And he (O may we fancy so!),
He, feeling time forever flow
And flowing bear him forth and far away
From that dear ingle where his life began
And all his treasure lay -
He, waxing into man,
And ever farther, ever closer wound
In this obstreperous world's ignoble round,
From that poor prospect turned his face away.


THE PIPER


AGAIN I hear you piping, for I know the tune so well, -
You rouse the heart to wander and be free,
Tho' where you learned your music, not the God of song can tell,
For you pipe the open highway and the sea.
O piper, lightly footing, lightly piping on your way,
Tho' your music thrills and pierces far and near,
I tell you you had better pipe to someone else to-day,
For you cannot pipe my fancy from my dear.

You sound the note of travel through the hamlet and the town;
You would lure the holy angels from on high;
And not a man can hear you, but he throws the hammer down
And is off to see the countries ere he die.
But now no more I wander, now unchanging here I stay;
By my love, you find me safely sitting here:
And pipe you ne'er so sweetly, till you pipe the hills away,
You can never pipe my fancy from my dear.


TO MRS.  MACMARLAND


IN Schnee der Alpen - so it runs
To those divine accords - and here
We dwell in Alpine snows and suns,
A motley crew, for half the year:
A motley crew, we dwell to taste -
A shivering band in hope and fear -
That sun upon the snowy waste,
That Alpine ether cold and clear.

Up from the laboured plains, and up
From low sea-levels, we arise
To drink of that diviner cup
The rarer air, the clearer skies;
For, as the great, old, godly King
From mankind's turbid valley cries,
So all we mountain-lovers sing:
I to the hills will lift mine eyes.

The bells that ring, the peaks that climb,
The frozen snow's unbroken curd
Might yet revindicate in rhyme
The pauseless stream, the absent bird.
In vain - for to the deeps of life
You, lady, you my heart have stirred;
And since you say you love my life,
Be sure I love you for the word.

Of kindness, here I nothing say -
Such loveless kindnesses there are
In that grimacing, common way,
That old, unhonoured social war.
Love but my dog and love my love,
Adore with me a common star -
I value not the rest above
The ashes of a bad cigar.


TO MISS CORNISH


THEY tell me, lady, that to-day
On that unknown Australian strand -
Some time ago, so far away -
Another lady joined the band.
She joined the company of those
Lovelily dowered, nobly planned,
Who, smiling, still forgive their foes
And keep their friends in close command.

She, lady, as I learn, was one
Among the many rarely good;
And destined still to be a sun
Through every dark and rainy mood:-
She, as they told me, far had come,
By sea and land, o'er many a rood:-
Admired by all, beloved by some,
She was yourself, I understood.

But, compliment apart and free
From all constraint of verses, may
Goodness and honour, grace and glee,
Attend you ever on your way -
Up to the measure of your will,
Beyond all power of mine to say -
As she and I desire you still,
Miss Cornish, on your natal day.


TALES OF ARABIA


YES, friend, I own these tales of Arabia
Smile not, as smiled their flawless originals,
Age-old but yet untamed, for ages
Pass and the magic is undiminished.

Thus, friend, the tales of the old Camaralzaman,
Ayoub, the Slave of Love, or the Calendars,
Blind-eyed and ill-starred royal scions,
Charm us in age as they charmed in childhood.

Fair ones, beyond all numerability,
Beam from the palace, beam on humanity,
Bright-eyed, in truth, yet soul-less houris
Offering pleasure and only pleasure.

Thus they, the venal Muses Arabian,
Unlike, indeed, the nobler divinities,
Greek Gods or old time-honoured muses,
Easily proffer unloved caresses.

Lost, lost, the man who mindeth the minstrelsy;
Since still, in sandy, glittering pleasances,
Cold, stony fruits, gem-like but quite in-
Edible, flatter and wholly starve him.


BEHOLD, AS GOBLINS DARK OF MIEN


BEHOLD, as goblins dark of mien
And portly tyrants dyed with crime
Change, in the transformation scene,
At Christmas, in the pantomime,

Instanter, at the prompter's cough,
The fairy bonnets them, and they
Throw their abhorred carbuncles off
And blossom like the flowers in May.

- So mankind, to angelic eyes,
So, through the scenes of life below,
In life's ironical disguise,
A travesty of man, ye go:

But fear not: ere the curtain fall,
Death in the transformation scene
Steps forward from her pedestal,
Apparent, as the fairy Queen;

And coming, frees you in a trice
From all your lendings - lust of fame,
Ungainly virtue, ugly vice,
Terror and tyranny and shame.

So each, at last himself, for good
In that dear country lays him down,
At last beloved and understood
And pure in feature and renown.


STILL I LOVE TO RHYME


STILL I love to rhyme, and still more, rhyming, to wander
Far from the commoner way;
Old-time trills and falls by the brook-side still do I ponder,
Dreaming to-morrow to-day.

Come here, come, revive me, Sun-God, teach me, Apollo,
Measures descanted before;
Since I ancient verses, I emulous follow,
Prints in the marbles of yore.

Still strange, strange, they sound in old-young raiment invested,
Songs for the brain to forget -
Young song-birds elate to grave old temples benested
Piping and chirruping yet.

Thoughts?  No thought has yet unskilled attempted to flutter
Trammelled so vilely in verse;
He who writes but aims at fame and his bread and his butter,
Won with a groan and a curse.


LONG TIME I LAY IN LITTLE EASE


LONG time I lay in little ease
Where, placed by the Turanian,
Marseilles, the many-masted, sees
The blue Mediterranean.

Now songful in the hour of sport,
Now riotous for wages,
She camps around her ancient port,
As ancient of the ages.

Algerian airs through all the place
Unconquerably sally;
Incomparable women pace
The shadows of the alley.

And high o'er dark and graving yard
And where the sky is paler,
The golden virgin of the guard
Shines, beckoning the sailor.

She hears the city roar on high,
Thief, prostitute, and banker;
She sees the masted vessels lie
Immovably at anchor.

