'Well, well, dear Collatine, thou shalt not know
The stained taste of violated troth;
I will not wrong thy true affection so,
To flatter thee with an infringed oath;
This bastard graff shall never come to growth:
  He shall not boast who did thy stock pollute
  That thou art doting father of his fruit.

Nor shall he smile at thee in secret thought,
Nor laugh with his companions at thy state;
But thou shalt know thy interest was not bought
Basely with gold, but stolen from forth thy gate.
For me, I am the mistress of my fate,
  And with my trespass never will dispense,
  Till life to death acquit my forced offence.

'I will not poison thee with my attaint,
Nor fold my fault in cleanly-coin'd excuses;
My sable ground of sin I will not paint,
To hide the truth of this false night's abuses;
My tongue shall utter all; mine eyes, like sluices,
  As from a mountain-spring that feeds a dale,
  Shall gush pure streams to purge my impure tale.'

By this; lamenting Philomel had ended
The well-tun'd warble of her nightly sorrow,
And solemn night with slow-sad gait descended
To ugly hell; when, lo, the blushing morrow
Lends light to all fair eyes that light will borrow:
  But cloudy Lucrece shames herself to see,
  And therefore still in night would cloister'd be.

Revealing day through every cranny spies,
And seems to point her out where she sits weeping,
To whom she sobbing speaks: 'O eye of eyes,
Why pryest thou through my window? leave thy peeping;
Mock with thy tickling beams eyes that are sleeping:
  Brand not my forehead with thy piercing light,
  For day hath nought to do what's done by night.'

Thus cavils she with every thing she sees:
True grief is fond and testy as a child,
Who wayward once, his mood with nought agrees.
Old woes, not infant sorrows, bear them mild;
Continuance tames the one: the other wild,
  Like an unpractis'd swimmer plunging still
  With too much labour drowns for want of skill.

So she, deep-drenched in a sea of care,
Holds disputation with each thing she views,
And to herself all sorrow doth compare;
No object but her passion's strength renews;
And as one shifts, another straight ensues:
  Sometime her grief is dumb and hath no words;
  Sometime 'tis mad, and too much talk affords.

The little birds that tune their morning's joy
Make her moans mad with their sweet melody.
For mirth doth search the bottom of annoy;
Sad souls are slain in merry company:
Grief best is pleas'd with grief's society:
  True sorrow then is feelingly suffic'd
  When with like semblance it is sympathiz'd.

'Tis double death to drown in ken of shore;
He ten times pines that pines beholding food;
To see the salve doth make the wound ache more;
Great grief grieves most at that would do it good;
Deep woes roll forward like a gentle flood;
  Who, being stopp'd, the bounding banks o'erflows;
  Grief dallied with nor law nor limit knows.

'You mocking birds,' quoth she, 'your tunes entomb
Within your hollow-swelling feather'd breasts,
And in my hearing be you mute and dumb!
(My restless discord loves no stops nor rests;
A woeful hostess brooks not merry guests:)
  Relish your nimble notes to pleasing ears;
  Distress likes dumps when time is kept with tears.

'Come, Philomel, that sing'st of ravishment,
Make thy sad grove in my dishevell'd hair:
As the dank earth weeps at thy languishment,
So I at each sad strain will strain a tear,
And with deep groans the diapason bear:
  For burthen-wise I'll hum on Tarquin still,
  While thou on Tereus descant'st better skill.

'And whiles against a thorn thou bear'st thy part,
To keep thy sharp woes waking, wretched I,
To imitate thee well, against my heart
Will fix a sharp knife, to affright mine eye;
Who, if it wink, shall thereon fall and die.
  These means, as frets upon an instrument,
  Shall tune our heart-strings to true languishment.

'And for, poor bird, thou sing'st not in the day,
As shaming any eye should thee behold,
Some dark deep desert, seated from the way,
That knows not parching heat nor freezing cold,
Will we find out; and there we will unfold
  To creatures stern sad tunes, to change their kinds:
  Since men prove beasts, let beasts bear gentle minds.'

As the poor frighted deer, that stands at gaze,
Wildly determining which way to fly,
Or one encompass'd with a winding maze,
That cannot tread the way out readily;
So with herself is she in mutiny,
  To live or die which of the twain were better,
  When life is sham'd, and Death reproach's debtor.

