cooperation with World Library, Inc., from their Library of the
Etexts that are NOT placed in the Public Domain!!
*This Etext has certain copyright implications you should read!*
<>
in the presentation of The Complete Works of William Shakespeare
for your reading for education and entertainment. HOWEVER, THIS
IS NEITHER SHAREWARE NOR PUBLIC DOMAIN. . .AND UNDER THE LIBRARY
OF THE FUTURE CONDITIONS OF THIS PRESENTATION. . .NO CHARGES MAY
BE MADE FOR *ANY* ACCESS TO THIS MATERIAL. YOU ARE ENCOURAGED!!
TO GIVE IT AWAY TO ANYONE YOU LIKE, BUT NO CHARGES ARE ALLOWED!!
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*These Etexts Prepared By Hundreds of Volunteers and Donations*
further information is included below. We need your donations.
The Complete Works of William Shakespeare
The Tragedy of Romeo and Juliet
June, 1999 [Etext #1777]
The Library of the Future Complete Works of William Shakespeare
Library of the Future is a TradeMark (TM) of World Library Inc.
******This file should be named 1ws1611.txt or 1ws1611.zip*****
Corrected EDITIONS of our etexts get a new NUMBER, 1ws1612.txt
VERSIONS based on separate sources get new NUMBER, 2ws1610.txt
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so. To be sure you have an
up to date first edition [xxxxx10x.xxx] please check file sizes
in the first week of the next month.
We produce about two million dollars for each hour we work. The
fifty hours is one conservative estimate for how long it we take
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. This
projected audience is one hundred million readers. If our value
per text is nominally estimated at one dollar, then we produce 2
million dollars per hour this year we, will have to do four text
files per month: thus upping our productivity from one million.
Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
This is ten thousand titles each to one hundred million readers,
which is 10% of the expected number of computer users by the end
of the year 2001.
We need your donations more than ever!
tax deductible to the extent allowable by law ("CMU" is Carnegie
Mellon University).
Please mail to:
P. O. Box 2782
Champaign, IL 61825
You can visit our web site at promo.net for complete information
When all other else fails try our Executive Director:
dircompg@pobox.com or hart@pobox.com
******
***** SMALL PRINT! for COMPLETE SHAKESPEARE *****
THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC.,
CARNEGIE MELLON UNIVERSITY WITH PERMISSION.
is copyright protected, and since the materials and methods you
use will effect the Project's reputation, your right to copy and
distribute it is limited by the copyright and other laws, and by
the conditions of this "Small Print!" statement.
1. LICENSE
A) YOU MAY (AND ARE ENCOURAGED) TO DISTRIBUTE ELECTRONIC AND
MACHINE READABLE COPIES OF THIS ETEXT, SO LONG AS SUCH COPIES
(1) ARE FOR YOUR OR OTHERS PERSONAL USE ONLY, AND (2) ARE NOT
DISTRIBUTED OR USED COMMERCIALLY. PROHIBITED COMMERCIAL
DISTRIBUTION INCLUDES BY ANY SERVICE THAT CHARGES FOR DOWNLOAD
TIME OR FOR MEMBERSHIP.
B) This license is subject to the conditions that you honor
the refund and replacement provisions of this "small print!"
statement; and that you distribute exact copies of this etext,
including this Small Print statement. Such copies can be
compressed or any proprietary form (including any form resulting
from word processing or hypertext software), so long as
*EITHER*:
(1) The etext, when displayed, is clearly readable, and does
*not* contain characters other than those intended by the
author of the work, although tilde (~), asterisk (*) and
underline (_) characters may be used to convey punctuation
intended by the author, and additional characters may be used
to indicate hypertext links; OR
(2) The etext is readily convertible by the reader at no
expense into plain ASCII, EBCDIC or equivalent form by the
program that displays the etext (as is the case, for instance,
with most word processors); OR
(3) You provide or agree to provide on request at no
additional cost, fee or expense, a copy of the etext in plain
ASCII.
2. LIMITED WARRANTY; DISCLAIMER OF DAMAGES
This etext may contain a "Defect" in the form of incomplete,
inaccurate or corrupt data, transcription errors, a copyright or
other infringement, a defective or damaged disk, computer virus,
or codes that damage or cannot be read by your equipment. But
for the "Right of Replacement or Refund" described below, the
Project (and any other party you may receive this etext from as
damages, costs and expenses, including legal fees, and YOU HAVE
NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR
BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO
INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of receiv-
ing it, you can receive a refund of the money (if any) you paid
for it by sending an explanatory note within that time to the
person you received it from. If you received it on a physical
medium, you must return it with your note, and such person may
choose to alternatively give you a replacement copy. If you
received it electronically, such person may choose to
alternatively give you a second opportunity to receive it
electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE. Some states do not allow disclaimers of
implied warranties or the exclusion or limitation of consequen-
tial damages, so the above disclaimers and exclusions may not
apply to you, and you may have other legal rights.
3. INDEMNITY: You will indemnify and hold the Project, its
directors, officers, members and agents harmless from all lia-
bility, cost and expense, including legal fees, that arise
directly or indirectly from any of the following that you do or
cause: [A] distribution of this etext, [B] alteration,
modification, or addition to the etext, or [C] any Defect.
4. WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
public domain and licensed works that can be freely distributed
in machine readable form. The Project gratefully accepts
contributions in money, time, scanning machines, OCR software,
public domain etexts, royalty free copyright licenses, and
whatever else you can think of. Money should be paid to "Pro-
ject Gutenberg Association / Carnegie Mellon University".