She sees the snowy islets dot
The sea's immortal azure,
And If, that castellated spot,
Tower, turret, and embrasure.


FLOWER GOD, GOD OF THE SPRING


FLOWER god, god of the spring, beautiful, bountiful,
Cold-dyed shield in the sky, lover of versicles,
Here I wander in April
Cold, grey-headed; and still to my
Heart, Spring comes with a bound, Spring the deliverer,
Spring, song-leader in woods, chorally resonant;
Spring, flower-planter in meadows,
Child-conductor in willowy
Fields deep dotted with bloom, daisies and crocuses:
Here that child from his heart drinks of eternity:
O child, happy are children!
She still smiles on their innocence,
She, dear mother in God, fostering violets,
Fills earth full of her scents, voices and violins:
Thus one cunning in music
Wakes old chords in the memory:
Thus fair earth in the Spring leads her performances.
One more touch of the bow, smell of the virginal
Green - one more, and my bosom
Feels new life with an ecstasy.


COME, MY BELOVED, HEAR FROM ME


COME, my beloved, hear from me
Tales of the woods or open sea.
Let our aspiring fancy rise
A wren's flight higher toward the skies;
Or far from cities, brown and bare,
Play at the least in open air.
In all the tales men hear us tell
Still let the unfathomed ocean swell,
Or shallower forest sound abroad
Below the lonely stars of God;
In all, let something still be done,
Still in a corner shine the sun,
Slim-ankled maids be fleet of foot,
Nor man disown the rural flute.
Still let the hero from the start
In honest sweat and beats of heart
Push on along the untrodden road
For some inviolate abode.
Still, O beloved, let me hear
The great bell beating far and near-
The odd, unknown, enchanted gong
That on the road hales men along,
That from the mountain calls afar,
That lures a vessel from a star,
And with a still, aerial sound
Makes all the earth enchanted ground.
Love, and the love of life and act
Dance, live and sing through all our furrowed tract;
Till the great God enamoured gives
To him who reads, to him who lives,
That rare and fair romantic strain
That whoso hears must hear again.


SINCE YEARS AGO FOR EVERMORE


SINCE years ago for evermore
My cedar ship I drew to shore;
And to the road and riverbed
And the green, nodding reeds, I said
Mine ignorant and last farewell:
Now with content at home I dwell,
And now divide my sluggish life
Betwixt my verses and my wife:
In vain; for when the lamp is lit
And by the laughing fire I sit,
Still with the tattered atlas spread
Interminable roads I tread.


ENVOY FOR "A CHILD'S GARDEN OF VERSES"


WHETHER upon the garden seat
You lounge with your uplifted feet
Under the May's whole Heaven of blue;
Or whether on the sofa you,
No grown up person being by,
Do some soft corner occupy;
Take you this volume in your hands
And enter into other lands,
For lo! (as children feign) suppose
You, hunting in the garden rows,
Or in the lumbered attic, or
The cellar - a nail-studded door
And dark, descending stairway found
That led to kingdoms underground:
There standing, you should hear with ease
Strange birds a-singing, or the trees
Swing in big robber woods, or bells
On many fairy citadels:

There passing through (a step or so -
Neither mamma nor nurse need know!)
From your nice nurseries you would pass,
Like Alice through the Looking-Glass
Or Gerda following Little Ray,
To wondrous countries far away.
Well, and just so this volume can
Transport each little maid or man
Presto from where they live away
Where other children used to play.
As from the house your mother sees
You playing round the garden trees,
So you may see if you but look
Through the windows of this book
Another child far, far away
And in another garden play.
But do not think you can at all,
By knocking on the window, call
That child to hear you.  He intent
Is still on his play-business bent.
He does not hear, he will not look,
Nor yet be lured out of this book.
For long ago, the truth to say,
He has grown up and gone away;
And it is but a child of air
That lingers in the garden there.


FOR RICHMOND'S GARDEN WALL


WHEN Thomas set this tablet here,
Time laughed at the vain chanticleer;
And ere the moss had dimmed the stone,
Time had defaced that garrison.
Now I in turn keep watch and ward
In my red house, in my walled yard
Of sunflowers, sitting here at ease
With friends and my bright canvases.
But hark, and you may hear quite plain
Time's chuckled laughter in the lane.


HAIL, GUEST, AND ENTER FREELY!


HAIL, guest, and enter freely!  All you see
Is, for your momentary visit, yours; and we
Who welcome you are but the guests of God,
And know not our departure.


LO, NOW, MY GUEST


LO, now, my guest, if aught amiss were said,
Forgive it and dismiss it from your head.
For me, for you, for all, to close the date,
Pass now the ev'ning sponge across the slate;
And to that spirit of forgiveness keep
Which is the parent and the child of sleep.


SO LIVE, SO LOVE, SO USE THAT FRAGILE HOUR


SO live, so love, so use that fragile hour,
That when the dark hand of the shining power
Shall one from other, wife or husband, take,
The poor survivor may not weep and wake.


AD SE IPSUM


DEAR sir, good-morrow!  Five years back,
When you first girded for this arduous track,
And under various whimsical pretexts
Endowed another with your damned defects,
Could you have dreamed in your despondent vein
That the kind God would make your path so plain?
Non nobis, domine!  O, may He still
Support my stumbling footsteps on the hill!


BEFORE THIS LITTLE GIFT WAS COME


BEFORE this little gift was come
The little owner had made haste for home;
And from the door of where the eternal dwell,
Looked back on human things and smiled farewell.
O may this grief remain the only one!
O may our house be still a garrison
Of smiling children, and for evermore
The tune of little feet be heard along the floor!


GO, LITTLE BOOK - THE ANCIENT PHRASE


GO, little book - the ancient phrase
And still the daintiest - go your ways,
My Otto, over sea and land,
Till you shall come to Nelly's hand.

How shall I your Nelly know?
By her blue eyes and her black brow,
By her fierce and slender look,
And by her goodness, little book!

What shall I say when I come there?
You shall speak her soft and fair:
See - you shall say - the love they send
To greet their unforgotten friend!