'To kill myself,' quoth she, 'alack! what were it,
But with my body my poor soul's pollution?
They that lose half with greater patience bear it
Than they whose whole is swallow'd in confusion.
That mother tries a merciless conclusion
  Who, having two sweet babes, when death takes one,
  Will slay the other, and be nurse to none.

'My body or my soul, which was the dearer,
When the one pure, the other made divine?
Whose love of either to myself was nearer?
When both were kept for heaven and Collatine?
Ah, me! the bark peel'd from the lofty pine,
  His leaves will wither, and his sap decay;
  So must my soul, her bark being peel'd away.

'Her house is sack'd, her quiet interrupted,
Her mansion batter'd by the enemy;
Her sacred temple spotted, spoil'd, corrupted,
Grossly engirt with daring infamy:
Then let it not be call'd impiety,
  If in this blemish'd fort I make some hole
  Through which I may convey this troubled soul.

'Yet die I will not till my Collatine
Have heard the cause of my untimely death;
That he may vow, in that sad hour of mine,
Revenge on him that made me stop my breath.
My stained blood to Tarquin I'll bequeath,
  Which by him tainted shall for him be spent,
  And as his due writ in my testament.

'My honour I'll bequeath unto the knife
That wounds my body so dishonoured.
'Tis honour to deprive dishonour'd life;
The one will live, the other being dead:
So of shame's ashes shall my fame be bred;
  For in my death I murther shameful scorn:
  My shame so dead, mine honour is new-born.

'Dear lord of that dear jewel I have lost,
What legacy shall I bequeath to thee?
My resolution, Love, shall be thy boast,
By whose example thou reveng'd mayst be.
How Tarquin must be used, read it in me:
  Myself, thy friend, will kill myself, thy foe,
  And, for my sake, serve thou false Tarquin so.

'This brief abridgement of my will I make:
My soul and body to the skies and ground;
My resolution, husband, do thou take;
Mine honour be the knife's that makes my wound;
My shame be his that did my fame confound;
  And all my fame that lives disburs'd be
  To those that live, and think no shame of me.

'Thou, Collatine, shalt oversee this will;
How was I overseen that thou shalt see it!
My blood shall wash the slander of mine ill;
My life's foul deed my life's fair end shall free it.
Faint not, faint heart, but stoutly say "so be it:"
  Yield to my hand; my hand shall conquer thee;
  Thou dead, both die, and both shall victors be.'

This plot of death when sadly she had laid,
And wip'd the brinish pearl from her bright eyes,
With untun'd tongue she hoarsely call'd her maid,
Whose swift obedience to her mistress hies;
For fleet-wing'd duty with thought's feathers flies.
  Poor Lucrece' cheeks unto her maid seem so
  As winter meads when sun doth melt their snow.

Her mistress she doth give demure good-morrow,
With soft-slow tongue, true mark of modesty,
And sorts a sad look to her lady's sorrow,
(For why her face wore sorrow's livery,)
But durst not ask of her audaciously
  Why her two suns were cloud-eclipsed so,
  Nor why her fair cheeks over-wash'd with woe.

But as the earth doth weep, the sun being set,
Each flower moisten'd like a melting eye;
Even so the maid with swelling drops 'gan wet
Her circled eyne, enforc'd by sympathy
Of those fair suns, set in her mistress' sky,
  Who in a salt-wav'd ocean quench their light,
  Which makes the maid weep like the dewy night.

A pretty while these pretty creatures stand,
Like ivory conduits coral cisterns filling:
One justly weeps; the other takes in hand
No cause, but company, of her drops spilling:
Their gentle sex to weep are often willing:
  Grieving themselves to guess at others' smarts,
  And then they drown their eyes or break their hearts.

For men have marble, women waxen minds,
And therefore are they form'd as marble will;
The weak oppress'd, the impression of strange kinds
Is form'd in them by force, by fraud, or skill:
Then call them not the authors of their ill,
  No more than wax shall be accounted evil,
  Wherein is stamp'd the semblance of a devil.

Their smoothness, like a goodly champaign plain,
Lays open all the little worms that creep;
In men, as in a rough-grown grove, remain
Cave-keeping evils that obscurely sleep:
Through crystal walls each little mote will peep:
  Though men can cover crimes with bold stern looks,
  Poor women's faces are their own faults' books.