WRITE TO US! We can be reached at:
Internet: hart@pobox.com
Mail: Prof. Michael Hart
P.O. Box 2782
Champaign, IL 61825
This "Small Print!" by Charles B. Kramer, Attorney
Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
**** SMALL PRINT! FOR __ COMPLETE SHAKESPEARE ****
["Small Print" V.12.08.93]
<>
1595
THE TRAGEDY OF ROMEO AND JULIET
by William Shakespeare
Dramatis Personae
Chorus.
Escalus, Prince of Verona.
Paris, a young Count, kinsman to the Prince.
Montague, heads of two houses at variance with each other.
Capulet, heads of two houses at variance with each other.
An old Man, of the Capulet family.
Romeo, son to Montague.
Tybalt, nephew to Lady Capulet.
Mercutio, kinsman to the Prince and friend to Romeo.
Benvolio, nephew to Montague, and friend to Romeo
Tybalt, nephew to Lady Capulet.
Friar Laurence, Franciscan.
Friar John, Franciscan.
Balthasar, servant to Romeo.
Abram, servant to Montague.
Sampson, servant to Capulet.
Gregory, servant to Capulet.
Peter, servant to Juliet's nurse.
An Apothecary.
Three Musicians.
An Officer.
Lady Montague, wife to Montague.
Lady Capulet, wife to Capulet.
Juliet, daughter to Capulet.
Nurse to Juliet.
Citizens of Verona; Gentlemen and Gentlewomen of both houses;
Maskers, Torchbearers, Pages, Guards, Watchmen, Servants, and
Attendants.
SCENE.--Verona; Mantua.
THE PROLOGUE
Enter Chorus.
Chor. Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whose misadventur'd piteous overthrows
Doth with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, naught could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
[Exit.]
<>
ACT I. Scene I.
Verona. A public place.
Enter Sampson and Gregory (with swords and bucklers) of the house
of Capulet.
Samp. Gregory, on my word, we'll not carry coals.
Greg. No, for then we should be colliers.
Samp. I mean, an we be in choler, we'll draw.
Greg. Ay, while you live, draw your neck out of collar.
Samp. I strike quickly, being moved.
Greg. But thou art not quickly moved to strike.
Samp. A dog of the house of Montague moves me.
Greg. To move is to stir, and to be valiant is to stand.
Therefore, if thou art moved, thou runn'st away.
Samp. A dog of that house shall move me to stand. I will take
the
wall of any man or maid of Montague's.
Greg. That shows thee a weak slave; for the weakest goes to the
wall.
Samp. 'Tis true; and therefore women, being the weaker vessels,
are
ever thrust to the wall. Therefore I will push Montague's men
from the wall and thrust his maids to the wall.
Greg. The quarrel is between our masters and us their men.
Samp. 'Tis all one. I will show myself a tyrant. When I have
fought
with the men, I will be cruel with the maids- I will cut off
their heads.
Greg. The heads of the maids?
Samp. Ay, the heads of the maids, or their maidenheads.
Take it in what sense thou wilt.
Greg. They must take it in sense that feel it.
Samp. Me they shall feel while I am able to stand; and 'tis
known I
am a pretty piece of flesh.
Greg. 'Tis well thou art not fish; if thou hadst, thou hadst
been
poor-John. Draw thy tool! Here comes two of the house of
Montagues.
Enter two other Servingmen [Abram and Balthasar].
Samp. My naked weapon is out. Quarrel! I will back thee.
Greg. How? turn thy back and run?
Samp. Fear me not.
Greg. No, marry. I fear thee!
Samp. Let us take the law of our sides; let them begin.
Greg. I will frown as I pass by, and let them take it as they
list.
Samp. Nay, as they dare. I will bite my thumb at them; which is
disgrace to them, if they bear it.
Abr. Do you bite your thumb at us, sir?
Samp. I do bite my thumb, sir.
Abr. Do you bite your thumb at us, sir?
Samp. [aside to Gregory] Is the law of our side if I say ay?
Greg. [aside to Sampson] No.
Samp. No, sir, I do not bite my thumb at you, sir; but I bite
my
thumb, sir.
Greg. Do you quarrel, sir?
Abr. Quarrel, sir? No, sir.
Samp. But if you do, sir, am for you. I serve as good a man as
you.
Abr. No better.
Samp. Well, sir.
Enter Benvolio.
Greg. [aside to Sampson] Say 'better.' Here comes one of my
master's kinsmen.
Samp. Yes, better, sir.
Abr. You lie.
Samp. Draw, if you be men. Gregory, remember thy swashing blow.
They fight.
Ben. Part, fools! [Beats down their swords.]
Put up your swords. You know not what you do.
Enter Tybalt.
Tyb. What, art thou drawn among these heartless hinds?
Turn thee Benvolio! look upon thy death.
Ben. I do but keep the peace. Put up thy sword,
Or manage it to part these men with me.
Tyb. What, drawn, and talk of peace? I hate the word
As I hate hell, all Montagues, and thee.
Have at thee, coward! They fight.
Enter an officer, and three or four Citizens with clubs or
partisans.
Officer. Clubs, bills, and partisans! Strike! beat them down!
Citizens. Down with the Capulets! Down with the Montagues!
Enter Old Capulet in his gown, and his Wife.
Cap. What noise is this? Give me my long sword, ho!
Wife. A crutch, a crutch! Why call you for a sword?
Cap. My sword, I say! Old Montague is come
And flourishes his blade in spite of me.
Enter Old Montague and his Wife.
Mon. Thou villain Capulet!- Hold me not, let me go.
M. Wife. Thou shalt not stir one foot to seek a foe.
Enter Prince Escalus, with his Train.
Prince. Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel-
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins!
On pain of torture, from those bloody hands
Throw your mistempered weapons to the ground
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets
And made Verona's ancient citizens
Cast by their grave beseeming ornaments
To wield old partisans, in hands as old,
Cank'red with peace, to part your cank'red hate.