Giant Adulpho you shall sing
The next, and then the cradled king:
And the four corners of the roof
Then kindly bless; and to your perch aloof,
Where Balzac all in yellow dressed
And the dear Webster of the west
Encircle the prepotent throne
Of Shakespeare and of Calderon,
Shall climb an upstart.

There with these
You shall give ear to breaking seas
And windmills turning in the breeze,
A distant undetermined din
Without; and you shall hear within
The blazing and the bickering logs,
The crowing child, the yawning dogs,
And ever agile, high and low,
Our Nelly going to and fro.

There shall you all silent sit,
Till, when perchance the lamp is lit
And the day's labour done, she takes
Poor Otto down, and, warming for our sakes,
Perchance beholds, alive and near,
Our distant faces reappear.


MY LOVE WAS WARM


MY love was warm; for that I crossed
The mountains and the sea,
Nor counted that endeavour lost
That gave my love to me.

If that indeed were love at all,
As still, my love, I trow,
By what dear name am I to call
The bond that holds me now


DEDICATORY POEM FOR "UNDERWOODS"


TO her, for I must still regard her
As feminine in her degree,
Who has been my unkind bombarder
Year after year, in grief and glee,
Year after year, with oaken tree;
And yet betweenwhiles my laudator
In terms astonishing to me -
To the Right Reverend The Spectator
I here, a humble dedicator,
Bring the last apples from my tree.

In tones of love, in tones of warning,
She hailed me through my brief career;
And kiss and buffet, night and morning,
Told me my grandmamma was near;
Whether she praised me high and clear
Through her unrivalled circulation,
Or, sanctimonious insincere,
She damned me with a misquotation -
A chequered but a sweet relation,
Say, was it not, my granny dear?

Believe me, granny, altogether
Yours, though perhaps to your surprise.
Oft have you spruced my wounded feather,
Oft brought a light into my eyes -
For notice still the writer cries.
In any civil age or nation,
The book that is not talked of dies.
So that shall be my termination:
Whether in praise or execration,
Still, if you love me, criticise!


FAREWELL


FAREWELL, and when forth
I through the Golden Gates to Golden Isles
Steer without smiling, through the sea of smiles,
Isle upon isle, in the seas of the south,
Isle upon island, sea upon sea,
Why should I sail, why should the breeze?
I have been young, and I have counted friends.
A hopeless sail I spread, too late, too late.
Why should I from isle to isle
Sail, a hopeless sailor?


THE FAR-FARERS


THE broad sun,
The bright day:
White sails
On the blue bay:
The far-farers
Draw away.

Light the fires
And close the door.
To the old homes,
To the loved shore,
The far-farers
Return no more.


HOME, MY LITTLE CHILDREN, HERE ARE SONGS FOR YOU


COME, my little children, here are songs for you;
Some are short and some are long, and all, all are new.
You must learn to sing them very small and clear,
Very true to time and tune and pleasing to the ear.

Mark the note that rises, mark the notes that fall,
Mark the time when broken, and the swing of it all.
So when night is come, and you have gone to bed,
All the songs you love to sing shall echo in your head.


COME FROM THE DAISIED MEADOWS


HOME from the daisied meadows, where you linger yet -
Home, golden-headed playmate, ere the sun is set;
For the dews are falling fast
And the night has come at last.
Home with you, home and lay your little head at rest,
Safe, safe, my little darling, on your mother's breast.
Lullaby, darling; your mother is watching you;
   she'll be your guardian and shield.
Lullaby, slumber, my darling, till morning be
   bright upon mountain and field.
Long, long the shadows fall.
All white and smooth at home your little bed is laid.
All round your head be angels.


EARLY IN THE MORNING I HEAR ON YOUR PIANO


EARLY in the morning I hear on your piano
You (at least, I guess it's you) proceed to learn to play.
Mostly little minds should take and tackle their piano
While the birds are singing in the morning of the day.


FAIR ISLE AT SEA


FAIR Isle at Sea - thy lovely name
Soft in my ear like music came.
That sea I loved, and once or twice
I touched at isles of Paradise.


LOUD AND LOW IN THE CHIMNEY


LOUD and low in the chimney
The squalls suspire;
Then like an answer dwindles
And glows the fire,
And the chamber reddens and darkens
In time like taken breath.
Near by the sounding chimney
The youth apart
Hearkens with changing colour
And leaping heart,
And hears in the coil of the tempest
The voice of love and death.
Love on high in the flute-like
And tender notes
Sounds as from April meadows
And hillside cotes;
But the deep wood wind in the chimney
Utters the slogan of death.


I LOVE TO BE WARM BY THE RED FIRESIDE


I LOVE to be warm by the red fireside,
I love to be wet with rain:
I love to be welcome at lamplit doors,
And leave the doors again.


AT LAST SHE COMES


AT last she comes, O never more
In this dear patience of my pain
To leave me lonely as before,
Or leave my soul alone again.


MINE EYES WERE SWIFT TO KNOW THEE


MINE eyes were swift to know thee, and my heart
As swift to love.  I did become at once
Thine wholly, thine unalterably, thine
In honourable service, pure intent,
Steadfast excess of love and laughing care:
And as she was, so am, and so shall be.
I knew thee helpful, knew thee true, knew thee
And Pity bedfellows: I heard thy talk
With answerable throbbings.  On the stream,
Deep, swift, and clear, the lilies floated; fish
Through the shadows ran.  There, thou and I
Read Kindness in our eyes and closed the match.


FIXED IS THE DOOM


FIXED is the doom; and to the last of years
Teacher and taught, friend, lover, parent, child,
Each walks, though near, yet separate; each beholds
His dear ones shine beyond him like the stars.
We also, love, forever dwell apart;
With cries approach, with cries behold the gulph,
The Unvaulted; as two great eagles that do wheel in air
Above a mountain, and with screams confer,
Far heard athwart the cedars.
Yet the years
Shall bring us ever nearer; day by day
Endearing, week by week, till death at last
Dissolve that long divorce.  By faith we love,
Not knowledge; and by faith, though far removed,
Dwell as in perfect nearness, heart to heart.
We but excuse
Those things we merely are; and to our souls
A brave deception cherish.
So from unhappy war a man returns
Unfearing, or the seaman from the deep;
So from cool night and woodlands to a feast
May someone enter, and still breathe of dews,
And in her eyes still wear the dusky night.