No man inveigb against the wither'd flower,
But chide rough winter that the flower hath kill'd!
Not that devour'd, but that which doth devour,
Is worthy blame.  O, let it not be hild
Poor women's faults, that they are so fulfill'd
  With men's abuses! those proud lords, to blame,
  Make weak-made women tenants to their shame.

The precedent whereof in Lucrece view,
Assail'd by night with circumstances strong
Of present death, and shame that might ensue
By that her death, to do her husband wrong:
Such danger to resistance did belong;
  The dying fear through all her body spread;
  And who cannot abuse a body dead?

By this, mild Patience bid fair Lucrece speak
To the poor counterfeit of her complaining:
'My girl,' quoth she, 'on what occasion break
Those tears from thee, that down thy cheeks are raining?
If thou dost weep for grief of my sustaining,
  Know, gentle wench, it small avails my mood:
  If tears could help, mine own would do me good.

'But tell me, girl, when went'--(and there she stay'd            
Till after a deep groan) 'Tarquin from, hence?'
'Madam, ere I was up,' replied the maid,
'The more to blame my sluggard negligence:
Yet with the fault I thus far can dispense;
  Myself was stirring ere the break of day,
  And, ere I rose, was Tarquin gone away.

'But, lady, if your maid may be so bold,
She would request to know your heaviness.'
'O peace!' quoth Lucrece: 'if it should be told,
The repetition cannot make it less;
For more it is than I can well express:
  And that deep torture may be call'd a hell,
  When more is felt than one hath power to tell.

'Go, get me hither paper, ink, and pen--
Yet save that labour, for I have them here.
What should I say?--One of my husband's men
Bid thou be ready, by and by, to bear
A letter to my lord, my love, my dear;
  Bid him with speed prepare to carry it;
  The cause craves haste, and it will soon be writ.'

Her maid is gone, and she prepares to write,
First hovering o'er the paper with her quill:
Conceit and grief an eager combat fight;
What wit sets down is blotted straight with will;
This is too curious-good, this blunt and ill:
  Much like a press of people at a door,
  Throng her inventions, which shall go before.

At last she thus begins:--'Thou worthy lord
Of that unworthy wife that greeteth thee,
Health to thy person! next vouchsafe to afford
(If ever, love, thy Lucrece thou wilt see)
Some present speed to come and visit me:
  So, I commend me from our house in grief:
  My woes are tedious, though my words are brief.'

Here folds she up the tenor of her woe,
Her certain sorrow writ uncertainly.
By this short schedule Collatine may know
Her grief, but not her grief's true quality;
She dares not thereof make discovery,
  Lest he should hold it her own gross abuse,
  Ere she with blood had stain'd her stain'd excuse.

Besides, the life and feeling of her passion
She hoards, to spend when he is by to hear her;
When sighs, and groans, and tears may grace the fashion
Of her disgrace, the better so to clear her
From that suspicion which the world my might bear her.
  To shun this blot, she would not blot the letter
  With words, till action might become them better.

To see sad sights moves more than hear them told;
For then the eye interprets to the ear
The heavy motion that it doth behold,
When every part a part of woe doth bear.
'Tis but a part of sorrow that we hear:
  Deep sounds make lesser noise than shallow fords,
  And sorrow ebbs, being blown with wind of words.

Her letter now is seal'd, and on it writ
'At Ardea to my lord with more than haste;'
The post attends, and she delivers it,
Charging the sour-fac'd groom to hie as fast
As lagging fowls before the northern blast.
  Speed more than speed but dull and slow she deems:
  Extremely still urgeth such extremes.

The homely villain court'sies to her low;
And, blushing on her, with a steadfast eye
Receives the scroll, without or yea or no,
And forth with bashful innocence doth hie.
But they whose guilt within their bosoms lie
  Imagine every eye beholds their blame;
  For Lucrece thought he blush'd to see her shame:

When, silly groom! God wot, it was defect
Of spirit, life, and bold audacity.
Such harmless creatures have a true respect
To talk in deeds, while others saucily
Promise more speed, but do it leisurely:
  Even so this pattern of the worn-out age
  Pawn'd honest looks, but laid no words to gage.

His kindled duty kindled her mistrust,
That two red fires in both their faces blaz'd;
She thought he blush'd, as knowing Tarquin's lust,
And, blushing with him, wistly on him gaz'd;
Her earnest eye did make him more amaz'd:
  The more saw the blood his cheeks replenish,
  The more she thought he spied in her some blemish.