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time all the rest depart away.
You, Capulet, shall go along with me;
And, Montague, come you this afternoon,
To know our farther pleasure in this case,
To old Freetown, our common judgment place.
Once more, on pain of death, all men depart.
Exeunt [all but Montague, his Wife, and Benvolio].
Mon. Who set this ancient quarrel new abroach?
Speak, nephew, were you by when it began?
Ben. Here were the servants of your adversary
And yours, close fighting ere I did approach.
I drew to part them. In the instant came
The fiery Tybalt, with his sword prepar'd;
Which, as he breath'd defiance to my ears,
He swung about his head and cut the winds,
Who, nothing hurt withal, hiss'd him in scorn.
While we were interchanging thrusts and blows,
Came more and more, and fought on part and part,
Till the Prince came, who parted either part.
M. Wife. O, where is Romeo? Saw you him to-day?
Right glad I am he was not at this fray.
Ben. Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the East,
A troubled mind drave me to walk abroad;
Where, underneath the grove of sycamore
That westward rooteth from the city's side,
So early walking did I see your son.
Towards him I made; but he was ware of me
And stole into the covert of the wood.
I- measuring his affections by my own,
Which then most sought where most might not be found,
Being one too many by my weary self-
Pursu'd my humour, not Pursuing his,
And gladly shunn'd who gladly fled from me.
Mon. Many a morning hath he there been seen,
With tears augmenting the fresh morning's dew,
Adding to clouds more clouds with his deep sighs;
But all so soon as the all-cheering sun
Should in the farthest East bean to draw
The shady curtains from Aurora's bed,
Away from light steals home my heavy son
And private in his chamber pens himself,
Shuts up his windows, locks fair daylight out
And makes himself an artificial night.
Black and portentous must this humour prove
Unless good counsel may the cause remove.
Ben. My noble uncle, do you know the cause?
Mon. I neither know it nor can learn of him.
Ben. Have you importun'd him by any means?
Mon. Both by myself and many other friends;
But he, his own affections' counsellor,
Is to himself- I will not say how true-
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm
Ere he can spread his sweet leaves to the air
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow,
We would as willingly give cure as know.
Enter Romeo.
Ben. See, where he comes. So please you step aside,
I'll know his grievance, or be much denied.
Mon. I would thou wert so happy by thy stay
To hear true shrift. Come, madam, let's away,
Exeunt [Montague and Wife].
Ben. Good morrow, cousin.
Rom. Is the day so young?
Ben. But new struck nine.
Rom. Ah me! sad hours seem long.
Was that my father that went hence so fast?
Ben. It was. What sadness lengthens Romeo's hours?
Rom. Not having that which having makes them short.
Ben. In love?
Rom. Out-
Ben. Of love?
Rom. Out of her favour where I am in love.
Ben. Alas that love, so gentle in his view,
Should be so tyrannous and rough in proof!
Rom. Alas that love, whose view is muffled still,
Should without eyes see pathways to his will!
Where shall we dine? O me! What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love.
Why then, O brawling love! O loving hate!
O anything, of nothing first create!
O heavy lightness! serious vanity!
Misshapen chaos of well-seeming forms!
Feather of lead, bright smoke, cold fire, sick health!
Still-waking sleep, that is not what it is
This love feel I, that feel no love in this.
Dost thou not laugh?
Ben. No, coz, I rather weep.
Rom. Good heart, at what?
Ben. At thy good heart's oppression.
Rom. Why, such is love's transgression.
Griefs of mine own lie heavy in my breast,
Which thou wilt propagate, to have it prest
With more of thine. This love that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke rais'd with the fume of sighs;
Being purg'd, a fire sparkling in lovers' eyes;
Being vex'd, a sea nourish'd with lovers' tears.
What is it else? A madness most discreet,
A choking gall, and a preserving sweet.
Farewell, my coz.
Ben. Soft! I will go along.
An if you leave me so, you do me wrong.
Rom. Tut! I have lost myself; I am not here:
This is not Romeo, he's some other where.
Ben. Tell me in sadness, who is that you love?
Rom. What, shall I groan and tell thee?
Ben. Groan? Why, no;
But sadly tell me who.
Rom. Bid a sick man in sadness make his will.
Ah, word ill urg'd to one that is so ill!
In sadness, cousin, I do love a woman.
Ben. I aim'd so near when I suppos'd you lov'd.
Rom. A right good markman! And she's fair I love.
Ben. A right fair mark, fair coz, is soonest hit.
Rom. Well, in that hit you miss. She'll not be hit
With Cupid's arrow. She hath Dian's wit,
And, in strong proof of chastity well arm'd,
From Love's weak childish bow she lives unharm'd.
She will not stay the siege of loving terms,
Nor bide th' encounter of assailing eyes,
Nor ope her lap to saint-seducing gold.
O, she's rich in beauty; only poor
That, when she dies, with beauty dies her store.
Ben. Then she hath sworn that she will still live chaste?
Rom. She hath, and in that sparing makes huge waste;
For beauty, starv'd with her severity,
Cuts beauty off from all posterity.
She is too fair, too wise, wisely too fair,
To merit bliss by making me despair.
She hath forsworn to love, and in that vow
Do I live dead that live to tell it now.
Ben. Be rul'd by me: forget to think of her.
Rom. O, teach me how I should forget to think!
Ben. By giving liberty unto thine eyes.
Examine other beauties.
Rom. 'Tis the way
To call hers (exquisite) in question more.
These happy masks that kiss fair ladies' brows,
Being black puts us in mind they hide the fair.
He that is strucken blind cannot forget
The precious treasure of his eyesight lost.
Show me a mistress that is passing fair,
What doth her beauty serve but as a note
Where I may read who pass'd that passing fair?