MEN ARE HEAVEN'S PIERS


MEN are Heaven's piers; they evermore
Unwearying bear the skyey floor;
Man's theatre they bear with ease,
Unfrowning cariatides!
I, for my wife, the sun uphold,
Or, dozing, strike the seasons cold.
She, on her side, in fairy-wise
Deals in diviner mysteries,
By spells to make the fuel burn
And keep the parlour warm, to turn
Water to wine, and stones to bread,
By her unconquered hero-head.
A naked Adam, naked Eve,
Alone the primal bower we weave;
Sequestered in the seas of life,
A Crusoe couple, man and wife,
With all our good, with all our will,
Our unfrequented isle we fill;
And victor in day's petty wars,
Each for the other lights the stars.
Come then, my Eve, and to and fro
Let us about our garden go;
And, grateful-hearted, hand in hand
Revisit all our tillage land,
And marvel at our strange estate,
For hooded ruin at the gate
Sits watchful, and the angels fear
To see us tread so boldly here.
Meanwhile, my Eve, with flower and grass
Our perishable days we pass;
Far more the thorn observe - and see
How our enormous sins go free -
Nor less admire, beside the rose,
How far a little virtue goes.


THE ANGLER ROSE, HE TOOK HIS ROD


THE angler rose, he took his rod,
He kneeled and made his prayers to God.
The living God sat overhead:
The angler tripped, the eels were fed


SPRING CAROL


WHEN loud by landside streamlets gush,
And clear in the greenwood quires the thrush,
With sun on the meadows
And songs in the shadows
Comes again to me
The gift of the tongues of the lea,
The gift of the tongues of meadows.

Straightway my olden heart returns
And dances with the dancing burns;
It sings with the sparrows;
To the rain and the (grimy) barrows
Sings my heart aloud -
To the silver-bellied cloud,
To the silver rainy arrows.

It bears the song of the skylark down,
And it hears the singing of the town;
And youth on the highways
And lovers in byways
Follows and sees:
And hearkens the song of the leas
And sings the songs of the highways.

So when the earth is alive with gods,
And the lusty ploughman breaks the sod,
And the grass sings in the meadows,
And the flowers smile in the shadows,
Sits my heart at ease,
Hearing the song of the leas,
Singing the songs of the meadows.


TO WHAT SHALL I COMPARE HER?


TO what shall I compare her,
That is as fair as she?
For she is fairer - fairer
Than the sea.
What shall be likened to her,
The sainted of my youth?
For she is truer - truer
Than the truth.

As the stars are from the sleeper,
Her heart is hid from me;
For she is deeper - deeper
Than the sea.
Yet in my dreams I view her
Flush rosy with new ruth -
Dreams!  Ah, may these prove truer
Than the truth.


WHEN THE SUN COMES AFTER RAIN


WHEN the sun comes after rain
And the bird is in the blue,
The girls go down the lane
Two by two.

When the sun comes after shadow
And the singing of the showers,
The girls go up the meadow,
Fair as flowers.

When the eve comes dusky red
And the moon succeeds the sun,
The girls go home to bed
One by one.

And when life draws to its even
And the day of man is past,
They shall all go home to heaven,
Home at last.


LATE, O MILLER


LATE, O miller,
The birds are silent,
The darkness falls.
In the house the lights are lighted.
See, in the valley they twinkle,
The lights of home.
Late, O lovers,
The night is at hand;
Silence and darkness
Clothe the land.


TO FRIENDS AT HOME


TO friends at home, the lone, the admired, the lost
The gracious old, the lovely young, to May
The fair, December the beloved,
These from my blue horizon and green isles,
These from this pinnacle of distances I,
The unforgetful, dedicate.


I, WHOM APOLLO SOMETIME VISITED


I, WHOM Apollo sometime visited,
Or feigned to visit, now, my day being done,
Do slumber wholly; nor shall know at all
The weariness of changes; nor perceive
Immeasurable sands of centuries
Drink of the blanching ink, or the loud sound
Of generations beat the music down.


TEMPEST TOSSED AND SORE AFFLICTED


TEMPEST tossed and sore afflicted, sin defiled and care oppressed,
Come to me, all ye that labour; come, and I will give ye rest.
Fear no more, O doubting hearted; weep no more, O weeping eye!
Lo, the voice of your redeemer; lo, the songful morning near.

Here one hour you toil and combat, sin and suffer, bleed and die;
In my father's quiet mansion soon to lay your burden by.
Bear a moment, heavy laden, weary hand and weeping eye.
Lo, the feet of your deliverer; lo, the hour of freedom here.


VARIANT FORM OF THE PRECEDING POEM


COME to me, all ye that labour; I will give your spirits rest;
Here apart in starry quiet I will give you rest.
Come to me, ye heavy laden, sin defiled and care opprest,
In your father's quiet mansions, soon to prove a welcome guest.
But an hour you bear your trial, sin and suffer, bleed and die;
But an hour you toil and combat here in day's inspiring eye.
See the feet of your deliverer; lo, the hour of freedom nigh.