But long she thinks till he return again,
And yet the duteous vassal scarce is gone.
The weary time she cannot entertain,
For now 'tis stale to sigh, to weep, to groan:
So woe hath wearied woe, moan tired moan,
  That she her plaints a little while doth stay,
  Pausing for means to mourn some newer way.

At last she calls to mind where hangs a piece
Of skilful painting, made for Priam's Troy;
Before the which is drawn the power of Greece,
For Helen's rape the city to destroy,
Threat'ning cloud-kissing Ilion with annoy;
  Which the conceited painter drew so proud,
  As heaven (it seem'd) to kiss the turrets bow'd.

A thousand lamentable objects there,
In scorn of Nature, Art gave lifeless life:
Many a dry drop seem'd a weeping tear,
Shed for the slaughter'd husband by the wife:
The red blood reek'd, to show the painter's strife;
  The dying eyes gleam'd forth their ashy lights,
  Like dying coals burnt out in tedious nights.

There might you see the labouring pioner
Begrim'd with sweat, and smeared all with dust;
And from the towers of Troy there would appear
The very eyes of men through loopholes thrust,
Gazing upon the Greeks with little lust:
  Such sweet observance in this work was had,
  That one might see those far-off eyes look sad.

In great commanders grace and majesty
You might behold, triumphing in their faces;
In youth, quick bearing and dexterity;
And here and there the painter interlaces
Pale cowards, marching on with trembling paces;
  Which heartless peasants did so well resemble,
  That one would swear he saw them quake and tremble.

In Ajax and Ulysses, O, what art
Of physiognomy might one behold!
The face of either 'cipher'd either's heart;
Their face their manners most expressly told:
In Ajax' eyes blunt rage and rigour roll'd;
  But the mild glance that sly Ulysses lent
  Show'd deep regard and smiling government.

There pleading might you see grave Nestor stand,
As't were encouraging the Greeks to fight;
Making such sober action with his hand
That it beguiled attention, charm'd the sight:
In speech, it seem'd, his beard, all silver white,
  Wagg'd up and down, and from his lips did fly
  Thin winding breath, which purl'd up to the sky.

About him were a press of gaping faces,
Which seem'd to swallow up his sound advice;
All jointly listening, but with several graces,
As if some mermaid did their ears entice;
Some high, some low, the painter was so nice:
  The scalps of many, almost hid behind,
  To jump up higher seem'd to mock the mind.

Here one man's hand lean'd on another's head,
His nose being shadow'd by his neighbour's ear;
Here one being throng'd bears back, all boll'n and red;
Another smother'd seems to pelt and swear;
And in their rage such signs of rage they bear,
  As, but for loss of Nestor's golden words,
  It seem'd they would debate with angry swords.

For much imaginary work was there;
Conceit deceitful, so compact, so kind,
That for Achilles' image stood his spear,
Grip'd in an armed hand; himself, behind,
Was left unseen, save to the eye of mind:
  A hand, a foot, a face, a leg, a head,
  Stood for the whole to be imagined,

And from the walls of strong-besieged Troy
When their brave hope, bold Hector, march'd to field,
Stood many Trojan mothers, sharing joy
To see their youthful sons bright weapons wield;
And to their hope they such odd action yield,
  That through their light joy seemed to appear,
  (Like bright things stain'd) a kind of heavy fear,

And, from the strond of Dardan, where they fought,
To Simois' reedy banks, the red blood ran,
Whose waves to imitate the battle sought
With swelling ridges; and their ranks began
To break upon the galled shore, and than
  Retire again, till, meeting greater ranks,
  They join, and shoot their foam at Simois' banks.

To this well-painted piece is Lucrece come,
To find a face where all distress is stell'd.
Many she sees where cares have carved some,
But none where all distress and dolour dwell'd,
Till she despairing Hecuba beheld,
  Staring on Priam's wounds with her old eyes,
  Which bleeding under Pyrrhus' proud foot lies.

In her the painter had anatomiz'd
Time's ruin, beauty's wrack, and grim care's reign:
Her cheeks with chops and wrinkles were disguis'd;
Of what she was no semblance did remain:
Her blue blood, chang'd to black in every vein,
  Wanting the spring that those shrunk pipes had fed,
  Show'd life imprison'd in a body dead.