Farewell. Thou canst not teach me to forget.
Ben. I'll pay that doctrine, or else die in debt. Exeunt.
Scene II.
A Street.
Enter Capulet, County Paris, and [Servant] -the Clown.
Cap. But Montague is bound as well as I,
In penalty alike; and 'tis not hard, I think,
For men so old as we to keep the peace.
Par. Of honourable reckoning are you both,
And pity 'tis you liv'd at odds so long.
But now, my lord, what say you to my suit?
Cap. But saying o'er what I have said before:
My child is yet a stranger in the world,
She hath not seen the change of fourteen years;
Let two more summers wither in their pride
Ere we may think her ripe to be a bride.
Par. Younger than she are happy mothers made.
Cap. And too soon marr'd are those so early made.
The earth hath swallowed all my hopes but she;
She is the hopeful lady of my earth.
But woo her, gentle Paris, get her heart;
My will to her consent is but a part.
An she agree, within her scope of choice
Lies my consent and fair according voice.
This night I hold an old accustom'd feast,
Whereto I have invited many a guest,
Such as I love; and you among the store,
One more, most welcome, makes my number more.
At my poor house look to behold this night
Earth-treading stars that make dark heaven light.
Such comfort as do lusty young men feel
When well apparell'd April on the heel
Of limping Winter treads, even such delight
Among fresh female buds shall you this night
Inherit at my house. Hear all, all see,
And like her most whose merit most shall be;
Which, on more view of many, mine, being one,
May stand in number, though in reck'ning none.
Come, go with me. [To Servant, giving him a paper] Go,
sirrah,
trudge about
Through fair Verona; find those persons out
Whose names are written there, and to them say,
My house and welcome on their pleasure stay-
Exeunt [Capulet and Paris].
Serv. Find them out whose names are written here? It is written
that the shoemaker should meddle with his yard and the tailor
with his last, the fisher with his pencil and the painter
with
his nets; but I am sent to find those persons whose names are
here writ, and can never find what names the writing person
hath
here writ. I must to the learned. In good time!
Enter Benvolio and Romeo.
Ben. Tut, man, one fire burns out another's burning;
One pain is lessened by another's anguish;
Turn giddy, and be holp by backward turning;
One desperate grief cures with another's languish.
Take thou some new infection to thy eye,
And the rank poison of the old will die.
Rom. Your plantain leaf is excellent for that.
Ben. For what, I pray thee?
Rom. For your broken shin.
Ben. Why, Romeo, art thou mad?
Rom. Not mad, but bound more than a madman is;
Shut up in prison, kept without my food,
Whipp'd and tormented and- God-den, good fellow.
Serv. God gi' go-den. I pray, sir, can you read?
Rom. Ay, mine own fortune in my misery.
Serv. Perhaps you have learned it without book. But I pray, can
you
read anything you see?
Rom. Ay, If I know the letters and the language.
Serv. Ye say honestly. Rest you merry!
Rom. Stay, fellow; I can read. He reads.
'Signior Martino and his wife and daughters;
County Anselmo and his beauteous sisters;
The lady widow of Vitruvio;
Signior Placentio and His lovely nieces;
Mercutio and his brother Valentine;
Mine uncle Capulet, his wife, and daughters;
My fair niece Rosaline and Livia;
Signior Valentio and his cousin Tybalt;
Lucio and the lively Helena.'
[Gives back the paper.] A fair assembly. Whither should they
come?
Serv. Up.
Rom. Whither?
Serv. To supper, to our house.
Rom. Whose house?
Serv. My master's.
Rom. Indeed I should have ask'd you that before.
Serv. Now I'll tell you without asking. My master is the great
rich
Capulet; and if you be not of the house of Montagues, I pray
come
and crush a cup of wine. Rest you merry! Exit.
Ben. At this same ancient feast of Capulet's
Sups the fair Rosaline whom thou so lov'st;
With all the admired beauties of Verona.
Go thither, and with unattainted eye
Compare her face with some that I shall show,
And I will make thee think thy swan a crow.
Rom. When the devout religion of mine eye
Maintains such falsehood, then turn tears to fires;
And these, who, often drown'd, could never die,
Transparent heretics, be burnt for liars!
One fairer than my love? The all-seeing sun
Ne'er saw her match since first the world begun.
Ben. Tut! you saw her fair, none else being by,
Herself pois'd with herself in either eye;
But in that crystal scales let there be weigh'd
Your lady's love against some other maid
That I will show you shining at this feast,
And she shall scant show well that now seems best.
Rom. I'll go along, no such sight to be shown,
But to rejoice in splendour of my own. [Exeunt.]
Scene III.
Capulet's house.
Enter Capulet's Wife, and Nurse.
Wife. Nurse, where's my daughter? Call her forth to me.
Nurse. Now, by my maidenhead at twelve year old,
I bade her come. What, lamb! what ladybird!
God forbid! Where's this girl? What, Juliet!
Enter Juliet.
Jul. How now? Who calls?
Nurse. Your mother.
Jul. Madam, I am here.
What is your will?
Wife. This is the matter- Nurse, give leave awhile,
We must talk in secret. Nurse, come back again;
I have rememb'red me, thou's hear our counsel.
Thou knowest my daughter's of a pretty age.
Nurse. Faith, I can tell her age unto an hour.
Wife. She's not fourteen.
Nurse. I'll lay fourteen of my teeth-
And yet, to my teen be it spoken, I have but four-
She is not fourteen. How long is it now
To Lammastide?
Wife. A fortnight and odd days.
Nurse. Even or odd, of all days in the year,
Come Lammas Eve at night shall she be fourteen.
Susan and she (God rest all Christian souls!)