I NOW, O FRIEND, WHOM NOISELESSLY THE SNOWS


I NOW, O friend, whom noiselessly the snows
Settle around, and whose small chamber grows
Dusk as the sloping window takes its load:

* * * * *

The kindly hill, as to complete our hap,
Has ta'en us in the shelter of her lap;
Well sheltered in our slender grove of trees
And ring of walls, we sit between her knees;
A disused quarry, paved with rose plots, hung
With clematis, the barren womb whence sprung
The crow-stepped house itself, that now far seen
Stands, like a bather, to the neck in green.
A disused quarry, furnished with a seat
Sacred to pipes and meditation meet
For such a sunny and retired nook.
There in the clear, warm mornings many a book
Has vied with the fair prospect of the hills
That, vale on vale, rough brae on brae, upfills
Halfway to the zenith all the vacant sky
To keep my loose attention. . . .
Horace has sat with me whole mornings through:
And Montaigne gossiped, fairly false and true;
And chattering Pepys, and a few beside
That suit the easy vein, the quiet tide,
The calm and certain stay of garden-life,
Far sunk from all the thunderous roar of strife.
There is about the small secluded place
A garnish of old times; a certain grace
Of pensive memories lays about the braes:
The old chestnuts gossip tales of bygone days.
Here, where some wandering preacher, blest Lazil,
Perhaps, or Peden, on the middle hill
Had made his secret church, in rain or snow,
He cheers the chosen residue from woe.
All night the doors stood open, come who might,
The hounded kebbock mat the mud all night.
Nor are there wanting later tales; of how
Prince Charlie's Highlanders . . .

* * * * *

I have had talents, too.  In life's first hour
God crowned with benefits my childish head.
Flower after flower, I plucked them; flower by flower
Cast them behind me, ruined, withered, dead.
Full many a shining godhead disappeared.
From the bright rank that once adorned her brow
The old child's Olympus

* * * * *

Gone are the fair old dreams, and one by one,
As, one by one, the means to reach them went,
As, one by one, the stars in riot and disgrace,
I squandered what . . .

There shut the door, alas! on many a hope
Too many;
My face is set to the autumnal slope,
Where the loud winds shall . . .

There shut the door, alas! on many a hope,
And yet some hopes remain that shall decide
My rest of years and down the autumnal slope.

* * * * *

Gone are the quiet twilight dreams that I
Loved, as all men have loved them; gone!
I have great dreams, and still they stir my soul on high -
Dreams of the knight's stout heart and tempered will.
Not in Elysian lands they take their way;
Not as of yore across the gay champaign,
Towards some dream city, towered . . .
and my . . .
The path winds forth before me, sweet and plain,
Not now; but though beneath a stone-grey sky
November's russet woodlands toss and wail,
Still the white road goes thro' them, still may I,
Strong in new purpose, God, may still prevail.

* * * * *

I and my like, improvident sailors!

* * * * *

At whose light fall awaking, all my heart
Grew populous with gracious, favoured thought,
And all night long thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly, and old hopes with downcast head
Followed like Kings, subdued in Rome's imperial hour,
Followed the car; and I . . .


SINCE THOU HAST GIVEN ME THIS GOOD HOPE, O GOD


SINCE thou hast given me this good hope, O God,
That while my footsteps tread the flowery sod
And the great woods embower me, and white dawn
And purple even sweetly lead me on
From day to day, and night to night, O God,
My life shall no wise miss the light of love;
But ever climbing, climb above
Man's one poor star, man's supine lands,
Into the azure steadfastness of death,
My life shall no wise lack the light of love,
My hands not lack the loving touch of hands;
But day by day, while yet I draw my breath,
And day by day, unto my last of years,
I shall be one that has a perfect friend.
Her heart shall taste my laughter and my tears,
And her kind eyes shall lead me to the end.


GOD GAVE TO ME A CHILD IN PART


GOD gave to me a child in part,
Yet wholly gave the father's heart:
Child of my soul, O whither now,
Unborn, unmothered, goest thou?

You came, you went, and no man wist;
Hapless, my child, no breast you kist;
On no dear knees, a privileged babbler, clomb,
Nor knew the kindly feel of home.

My voice may reach you, O my dear-
A father's voice perhaps the child may hear;
And, pitying, you may turn your view
On that poor father whom you never knew.

Alas! alone he sits, who then,
Immortal among mortal men,
Sat hand in hand with love, and all day through
With your dear mother wondered over you.


OVER THE LAND IS APRIL


OVER the land is April,
Over my heart a rose;
Over the high, brown mountain
The sound of singing goes.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain,
Love, do you hear me sing?

By highway, love, and byway
The snows succeed the rose.
Over the high, brown mountain
The wind of winter blows.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain
I sound the song of spring,
I throw the flowers of spring.
Do you hear the song of spring?
Hear you the songs of spring?


LIGHT AS THE LINNET ON MY WAY I START


LIGHT as the linnet on my way I start,
For all my pack I bear a chartered heart.
Forth on the world without a guide or chart,
Content to know, through all man's varying fates,
The eternal woman by the wayside waits.


COME, HERE IS ADIEU TO THE CITY


COME, here is adieu to the city
And hurrah for the country again.
The broad road lies before me
Watered with last night's rain.
The timbered country woos me
With many a high and bough;
And again in the shining fallows
The ploughman follows the plough.

The whole year's sweat and study,
And the whole year's sowing time,
Comes now to the perfect harvest,
And ripens now into rhyme.
For we that sow in the Autumn,
We reap our grain in the Spring,
And we that go sowing and weeping
Return to reap and sing.


IT BLOWS A SNOWING GALE


IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.


NE SIT ANCILLAE TIBI AMOR PUDOR


THERE'S just a twinkle in your eye
That seems to say I MIGHT, if I
Were only bold enough to try
An arm about your waist.
I hear, too, as you come and go,
That pretty nervous laugh, you know;
And then your cap is always so
Coquettishly displaced.

Your cap! the word's profanely said.
That little top-knot, white and red,
That quaintly crowns your graceful head,
No bigger than a flower,
Is set with such a witching art,
Is so provocatively smart,
I'd like to wear it on my heart,
An order for an hour!

O graceful housemaid, tall and fair,
I love your shy imperial air,
And always loiter on the stair
When you are going by.
A strict reserve the fates demand;
But, when to let you pass I stand,
Sometimes by chance I touch your hand
And sometimes catch your eye.