On this sad shadow Lucrece spends her eyes,
And shapes her sorrow to the beldame's woes,
Who nothing wants to answer her but cries,
And bitter words to ban her cruel foes:
The painter was no god to lend her those;
  And therefore Lucrece swears he did her wrong,
  To give her so much grief, and not a tongue.

'Poor instrument,' quoth she, 'without a sound,
I'll tune thy woes with my lamenting tongue;
And drop sweet balm in Priam's painted wound,
And rail on Pyrrhus that hath done him wrong,
And with my tears quench Troy that burns so long;
  And with my knife scratch out the angry eyes
  Of all the Greeks that are thine enemies.

'Show me the strumpet that began this stir,
That with my nails her beauty I may tear.
Thy heat of lust, fond Paris, did incur
This load of wrath that burning Troy doth bear;
Thy eye kindled the fire that burneth here:
  And here in Troy, for trespass of thine eye,
  The sire, the son, the dame, and daughter die.

'Why should the private pleasure of some one
Become the public plague of many mo?
Let sin, alone committed, light alone
Upon his head that hath transgressed so.
Let guiltless souls be freed from guilty woe:
  For one's offence why should so many fall,
  To plague a private sin in general?

'Lo, here weeps Hecuba, here Priam dies,
Here manly Hector faints, here Troilus swounds;
Here friend by friend in bloody channel lies,
And friend to friend gives unadvised wounds,
And one man's lust these many lives confounds:
  Had doting Priam check'd his son's desire,
  Troy had been bright with fame and not with fire.'

Here feelingly she weeps Troy's painted woes:
For sorrow, like a heavy-hanging bell,
Once set on ringing, with his own weight goes;
Then little strength rings out the doleful knell:
So Lucrece set a-work sad tales doth tell
  To pencill'd pensiveness and colour'd sorrow;
  She lends them words, and she their looks doth borrow.

She throws her eyes about the painting round,
And whom she finds forlorn she doth lament:
At last she sees a wretched image bound,
That piteous looks to Phrygian shepherds lent:
His face, though full of cares, yet show'd content;
  Onward to Troy with the blunt swains he goes,
  So mild, that Patience seem'd to scorn his woes.

In him the painter labour'd with his skill
To hide deceit, and give the harmless show
An humble gait, calm looks, eyes wailing still,
A brow unbent, that seem'd to welcome woe;
Cheeks neither red nor pale, but mingled so
  That blushing red no guilty instance gave,
  Nor ashy pale the fear that false hearts have.

But, like a constant and confirmed devil,
He entertain'd a show so seeming just,
And therein so ensconc'd his secret evil,
That jealousy itself cold not mistrust
False-creeping craft and perjury should thrust
  Into so bright a day such black-fac'd storms,
  Or blot with hell-born sin such saint-like forms.

The well-skill'd workman this mild image drew
For perjur'd Sinon, whose enchanting story
The credulous Old Priam after slew;
Whose words, like wildfire, burnt the shining glory
Of rich-built Ilion, that the skies were sorry,
  And little stars shot from their fixed places,
  When their glass fell wherein they view'd their faces.

This picture she advisedly perus'd,
And chid the painter for his wondrous skill;
Saying, some shape in Sinon's was abus'd;
So fair a form lodged not a mind so ill:
And still on him she gaz'd; and gazing still,
  Such signs of truth in his plain face she spied,
  That she concludes the picture was belied.

'It cannot be,' quoth she, 'that so much guile'--
(She would have said) 'can lurk in such a look;'
But Tarquin's shape came in her mind the while,
And from her tongue 'can lurk' from 'cannot' took;
'It cannot be' she in that sense forsook,
  And turn'd it thus: 'It cannot be, I find,
  But such a face should bear a wicked mind:

'For even as subtle Sinon here is painted,
So sober-sad, so weary, and so mild,
(As if with grief or travail he had fainted,)
To me came Tarquin armed; so beguil'd
With outward honesty, but yet defil'd
  With inward vice: as Priam him did cherish,
  So did I Tarquin; so my Troy did perish.

'Look, look, how listening Priam wets his eyes,
To see those borrow'd tears that Sinon sheds.
Priam, why art thou old and yet not wise?
For every tear he falls a Trojan bleeds;
His eye drops fire, no water thence proceeds;
  Those round clear pearls of his that move thy pity,
  Are balls of quenchless fire to burn thy city.