Were of an age. Well, Susan is with God;
She was too good for me. But, as I said,
On Lammas Eve at night shall she be fourteen;
That shall she, marry; I remember it well.
'Tis since the earthquake now eleven years;
And she was wean'd (I never shall forget it),
Of all the days of the year, upon that day;
For I had then laid wormwood to my dug,
Sitting in the sun under the dovehouse wall.
My lord and you were then at Mantua.
Nay, I do bear a brain. But, as I said,
When it did taste the wormwood on the nipple
Of my dug and felt it bitter, pretty fool,
To see it tetchy and fall out with the dug!
Shake, quoth the dovehouse! 'Twas no need, I trow,
To bid me trudge.
And since that time it is eleven years,
For then she could stand alone; nay, by th' rood,
She could have run and waddled all about;
For even the day before, she broke her brow;
And then my husband (God be with his soul!
'A was a merry man) took up the child.
'Yea,' quoth he, 'dost thou fall upon thy face?
Thou wilt fall backward when thou hast more wit;
Wilt thou not, Jule?' and, by my holidam,
The pretty wretch left crying, and said 'Ay.'
To see now how a jest shall come about!
I warrant, an I should live a thousand yeas,
I never should forget it. 'Wilt thou not, Jule?' quoth he,
And, pretty fool, it stinted, and said 'Ay.'
Wife. Enough of this. I pray thee hold thy peace.
Nurse. Yes, madam. Yet I cannot choose but laugh
To think it should leave crying and say 'Ay.'
And yet, I warrant, it had upon its brow
A bump as big as a young cock'rel's stone;
A perilous knock; and it cried bitterly.
'Yea,' quoth my husband, 'fall'st upon thy face?
Thou wilt fall backward when thou comest to age;
Wilt thou not, Jule?' It stinted, and said 'Ay.'
Jul. And stint thou too, I pray thee, nurse, say I.
Nurse. Peace, I have done. God mark thee to his grace!
Thou wast the prettiest babe that e'er I nurs'd.
An I might live to see thee married once, I have my wish.
Wife. Marry, that 'marry' is the very theme
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?
Jul. It is an honour that I dream not of.
Nurse. An honour? Were not I thine only nurse,
I would say thou hadst suck'd wisdom from thy teat.
Wife. Well, think of marriage now. Younger than you,
Here in Verona, ladies of esteem,
Are made already mothers. By my count,
I was your mother much upon these years
That you are now a maid. Thus then in brief:
The valiant Paris seeks you for his love.
Nurse. A man, young lady! lady, such a man
As all the world- why he's a man of wax.
Wife. Verona's summer hath not such a flower.
Nurse. Nay, he's a flower, in faith- a very flower.
Wife. What say you? Can you love the gentleman?
This night you shall behold him at our feast.
Read o'er the volume of young Paris' face,
And find delight writ there with beauty's pen;
Examine every married lineament,
And see how one another lends content;
And what obscur'd in this fair volume lies
Find written in the margent of his eyes,
This precious book of love, this unbound lover,
To beautify him only lacks a cover.
The fish lives in the sea, and 'tis much pride
For fair without the fair within to hide.
That book in many's eyes doth share the glory,
That in gold clasps locks in the golden story;
So shall you share all that he doth possess,
By having him making yourself no less.
Nurse. No less? Nay, bigger! Women grow by men
Wife. Speak briefly, can you like of Paris' love?
Jul. I'll look to like, if looking liking move;
But no more deep will I endart mine eye
Than your consent gives strength to make it fly.
Enter Servingman.
Serv. Madam, the guests are come, supper serv'd up, you call'd,
my
young lady ask'd for, the nurse curs'd in the pantry, and
everything in extremity. I must hence to wait. I beseech you
follow straight.
Wife. We follow thee. Exit [Servingman].
Juliet, the County stays.
Nurse. Go, girl, seek happy nights to happy days.
Exeunt.
Scene IV.
A street.
Enter Romeo, Mercutio, Benvolio, with five or six other Maskers;
Torchbearers.
Rom. What, shall this speech be spoke for our excuse?
Or shall we on without apology?
Ben. The date is out of such prolixity.
We'll have no Cupid hoodwink'd with a scarf,
Bearing a Tartar's painted bow of lath,
Scaring the ladies like a crowkeeper;
Nor no without-book prologue, faintly spoke
After the prompter, for our entrance;
But, let them measure us by what they will,
We'll measure them a measure, and be gone.
Rom. Give me a torch. I am not for this ambling.
Being but heavy, I will bear the light.
Mer. Nay, gentle Romeo, we must have you dance.
Rom. Not I, believe me. You have dancing shoes
With nimble soles; I have a soul of lead
So stakes me to the ground I cannot move.
Mer. You are a lover. Borrow Cupid's wings
And soar with them above a common bound.
Rom. I am too sore enpierced with his shaft
To soar with his light feathers; and so bound
I cannot bound a pitch above dull woe.
Under love's heavy burthen do I sink.
Mer. And, to sink in it, should you burthen love-
Too great oppression for a tender thing.
Rom. Is love a tender thing? It is too rough,
Too rude, too boist'rous, and it pricks like thorn.
Mer. If love be rough with you, be rough with love.
Prick love for pricking, and you beat love down.
Give me a case to put my visage in.
A visor for a visor! What care I
What curious eye doth quote deformities?
Here are the beetle brows shall blush for me.
Ben. Come, knock and enter; and no sooner in
But every man betake him to his legs.
Rom. A torch for me! Let wantons light of heart
Tickle the senseless rushes with their heels;
For I am proverb'd with a grandsire phrase,
I'll be a candle-holder and look on;
The game was ne'er so fair, and I am done.
Mer. Tut! dun's the mouse, the constable's own word!