TO ALL THAT LOVE THE FAR AND BLUE


TO all that love the far and blue:
Whether, from dawn to eve, on foot
The fleeing corners ye pursue,
Nor weary of the vain pursuit;
Or whether down the singing stream,
Paddle in hand, jocund ye shoot,
To splash beside the splashing bream
Or anchor by the willow root:

Or, bolder, from the narrow shore
Put forth, that cedar ark to steer,
Among the seabirds and the roar
Of the great sea, profound and clear;
Or, lastly if in heart ye roam,
Not caring to do else, and hear,
Safe sitting by the fire at home,
Footfalls in Utah or Pamere:

Though long the way, though hard to bear
The sun and rain, the dust and dew;
Though still attainment and despair
Inter the old, despoil the new;
There shall at length, be sure, O friends,
Howe'er ye steer, whate'er ye do -
At length, and at the end of ends,
The golden city come in view.


THOU STRAINEST THROUGH THE MOUNTAIN FERN
(A FRAGMENT)


THOU strainest through the mountain fern,
A most exiguously thin Burn.
For all thy foam, for all thy din,
Thee shall the pallid lake inurn,
With well-a-day for Mr. Swin-Burne!
Take then this quarto in thy fin
And, O thou stoker huge and stern,
The whole affair, outside and in,
Burn!
But save the true poetic kin,
The works of Mr. Robert Burn'
And William Wordsworth upon Tin-Tern!


TO ROSABELLE


WHEN my young lady has grown great and staid,
And in long raiment wondrously arrayed,
She may take pleasure with a smile to know
How she delighted men-folk long ago.
For her long after, then, this tale I tell
Of the two fans and fairy Rosabelle.
Hot was the day; her weary sire and I
Sat in our chairs companionably nigh,
Each with a headache sat her sire and I.

Instant the hostess waked: she viewed the scene,
Divined the giants' languor by their mien,
And with hospitable care
Tackled at once an Atlantean chair.
Her pigmy stature scarce attained the seat -
She dragged it where she would, and with her feet
Surmounted; thence, a Phaeton launched, she crowned
The vast plateau of the piano, found
And culled a pair of fans; wherewith equipped,
Our mountaineer back to the level slipped;
And being landed, with considerate eyes,
Betwixt her elders dealt her double prize;
The small to me, the greater to her sire.
As painters now advance and now retire
Before the growing canvas, and anon
Once more approach and put the climax on:
So she awhile withdrew, her piece she viewed -
For half a moment half supposed it good -
Spied her mistake, nor sooner spied than ran
To remedy; and with the greater fan,
In gracious better thought, equipped the guest.

From ill to well, from better on to best,
Arts move; the homely, like the plastic kind;
And high ideals fired that infant mind.
Once more she backed, once more a space apart
Considered and reviewed her work of art:
Doubtful at first, and gravely yet awhile;
Till all her features blossomed in a smile.
And the child, waking at the call of bliss,
To each she ran, and took and gave a kiss.


NOW BARE TO THE BEHOLDER'S EYE


NOW bare to the beholder's eye
Your late denuded bindings lie,
Subsiding slowly where they fell,
A disinvested citadel;
The obdurate corset, Cupid's foe,
The Dutchman's breeches frilled below.
Those that the lover notes to note,
And white and crackling petticoat.

From these, that on the ground repose,
Their lady lately re-arose;
And laying by the lady's name,
A living woman re-became.
Of her, that from the public eye
They do enclose and fortify,
Now, lying scattered as they fell,
An indiscreeter tale they tell:
Of that more soft and secret her
Whose daylong fortresses they were,
By fading warmth, by lingering print,
These now discarded scabbards hint.

A twofold change the ladies know:
First, in the morn the bugles blow,
And they, with floral hues and scents,
Man their beribboned battlements.
But let the stars appear, and they
Shed inhumanities away;
And from the changeling fashion see,
Through comic and through sweet degree,
In nature's toilet unsurpassed,
Forth leaps the laughing girl at last.


THE BOUR-TREE DEN


CLINKUM-CLANK in the rain they ride,
Down by the braes and the grey sea-side;
Clinkum-clank by stane and cairn,
Weary fa' their horse-shoe-airn!

Loud on the causey, saft on the sand,
Round they rade by the tail of the land;
Round and up by the Bour-Tree Den,
Weary fa' the red-coat men!

Aft hae I gane where they hae rade
And straigled in the gowden brooms -
Aft hae I gane, a saikless maid,
And O! sae bonny as the bour-tree blooms!

Wi' swords and guns they wanton there,
Wi' red, red coats and braw, braw plumes.
But I gaed wi' my gowden hair,
And O! sae bonny as the bour-tree blooms!

I ran, a little hempie lass,
In the sand and the bent grass,
Or took and kilted my small coats
To play in the beached fisher-boats.

I waded deep and I ran fast,
I was as lean as a lugger's mast,
I was as brown as a fisher's creel,
And I liked my life unco weel.

They blew a trumpet at the cross,
Some forty men, both foot and horse.
A'body cam to hear and see,
And wha, among the rest, but me.
My lips were saut wi' the saut air,
My face was brown, my feet were bare
The wind had ravelled my tautit hair,
And I thought shame to be standing there.

Ae man there in the thick of the throng
Sat in his saddle, straight and strong.
I looked at him and he at me,
And he was a master-man to see.
. . . And who is this yin? and who is yon
That has the bonny lendings on?
That sits and looks sae braw and crouse?
. . . Mister Frank o' the Big House!

I gaed my lane beside the sea;
The wind it blew in bush and tree,
The wind blew in bush and bent:
Muckle I saw, and muckle kent!

Between the beach and the sea-hill
I sat my lane and grat my fill -
I was sae clarty and hard and dark,
And like the kye in the cow park!

There fell a battle far in the north;
The evil news gaed back and forth,
And back and forth by brae and bent
Hider and hunter cam and went:
The hunter clattered horse-shoe-airn
By causey-crest and hill-top cairn;
The hider, in by shag and shench,
Crept on his wame and little lench.