'Such devils steal effects from lightless hell;
For Sinon in his fire doth quake with cold,
And in that cold hot-burning fire doth dwell;
These contraries such unity do hold,
Only to flatter fools, and make them bold;
  So Priam's trust false Sinon's tears doth flatter,
  That he finds means to burn his Troy with water.'

Here, all enrag'd, such passion her assails,
That patience is quite beaten from her breast.
She tears the senseless Sinon with her nails,
Comparing him to that unhappy guest
Whose deed hath made herself herself detest;
  At last she smilingly with this gives o'er;
  'Fool, fool!' quoth she, 'his wounds will not be sore.'

Thus ebbs and flows the current of her sorrow,
And time doth weary time with her complaining.
She looks for night, and then she longs for morrow,
And both she thinks too long with her remaining:
Short time seems long in sorrow's sharp sustaining.
  Though woe be heavy, yet it seldom sleeps;
  And they that watch see time how slow it creeps.

Which all this time hath overslipp'd her thought,
That she with painted images hath spent;
Being from the feeling of her own grief brought
By deep surmise of others' detriment:
Losing her woes in shows of discontent.
  It easeth some, though none it ever cur'd,
  To think their dolour others have endur'd.

But now the mindful messenger, come back,
Brings home his lord and other company;
Who finds his Lucrece clad in mourning black:
And round about her tear-distained eye
Blue circles stream'd, like rainbows in the sky.
  These water-galls in her dim element
  Foretell new storms to those already spent.

Which when her sad-beholding husband saw,
Amazedly in her sad face he stares:
Her eyes, though sod in tears, look'd red and raw,
Her lively colour kill'd with deadly cares.
He hath no power to ask her how she fares,
  Both stood, like old acquaintance in a trance,
  Met far from home, wondering each other's chance.

At last he takes her by the bloodless hand,
And thus begins: 'What uncouth ill event
Hath thee befall'n, that thou dost trembling stand?
Sweet love, what spite hath thy fair colour spent?
Why art thou thus attir'd in discontent?
  Unmask, dear dear, this moody heaviness,
  And tell thy grief, that we may give redress.'

Three times with sighs she gives her sorrow fire,
Ere once she can discharge one word of woe:
At length address'd to answer his desire,
She modestly prepares to let them know
Her honour is ta'en prisoner by the foe;
  While Collatine and his consorted lords
  With sad attention long to hear her words.

And now this pale swan in her watery nest
Begins the sad dirge of her certain ending:
'Few words,' quoth she, 'shall fit the trespass best,
Where no excuse can give the fault amending:
In me more woes than words are now depending;
  And my laments would be drawn out too long,
  To tell them all with one poor tired tongue.

'Then be this all the task it hath to say:--
Dear husband, in the interest of thy bed
A stranger came, and on that pillow lay
Where thou wast wont to rest thy weary head;
And what wrong else may be imagined
  By foul enforcement might be done to me,
  From that, alas! thy Lucrece is not free.

'For in the dreadful dead of dark midnight,
With shining falchion in my chamber came
A creeping creature, with a flaming light,
And softly cried Awake, thou Roman dame,
And entertain my love; else lasting shame
  On thee and thine this night I will inflict,
  If thou my love's desire do contradict.

'For some hard-favour'd groom of thine, quoth he,
Unless thou yoke thy liking to my will,
I'll murder straight, and then I'll slaughter thee
And swear I found you where you did fulfil
The loathsome act of lust, and so did kill
  The lechers in their deed: this act will be
  My fame and thy perpetual infamy.

'With this, I did begin to start and cry,
And then against my heart he sets his sword,
Swearing, unless I took all patiently,
I should not live to speak another word;
So should my shame still rest upon record,
  And never be forgot in mighty Rome
  The adulterate death of Lucrece and her groom.

'Mine enemy was strong, my poor self weak,
And far the weaker with so strong a fear:
My bloody judge forbade my tongue to speak;
No rightful plea might plead for justice there:
His scarlet lust came evidence to swear
  That my poor beauty had purloin'd his eyes;
  And when the judge is robb'd the prisoner dies.

'O, teach me how to make mine own excuse!
Or at the least this refuge let me find;
Though my gross blood be stain'd with this abuse,
Immaculate and spotless is my mind;
That was not forc'd; that never was inclin'd
  To accessary yieldings, but still pure
  Doth in her poison'd closet yet endure.'