If thou art Dun, we'll draw thee from the mire
Of this sir-reverence love, wherein thou stick'st
Up to the ears. Come, we burn daylight, ho!
Rom. Nay, that's not so.
Mer. I mean, sir, in delay
We waste our lights in vain, like lamps by day.
Take our good meaning, for our judgment sits
Five times in that ere once in our five wits.
Rom. And we mean well, in going to this masque;
But 'tis no wit to go.
Mer. Why, may one ask?
Rom. I dreamt a dream to-night.
Mer. And so did I.
Rom. Well, what was yours?
Mer. That dreamers often lie.
Rom. In bed asleep, while they do dream things true.
Mer. O, then I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate stone
On the forefinger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her wagon spokes made of long spinners' legs,
The cover, of the wings of grasshoppers;
Her traces, of the smallest spider's web;
Her collars, of the moonshine's wat'ry beams;
Her whip, of cricket's bone; the lash, of film;
Her wagoner, a small grey-coated gnat,
Not half so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazelnut,
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love;
O'er courtiers' knees, that dream on cursies straight;
O'er lawyers' fingers, who straight dream on fees;
O'er ladies' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are.
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as 'a lies asleep,
Then dreams he of another benefice.
Sometimes she driveth o'er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five fadom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted, swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night
And bakes the elflocks in foul sluttish, hairs,
Which once untangled much misfortune bodes
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage.
This is she-
Rom. Peace, peace, Mercutio, peace!
Thou talk'st of nothing.
Mer. True, I talk of dreams;
Which are the children of an idle brain,
Begot of nothing but vain fantasy;
Which is as thin of substance as the air,
And more inconstant than the wind, who wooes
Even now the frozen bosom of the North
And, being anger'd, puffs away from thence,
Turning his face to the dew-dropping South.
Ben. This wind you talk of blows us from ourselves.
Supper is done, and we shall come too late.
Rom. I fear, too early; for my mind misgives
Some consequence, yet hanging in the stars,
Shall bitterly begin his fearful date
With this night's revels and expire the term
Of a despised life, clos'd in my breast,
By some vile forfeit of untimely death.
But he that hath the steerage of my course
Direct my sail! On, lusty gentlemen!
Ben. Strike, drum.
They march about the stage. [Exeunt.]
Scene V.
Capulet's house.
Servingmen come forth with napkins.
1. Serv. Where's Potpan, that he helps not to take away?
He shift a trencher! he scrape a trencher!
2. Serv. When good manners shall lie all in one or two men's
hands,
and they unwash'd too, 'tis a foul thing.
1. Serv. Away with the join-stools, remove the court-cubbert,
look
to the plate. Good thou, save me a piece of marchpane and, as
thou loves me, let the porter let in Susan Grindstone and
Nell.
Anthony, and Potpan!
2. Serv. Ay, boy, ready.
1. Serv. You are look'd for and call'd for, ask'd for and
sought
for, in the great chamber.
3. Serv. We cannot be here and there too. Cheerly, boys!
Be brisk awhile, and the longer liver take all. Exeunt.
Enter the Maskers, Enter, [with Servants,] Capulet, his Wife,
Juliet, Tybalt, and all the Guests
and Gentlewomen to the Maskers.
Cap. Welcome, gentlemen! Ladies that have their toes
Unplagu'd with corns will have a bout with you.
Ah ha, my mistresses! which of you all
Will now deny to dance? She that makes dainty,
She I'll swear hath corns. Am I come near ye now?
Welcome, gentlemen! I have seen the day
That I have worn a visor and could tell
A whispering tale in a fair lady's ear,
Such as would please. 'Tis gone, 'tis gone, 'tis gone!
You are welcome, gentlemen! Come, musicians, play.
A hall, a hall! give room! and foot it, girls.
Music plays, and they dance.
More light, you knaves! and turn the tables up,
And quench the fire, the room is grown too hot.
Ah, sirrah, this unlook'd-for sport comes well.
Nay, sit, nay, sit, good cousin Capulet,
For you and I are past our dancing days.
How long is't now since last yourself and I
Were in a mask?
2. Cap. By'r Lady, thirty years.
Cap. What, man? 'Tis not so much, 'tis not so much!
'Tis since the nuptial of Lucentio,
Come Pentecost as quickly as it will,
Some five-and-twenty years, and then we mask'd.
2. Cap. 'Tis more, 'tis more! His son is elder, sir;
His son is thirty.
Cap. Will you tell me that?
His son was but a ward two years ago.
Rom. [to a Servingman] What lady's that, which doth enrich the
hand
Of yonder knight?
Serv. I know not, sir.
Rom. O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
Like a rich jewel in an Ethiop's ear-
Beauty too rich for use, for earth too dear!
So shows a snowy dove trooping with crows
As yonder lady o'er her fellows shows.
The measure done, I'll watch her place of stand
And, touching hers, make blessed my rude hand.
Did my heart love till now? Forswear it, sight!
For I ne'er saw true beauty till this night.
Tyb. This, by his voice, should be a Montague.
Fetch me my rapier, boy. What, dares the slave
Come hither, cover'd with an antic face,
To fleer and scorn at our solemnity?
Now, by the stock and honour of my kin,
To strike him dead I hold it not a sin.
Cap. Why, how now, kinsman? Wherefore storm you so?
Tyb. Uncle, this is a Montague, our foe;
A villain, that is hither come in spite
To scorn at our solemnity this night.
Cap. Young Romeo is it?
Tyb. 'Tis he, that villain Romeo.
Cap. Content thee, gentle coz, let him alone.
'A bears him like a portly gentleman,
And, to say truth, Verona brags of him
To be a virtuous and well-govern'd youth.
I would not for the wealth of all this town
Here in my house do him disparagement.