The eastland wind blew shrill and snell,
The stars arose, the gloaming fell,
The firelight shone in window and door
When Mr. Frank cam here to shore.
He hirpled up by the links and the lane,
And chappit laigh in the back-door-stane.
My faither gaed, and up wi' his han'!
. . . Is this Mr. Frank, or a beggarman?

I have mistrysted sair, he said,
But let me into fire and bed;
Let me in, for auld lang syne,
And give me a dram of the brandy wine.

They hid him in the Bour-Tree Den,
And I thought it strange to gang my lane;
I thought it strange, I thought it sweet,
To gang there on my naked feet.
In the mirk night, when the boats were at sea,
I passed the burn abune the knee;
In the mirk night, when the folks were asleep,
I had a tryst in the den to keep.

Late and air', when the folks were asleep,
I had a tryst, a tryst to keep,
I had a lad that lippened to me,
And bour-tree blossom is fair to see!

O' the bour-tree leaves I busked his bed,
The mune was siller, the dawn was red:
Was nae man there but him and me -
And bour-tree blossom is fair to see!

Unco weather hae we been through:
The mune glowered, and the wind blew,
And the rain it rained on him and me,
And bour-tree blossom is fair to see!

Dwelling his lane but house or hauld,
Aft he was wet and aft was cauld;
I warmed him wi' my briest and knee -
And bour-tree blossom is fair to see!

There was nae voice of beast ae man,
But the tree soughed and the burn ran,
And we heard the ae voice of the sea:
Bour-tree blossom is fair to see!


SONNETS

I.

NOR judge me light, tho' light at times I seem,
And lightly in the stress of fortune bear
The innumerable flaws of changeful care -
Nor judge me light for this, nor rashly deem
(Office forbid to mortals, kept supreme
And separate the prerogative of God!)
That seaman idle who is borne abroad
To the far haven by the favouring stream.
Not he alone that to contrarious seas
Opposes, all night long, the unwearied oar,
Not he alone, by high success endeared,
Shall reach the Port; but, winged, with some light breeze
Shall they, with upright keels, pass in before
Whom easy Taste, the golden pilot, steered.

II.

So shall this book wax like unto a well,
Fairy with mirrored flowers about the brim,
Or like some tarn that wailing curlews skim,
Glassing the sallow uplands or brown fell;
And so, as men go down into a dell
(Weary with noon) to find relief and shade,
When on the uneasy sick-bed we are laid,
We shall go down into thy book, and tell
The leaves, once blank, to build again for us
Old summer dead and ruined, and the time
Of later autumn with the corn in stook.
So shalt thou stint the meagre winter thus
Of his projected triumph, and the rime
Shall melt before the sunshine in thy book.

III.

I have a hoard of treasure in my breast;
The grange of memory steams against the door,
Full of my bygone lifetime's garnered store -
Old pleasures crowned with sorrow for a zest,
Old sorrow grown a joy, old penance blest,
Chastened remembrance of the sins of yore
That, like a new evangel, more and more
Supports our halting will toward the best.
Ah! what to us the barren after years
May bring of joy or sorrow, who can tell?
O, knowing not, who cares?  It may be well
That we shall find old pleasures and old fears,
And our remembered childhood seen thro' tears,
The best of Heaven and the worst of Hell.

IV.

As starts the absent dreamer when a train,
Suddenly disengulphed below his feet,
Roars forth into the sunlight, to its seat
My soul was shaken with immediate pain
Intolerable as the scanty breath
Of that one word blew utterly away
The fragile mist of fair deceit that lay
O'er the bleak years that severed me from death.
Yes, at the sight I quailed; but, not unwise
Or not, O God, without some nervous thread
Of that best valour, Patience, bowed my head,
And with firm bosom and most steadfast eyes,
Strong in all high resolve, prepared to tread
The unlovely path that leads me toward the skies.

V.

Not undelightful, friend, our rustic ease
To grateful hearts; for by especial hap,
Deep nested in the hill's enormous lap,
With its own ring of walls and grove of trees,
Sits, in deep shelter, our small cottage - nor
Far-off is seen, rose carpeted and hung
With clematis, the quarry whence she sprung,
O mater pulchra filia pulchrior,
Whither in early spring, unharnessed folk,
We join the pairing swallows, glad to stay
Where, loosened in the hills, remote, unseen,
From its tall trees, it breathes a slender smoke
To heaven, and in the noon of sultry day
Stands, coolly buried, to the neck in green.

VI.

As in the hostel by the bridge I sate,
Nailed with indifference fondly deemed complete,
And (O strange chance, more sorrowful than sweet)
The counterfeit of her that was my fate,
Dressed in like vesture, graceful and sedate,
Went quietly up the vacant village street,
The still small sound of her most dainty feet
Shook, like a trumpet blast, my soul's estate.
Instant revolt ran riot through my brain,
And all night long, thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly; and old hopes, broke loose again
From the restraint of wisely temperate power,
With ineffectual ardour sought to rise.

VII.

The strong man's hand, the snow-cool head of age,
The certain-footed sympathies of youth -
These, and that lofty passion after truth,
Hunger unsatisfied in priest or sage
Or the great men of former years, he needs
That not unworthily would dare to sing
(Hard task!) black care's inevitable ring
Settling with years upon the heart that feeds
Incessantly on glory.  Year by year
The narrowing toil grows closer round his feet;
With disenchanting touch rude-handed time
The unlovely web discloses, and strange fear
Leads him at last to eld's inclement seat,
The bitter north of life - a frozen clime.

VIII.

As Daniel, bird-alone, in that far land,
Kneeling in fervent prayer, with heart-sick eyes
Turned thro' the casement toward the westering skies;
Or as untamed Elijah, that red brand
Among the starry prophets; or that band
And company of Faithful sanctities
Who in all times, when persecutions rise,
Cherish forgotten creeds with fostering hand:
Such do ye seem to me, light-hearted crew,
O turned to friendly arts with all your will,
That keep a little chapel sacred still,
One rood of Holy-land in this bleak earth
Sequestered still (our homage surely due!)
To the twin Gods of mirthful wine and mirth.