Lo, here, the hopeless merchant of this loss,
With head declin'd, and voice damm'd up with woe,
With sad set eyes, and wretched arms across,
From lips new-waxen pale begins to blow
The grief away that stops his answer so:
  But wretched as he is he strives in vain;
  What he breathes out his breath drinks up again.

As through an arch the violent roaring tide
Outruns the eye that doth behold his haste;
Yet in the eddy boundeth in his pride
Back to the strait that forc'd him on so fast;
In rage sent out, recall'd in rage, being past:
  Even so his sighs, his sorrows make a saw.
  To push grief on, and back the same grief draw.

Which speechless woe of his poor she attendeth,
And his untimely frenzy thus awaketh:
'Dear Lord, thy sorrow to my sorrow lendeth
Another power; no flood by raining slaketh.
My woe too sensible thy passion maketh
  More feeling-painful: let it then suffice
  To drown one woe, one pair of weeping eyes.

'And for my sake, when I might charm thee so,
For she that was thy Lucrece,--now attend me;
Be suddenly revenged on my foe,
Thine, mine, his own: suppose thou dost defend me
From what is past: the help that thou shalt lend me
  Comes all too late, yet let the traitor die;
  For sparing justice feeds iniquity.

'But ere I name him, you fair lords,' quoth she,
(Speaking to those that came with Collatine)
'Shall plight your honourable faiths to me,
With swift pursuit to venge this wrong of mine;
For 'tis a meritorious fair design
  To chase injustice with revengeful arms:
  Knights, by their oaths, should right poor ladies' harms.'

At this request, with noble disposition
Each present lord began to promise aid,
As bound in knighthood to her imposition,
Longing to hear the hateful foe bewray'd.
But she, that yet her sad task hath not said,
  The protestation stops. 'O, speak,' quoth she,
 'How may this forced stain be wip'd from me?

'What is the quality of mine offence,
Being constrain'd with dreadful circumstance?
May my pure mind with the foul act dispense,
My low-declined honour to advance?
May any terms acquit me from this chance?
  The poison'd fountain clears itself again;
  And why not I from this compelled stain?

With this, they all at once began to say,
Her body's stain her mind untainted clears;
While with a joyless smile she turns away
The face, that map which deep impression bears
Of hard misfortune, carv'd in it with tears.
  'No, no,' quoth she, 'no dame, hereafter living,
  By my excuse shall claim excuse's giving.

Here with a sigh, as if her heart would break,
She throws forth Tarquin's name: 'He, he,' she says,
But more than 'he' her poor tongue could not speak;
Till after many accents and delays,
Untimely breathings, sick and short assays,
  She utters this: 'He, he, fair lords, 'tis he,
  That guides this hand to give this wound to me.'

Even here she sheathed in her harmless breast
A harmful knife, that thence her soul unsheath'd:
That blow did bail it from the deep unrest
Of that polluted prison where it breath'd:
Her contrite sighs unto the clouds bequeath'd
  Her winged sprite, and through her wounds doth fly
  Life's lasting date from cancell'd destiny.

Stone-still, astonish'd with this deadly deed,
Stood Collatine and all his lordly crew;
Till Lucrece' father that beholds her bleed,
Himself on her self-slaughter'd body threw;
And from the purple fountain Brutus drew
  The murderous knife, and, as it left the place,
  Her blood, in poor revenge, held it in chase;

And bubbling from her breast, it doth divide
In two slow rivers, that the crimson blood
Circles her body in on every side,
Who, like a late-sack'd island, vastly stood
Bare and unpeopled, in this fearful flood.
  Some of her blood still pure and red remain'd,
  And some look'd black, and that false Tarquin stain'd.

About the mourning and congealed face
Of that black blood a watery rigol goes,
Which seems to weep upon the tainted place:
And ever since, as pitying Lucrece' woes,
Corrupted blood some watery token shows;
  And blood untainted still doth red abide,
  Blushing at that which is so putrified.

'Daughter, dear daughter,' old Lucretius cries,
'That life was mine which thou hast here depriv'd.
If in the child the father's image lies,
Where shall I live now Lucrece is unliv'd?
Thou wast not to this end from me deriv'd
  If children pre-decease progenitors,
  We are their offspring, and they none of ours.