Therefore be patient, take no note of him.
It is my will; the which if thou respect,
Show a fair presence and put off these frowns,
An ill-beseeming semblance for a feast.
Tyb. It fits when such a villain is a guest.
I'll not endure him.
Cap. He shall be endur'd.
What, goodman boy? I say he shall. Go to!
Am I the master here, or you? Go to!
You'll not endure him? God shall mend my soul!
You'll make a mutiny among my guests!
You will set cock-a-hoop! you'll be the man!
Tyb. Why, uncle, 'tis a shame.
Cap. Go to, go to!
You are a saucy boy. Is't so, indeed?
This trick may chance to scathe you. I know what.
You must contrary me! Marry, 'tis time.-
Well said, my hearts!- You are a princox- go!
Be quiet, or- More light, more light!- For shame!
I'll make you quiet; what!- Cheerly, my hearts!
Tyb. Patience perforce with wilful choler meeting
Makes my flesh tremble in their different greeting.
I will withdraw; but this intrusion shall,
Now seeming sweet, convert to bitt'rest gall. Exit.
Rom. If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
Jul. Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.
Rom. Have not saints lips, and holy palmers too?
Jul. Ay, pilgrim, lips that they must use in pray'r.
Rom. O, then, dear saint, let lips do what hands do!
They pray; grant thou, lest faith turn to despair.
Jul. Saints do not move, though grant for prayers' sake.
Rom. Then move not while my prayer's effect I take.
Thus from my lips, by thine my sin is purg'd. [Kisses her.]
Jul. Then have my lips the sin that they have took.
Rom. Sin from my lips? O trespass sweetly urg'd!
Give me my sin again. [Kisses her.]
Jul. You kiss by th' book.
Nurse. Madam, your mother craves a word with you.
Rom. What is her mother?
Nurse. Marry, bachelor,
Her mother is the lady of the house.
And a good lady, and a wise and virtuous.
I nurs'd her daughter that you talk'd withal.
I tell you, he that can lay hold of her
Shall have the chinks.
Rom. Is she a Capulet?
O dear account! my life is my foe's debt.
Ben. Away, be gone; the sport is at the best.
Rom. Ay, so I fear; the more is my unrest.
Cap. Nay, gentlemen, prepare not to be gone;
We have a trifling foolish banquet towards.
Is it e'en so? Why then, I thank you all.
I thank you, honest gentlemen. Good night.
More torches here! [Exeunt Maskers.] Come on then, let's to
bed.
Ah, sirrah, by my fay, it waxes late;
I'll to my rest.
Exeunt [all but Juliet and Nurse].
Jul. Come hither, nurse. What is yond gentleman?
Nurse. The son and heir of old Tiberio.
Jul. What's he that now is going out of door?
Nurse. Marry, that, I think, be young Petruchio.
Jul. What's he that follows there, that would not dance?
Nurse. I know not.
Jul. Go ask his name.- If he be married,
My grave is like to be my wedding bed.
Nurse. His name is Romeo, and a Montague,
The only son of your great enemy.
Jul. My only love, sprung from my only hate!
Too early seen unknown, and known too late!
Prodigious birth of love it is to me
That I must love a loathed enemy.
Nurse. What's this? what's this?
Jul. A rhyme I learnt even now
Of one I danc'd withal.
One calls within, 'Juliet.'
Nurse. Anon, anon!
Come, let's away; the strangers all are gone. Exeunt.
<>
PROLOGUE
Enter Chorus.
Chor. Now old desire doth in his deathbed lie,
And young affection gapes to be his heir;
That fair for which love groan'd for and would die,
With tender Juliet match'd, is now not fair.
Now Romeo is belov'd, and loves again,
Alike bewitched by the charm of looks;
But to his foe suppos'd he must complain,
And she steal love's sweet bait from fearful hooks.
Being held a foe, he may not have access
To breathe such vows as lovers use to swear,
And she as much in love, her means much less
To meet her new beloved anywhere;
But passion lends them power, time means, to meet,
Temp'ring extremities with extreme sweet.
Exit.
ACT II. Scene I.
A lane by the wall of Capulet's orchard.
Enter Romeo alone.
Rom. Can I go forward when my heart is here?
Turn back, dull earth, and find thy centre out.
[Climbs the wall and leaps down within it.]
Enter Benvolio with Mercutio.
Ben. Romeo! my cousin Romeo! Romeo!
Mer. He is wise,
And, on my life, hath stol'n him home to bed.
Ben. He ran this way, and leapt this orchard wall.
Call, good Mercutio.
Mer. Nay, I'll conjure too.
Romeo! humours! madman! passion! lover!
Appear thou in the likeness of a sigh;
Speak but one rhyme, and I am satisfied!
Cry but 'Ah me!' pronounce but 'love' and 'dove';
Speak to my gossip Venus one fair word,
One nickname for her purblind son and heir,
Young auburn Cupid, he that shot so trim
When King Cophetua lov'd the beggar maid!
He heareth not, he stirreth not, be moveth not;
The ape is dead, and I must conjure him.
I conjure thee by Rosaline's bright eyes.
By her high forehead and her scarlet lip,
By her fine foot, straight leg, and quivering thigh,
And the demesnes that there adjacent lie,
That in thy likeness thou appear to us!
Ben. An if he hear thee, thou wilt anger him.
Mer. This cannot anger him. 'Twould anger him
To raise a spirit in his mistress' circle
Of some strange nature, letting it there stand
Till she had laid it and conjur'd it down.
That were some spite; my invocation
Is fair and honest: in his mistress' name,
I conjure only but to raise up him.
Ben. Come, he hath hid himself among these trees
To be consorted with the humorous night.
Blind is his love and best befits the dark.
