped hands and smiling. "Yes," he
said, "yes. Yes." It was as if he had said, "This will go on. Nothing
more than this can ever happen. But as long as we live it will go on."

She had a sense almost of relief.

"Charlotte--"

"John--"

"You asked me why I came here. You must have known why."

"I didn't. I don't."

"Can't you think?"

"No, John. I've left off thinking. _My_ thinking's never any use."

"If you _did_ think you'd know it was you."

"_Me_?"

"If it wasn't you just at first it was your face. There are faces that do
things to you, that hurt you when they're not there. Faces of people you
don't know in the least. You see them once and they never let you alone
till you've seen them again. They draw you after them, back and back.
You'd commit any sin just to see them again once....

"... You've got that sort of face. When I saw you the first time--Do
you remember? You came towards me over the field. You stopped and
spoke to me."

"Supposing I hadn't?"

"It wouldn't have mattered. I'd have followed you just the same. Wherever
you'd gone I'd have gone, too. I very nearly turned back then."

She remembered. She saw him standing in the road at the turn.

"I knew I had to see you again. But I waited two days to make sure. Then
I came ...

"... And when I'd gone I kept on seeing your face. It made me come back
again. And the other day--I tried to get away from you. I didn't mean to
come back; but I had to. I can't stand being away from you. And yet--

"... Oh well--there it is. I had to tell you ... I couldn't if I didn't
trust you."

"You tried to get away from me--You didn't mean to come back."

"I tell you I _had_ to. It's no use trying."

"But you didn't want to come back.... _That's_ why I dreamed about you."

"Did you dream about me?"

"Yes. Furiously. Three nights running. I dreamed you'd got away and when
I'd found you a black thing came down and cut you off. I dreamed you'd
got away again, and I met you in a foreign village with a lot of foreign
women, and you looked at me and I knew you hated me. You wouldn't know
me. You went by without speaking and left me there."

"My God--you thought I could do that?"

"I dreamed it. You don't think in dreams. You feel. You see things."

"You see things that don't exist, that never can exist, things you've
thought about people. If I thought that about myself, Jeanne, I'd blow my
brains out now, so that it shouldn't happen."

"That wasn't the worst dream. The third was the worst. You were in a
dreadful, dangerous place. Something awful was happening, and you wanted
me, and I couldn't get to you."

"No, that wasn't the worst dream. I _did_ want you, and you knew it."

She thought: "He cares. He doesn't want to care, but he does. And he
trusts me. I shall have to tell him ..."

"There's something," she said, "I've got to tell you."

       *       *       *       *       *

He must have known. He must have guessed.

He had listened with a gentle, mute attention, as you listen to a story
about something that you remember, that interests you still, his eyes
fixed on his own hands, his clear, beautiful face dreamy and inert.

"You see," he said, "you did trust me. You wouldn't tell me all that if
you didn't."

"Of course I trust you. I told you because you trusted me. I thought--I
thought you ought to know. I daresay you did know--all the time."

"No. No, I didn't. I shouldn't have believed it was in you."

"It isn't in me now. It's gone clean out of me. I shall never want that
sort of thing again."

"I know _that_." He said it almost irritably. "I mean I shouldn't have
thought you could have cared for a brute like that.... But the brutes
women _do_ care for ..."

"I suppose I did care. But I don't feel as if I'd cared. I don't feel as
if it had ever really happened. I can't believe it did. You see, I've
forgotten such a lot of it. I couldn't have believed that once, that you
could go and do a thing like that and forget about it. You'd have thought
you'd remember it as long as you lived."

"You couldn't live if you remembered...."

"Oh, John, do you think it was as horrible as all that?"

His face moved, flashed into sudden passion.

"I think _he_ was as horrible as that. He makes it
horrible--inconceivably horrible."

"But--he wasn't."

"You've told me. He was cruel to you. And he lied and funked."

"It wasn't like him--it wasn't _like_ him to lie and funk. It was my
fault. I made the poor thing jumpy. I let him run such whopping risks.
_The_ horrible thing is thinking what I made him."

"He was a liar and a coward, Charlotte; a swine."

"I tell you he _wasn't_. Oh, why are we so beastly hard on each other?
Everybody's got their breaking-point. I don't lie about the things he
lied about; I don't funk the things he funked. But when my time comes I
daresay I shall funk and lie."

"Charlotte--are you sure you don't care for him?"

"Of course I'm sure. I told you I'd forgotten all about it. _This_ is
what I shall remember all my life. Your being here, my being with you.
It's the _real_ thing."