'Poor broken glass, I often did behold
In thy sweet semblance my old age new born;
But now that fair fresh mirror, dim and old,
Shows me a bare-bon'd death by time outworn;
O, from thy cheeks my image thou hast torn!
  And shiver'd all the beauty of my glass,
  That I no more can see what once I was!

'O time, cease thou thy course and last no longer,
If they surcease to be that should survive.
Shall rotten death make conquest of the stronger,
And leave the faltering feeble souls alive?
The old bees die, the young possess their hive:
  Then live, sweet Lucrece, live again, and see
  Thy father die, and not thy father thee!'

By this starts Collatine as from a dream,
And bids Lucretius give his sorrow place;
And then in key-cold Lucrece' bleeding stream
He falls, and bathes the pale fear in his face,
And counterfeits to die with her a space;
  Till manly shame bids him possess his breath,
  And live, to be revenged on her death.

The deep vexation of his inward soul
Hath serv'd a dumb arrest upon his tongue;
Who, mad that sorrow should his use control,
Or keep him from heart-easing words so long,
Begins to talk; but through his lips do throng
  Weak words, so thick come in his poor heart's aid,
  That no man could distinguish what he said.

Yet sometime 'Tarquin' was pronounced plain,
But through his teeth, as if the name he tore.
This windy tempest, till it blow up rain,
Held back his sorrow's tide, to make it more;
At last it rains, and busy winds give o'er:
  Then son and father weep with equal strife,
  Who should weep most, for daughter or for wife.

The one doth call her his, the other his,
Yet neither may possess the claim they lay,
The father says 'She's mine,' 'O, mine she is,'
Replies her husband: 'do not take away
My sorrow's interest; let no mourner say
  He weeps for her, for she was only mine,
  And only must be wail'd by Collatine.'

'O,' quoth Lucretius, 'I did give that life
Which she too early and too late hath spill'd.'
'Woe, woe,' quoth Collatine, 'she was my wife,
I owed her, and 'tis mine that she hath kill'd.'
'My daughter' and 'my wife' with clamours fill'd
  The dispers'd air, who, holding Lucrece' life,
  Answer'd their cries, 'My daughter!' and 'My wife!'

Brutus, who pluck'd the knife from Lucrece' side,
Seeing such emulation in their woe,
Began to clothe his wit in state and pride,
Burying in Lucrece' wound his folly's show.
He with the Romans was esteemed so
  As silly-jeering idiots are with kings,
  For sportive words, and uttering foolish things:

But now he throws that shallow habit by,
Wherein deep policy did him disguise;
And arm'd his long-hid wits advisedly,
To check the tears in Collatinus' eyes.
'Thou wronged lord of Rome,' quoth he, 'arise;
  Let my unsounded self, suppos'd a fool,
  Now set thy long-experienc'd wit to school.

'Why, Collatine, is woe the cure for woe?
Do wounds help wounds, or grief help grievous deeds?
Is it revenge to give thyself a blow,
For his foul act by whom thy fair wife bleeds?
Such childish humour from weak minds proceeds:
  Thy wretched wife mistook the matter so,
  To slay herself, that should have slain her foe.

'Courageous Roman, do not steep thy heart
In such relenting dew of lamentations,
But kneel with me, and help to bear thy part,
To rouse our Roman gods with invocations,
That they will suffer these abominations,
 (Since Rome herself in them doth stand disgrac'd,)
  By our strong arms from forth her fair streets chas'd.

'Now, by the Capitol that we adore,
And by this chaste blood so unjustly stain'd,
By heaven's fair sun that breeds the fat earth's store,
By all our country rights in Rome maintain'd,
And by chaste Lucrece' soul that late complain'd
  Her wrongs to us, and by this bloody knife,
  We will revenge the death of this true wife.'

This said, he struck his hand upon his breast,
And kiss'd the fatal knife, to end his vow;
And to his protestation urg'd the rest,
Who, wondering at him, did his words allow;
Then jointly to the ground their knees they bow;
  And that deep vow, which Brutus made before,
  He doth again repeat, and that they swore.

When they had sworn to this advised doom,
They did conclude to bear dead Lucrece thence;
To show her bleeding body thorough Rome,
And so to publish Tarquin's foul offence:
Which being done with speedy diligence,
  The Romans plausibly did give consent
  To Tarquin's everlasting banishment.