Mer. If love be blind, love cannot hit the mark.
Now will he sit under a medlar tree
And wish his mistress were that kind of fruit
As maids call medlars when they laugh alone.
O, Romeo, that she were, O that she were
An open et cetera, thou a pop'rin pear!
Romeo, good night. I'll to my truckle-bed;
This field-bed is too cold for me to sleep.
Come, shall we go?
Ben. Go then, for 'tis in vain
'To seek him here that means not to be found.
Exeunt.
Scene II.
Capulet's orchard.
Enter Romeo.
Rom. He jests at scars that never felt a wound.
Enter Juliet above at a window.
But soft! What light through yonder window breaks?
It is the East, and Juliet is the sun!
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief
That thou her maid art far more fair than she.
Be not her maid, since she is envious.
Her vestal livery is but sick and green,
And none but fools do wear it. Cast it off.
It is my lady; O, it is my love!
O that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses; I will answer it.
I am too bold; 'tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon her hand!
O that I were a glove upon that hand,
That I might touch that cheek!
Jul. Ah me!
Rom. She speaks.
O, speak again, bright angel! for thou art
As glorious to this night, being o'er my head,
As is a winged messenger of heaven
Unto the white-upturned wond'ring eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-pacing clouds
And sails upon the bosom of the air.
Jul. O Romeo, Romeo! wherefore art thou Romeo?
Deny thy father and refuse thy name!
Or, if thou wilt not, be but sworn my love,
And I'll no longer be a Capulet.
Rom. [aside] Shall I hear more, or shall I speak at this?
Jul. 'Tis but thy name that is my enemy.
Thou art thyself, though not a Montague.
What's Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? That which we call a rose
By any other name would smell as sweet.
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name;
And for that name, which is no part of thee,
Take all myself.
Rom. I take thee at thy word.
Call me but love, and I'll be new baptiz'd;
Henceforth I never will be Romeo.
Jul. What man art thou that, thus bescreen'd in night,
So stumblest on my counsel?
Rom. By a name
I know not how to tell thee who I am.
My name, dear saint, is hateful to myself,
Because it is an enemy to thee.
Had I it written, I would tear the word.
Jul. My ears have yet not drunk a hundred words
Of that tongue's utterance, yet I know the sound.
Art thou not Romeo, and a Montague?
Rom. Neither, fair saint, if either thee dislike.
Jul. How cam'st thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.
Rom. With love's light wings did I o'erperch these walls;
For stony limits cannot hold love out,
And what love can do, that dares love attempt.
Therefore thy kinsmen are no let to me.
Jul. If they do see thee, they will murther thee.
Rom. Alack, there lies more peril in thine eye
Than twenty of their swords! Look thou but sweet,
And I am proof against their enmity.
Jul. I would not for the world they saw thee here.
Rom. I have night's cloak to hide me from their sight;
And but thou love me, let them find me here.
My life were better ended by their hate
Than death prorogued, wanting of thy love.
Jul. By whose direction found'st thou out this place?
Rom. By love, that first did prompt me to enquire.
He lent me counsel, and I lent him eyes.
I am no pilot; yet, wert thou as far
As that vast shore wash'd with the farthest sea,
I would adventure for such merchandise.
Jul. Thou knowest the mask of night is on my face;
Else would a maiden blush bepaint my cheek
For that which thou hast heard me speak to-night.
Fain would I dwell on form- fain, fain deny
What I have spoke; but farewell compliment!
Dost thou love me, I know thou wilt say 'Ay';
And I will take thy word. Yet, if thou swear'st,
Thou mayst prove false. At lovers' perjuries,
They say Jove laughs. O gentle Romeo,
If thou dost love, pronounce it faithfully.
Or if thou thinkest I am too quickly won,
I'll frown, and be perverse, and say thee nay,
So thou wilt woo; but else, not for the world.
In truth, fair Montague, I am too fond,
And therefore thou mayst think my haviour light;
But trust me, gentleman, I'll prove more true
Than those that have more cunning to be strange.
I should have been more strange, I must confess,
But that thou overheard'st, ere I was ware,
My true-love passion. Therefore pardon me,
And not impute this yielding to light love,
Which the dark night hath so discovered.
Rom. Lady, by yonder blessed moon I swear,
That tips with silver all these fruit-tree tops-
Jul. O, swear not by the moon, th' inconstant moon,
That monthly changes in her circled orb,
Lest that thy love prove likewise variable.
Rom. What shall I swear by?
Jul. Do not swear at all;
Or if thou wilt, swear by thy gracious self,
Which is the god of my idolatry,
And I'll believe thee.
Rom. If my heart's dear love-
Jul. Well, do not swear. Although I joy in thee,
I have no joy of this contract to-night.
It is too rash, too unadvis'd, too sudden;
Too like the lightning, which doth cease to be
Ere one can say 'It lightens.' Sweet, good night!
This bud of love, by summer's ripening breath,
May prove a beauteous flow'r when next we meet.
Good night, good night! As sweet repose and rest
Come to thy heart as that within my breast!
Rom. O, wilt thou leave me so unsatisfied?
Jul. What satisfaction canst thou have to-night?
Rom. Th' exchange of thy love's faithful vow for mine.
Jul. I gave thee mine before thou didst request it;
And yet I would it were to give again.
Rom. Would'st thou withdraw it? For what purpose, love?
Jul. But to be frank and give it thee again.
And yet I wish but for the thing I have.
My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.
I hear some noise within. Dear love, adieu!
[Nurse] calls within.
Anon, good nurse! Sweet Montague, be true.
Stay but a little, I will come again. [Exit.]
Rom. O blessed, blessed night! I am afeard,
Being in night, all this is but a dream,
Too flattering-sweet to be substantial.