About my fields, in the broad sun
And blaze of noon, there goeth one,
Barefoot and robed in blue, to scan
With the hard eye of the husbandman
My harvests and my cattle.  Her,
When even puts the birds astir
And day has set in the great woods,
We seek, among her garden roods,
With bells and cries in vain: the while
Lamps, plate, and the decanter smile
On the forgotten board.  But she,
Deaf, blind, and prone on face and knee,
Forgets time, family, and feast,
And digs like a demented beast.

Tall as a guardsman, pale as the east at dawn,
Who strides in strange apparel on the lawn?
Rails for his breakfast? routs his vassals out
(Like boys escaped from school) with song and shout?
Kind and unkind, his Maker's final freak,
Part we deride the child, part dread the antique!
See where his gang, like frogs, among the dew
Crouch at their duty, an unquiet crew;
Adjust their staring kilts; and their swift eyes
Turn still to him who sits to supervise.
He in the midst, perched on a fallen tree,
Eyes them at labour; and, guitar on knee,
Now ministers alarm, now scatters joy,
Now twangs a halting chord, now tweaks a boy.
Thorough in all, my resolute vizier
Plays both the despot and the volunteer,
Exacts with fines obedience to my laws,
And for his music, too, exacts applause.

The Adorner of the uncomely - those
Amidst whose tall battalions goes
Her pretty person out and in
All day with an endearing din,
Of censure and encouragement;
And when all else is tried in vain
See her sit down and weep again.
She weeps to conquer;
She varies on her grenadiers
From satire up to girlish tears!

Or rather to behold her when
She plies for me the unresting pen,
And when the loud assault of squalls
Resounds upon the roof and walls,
And the low thunder growls and I
Raise my dictating voice on high.

What glory for a boy of ten
Who now must three gigantic men
And two enormous, dapple grey
New Zealand pack-horses array
And lead, and wisely resolute
Our day-long business execute
In the far shore-side town.  His soul
Glows in his bosom like a coal;
His innocent eyes glitter again,
And his hand trembles on the rein.
Once he reviews his whole command,
And chivalrously planting hand
On hip - a borrowed attitude -
Rides off downhill into the wood.

I meanwhile in the populous house apart
Sit snugly chambered, and my silent art
Uninterrupted, unremitting ply
Before the dawn, by morning lamplight, by
The glow of smelting noon, and when the sun
Dips past my westering hill and day is done;
So, bending still over my trade of words,
I hear the morning and the evening birds,
The morning and the evening stars behold;
So there apart I sit as once of old
Napier in wizard Merchiston; and my
Brown innocent aides in home and husbandry
Wonder askance.  What ails the boss? they ask.
Him, richest of the rich, an endless task
Before the earliest birds or servants stir
Calls and detains him daylong prisoner?
He whose innumerable dollars hewed
This cleft in the boar and devil-haunted wood,
And bade therein, from sun to seas and skies,
His many-windowed, painted palace rise
Red-roofed, blue-walled, a rainbow on the hill,
A wonder in the forest glade: he still,

Unthinkable Aladdin, dawn and dark,
Scribbles and scribbles, like a German clerk.
We see the fact, but tell, O tell us why?
My reverend washman and wise butler cry.
Meanwhile at times the manifold
Imperishable perfumes of the past
And coloured pictures rise on me thick and fast:
And I remember the white rime, the loud
Lamplitten city, shops, and the changing crowd;
And I remember home and the old time,
The winding river, the white moving rhyme,
The autumn robin by the river-side
That pipes in the grey eve.

The old lady (so they say), but I
Admire your young vitality.
Still brisk of foot, still busy and keen
In and about and up and down.

I hear you pass with bustling feet
The long verandahs round, and beat
Your bell, and "Lotu!  Lotu!" cry;
Thus calling our queer company,
In morning or in evening dim,
To prayers and the oft mangled hymn.

All day you watch across the sky
The silent, shining cloudlands ply,
That, huge as countries, swift as birds,
Beshade the isles by halves and thirds,
Till each with battlemented crest
Stands anchored in the ensanguined west,
An Alp enchanted.  All the day
You hear the exuberant wind at play,
In vast, unbroken voice uplift,
In roaring tree, round whistling clift.


AIR OF DIABELLI'S


CALL it to mind, O my love.
Dear were your eyes as the day,
Bright as the day and the sky;
Like the stream of gold and the sky above,
Dear were your eyes in the grey.
We have lived, my love, O, we have lived, my love!
Now along the silent river, azure
Through the sky's inverted image,
Softly swam the boat that bore our love,
Swiftly ran the shallow of our love
Through the heaven's inverted image,
In the reedy mazes round the river.
See along the silent river,

See of old the lover's shallop steer.
Berried brake and reedy island,
Heaven below and only heaven above.
Through the sky's inverted image
Swiftly swam the boat that bore our love.
Berried brake and reedy island,
Mirrored flower and shallop gliding by.
All the earth and all the sky were ours,
Silent sat the wafted lovers,
Bound with grain and watched by all the sky,
Hand to hand and eye to . . . eye.

Days of April, airs of Eden,
Call to mind how bright the vanished angel hours,
Golden hours of evening,
When our boat drew homeward filled with flowers.
O darling, call them to mind; love the past, my love.
Days of April, airs of Eden.
How the glory died through golden hours,
And the shining moon arising;
How the boat drew homeward filled with flowers.
Age and winter close us slowly in.

Level river, cloudless heaven,
Islanded reed mazes, silver weirs;
How the silent boat with silver
Threads the inverted forest as she goes,
Broke the trembling green of mirrored trees.
O, remember, and remember
How the berries hung in garlands.

Still in the river see the shallop floats.
Hark!  Chimes the falling oar.
Still in the mind
Hark to the song of the past!
Dream, and they pass in their dreams.

Those that loved of yore, O those that loved of yore!
Hark through the stillness, O darling, hark!
Through it all the ear of the mind

Knows the boat of love.  Hark!
Chimes the falling oar.

O half in vain they grew old.

Now the halcyon days are over,
Age and winter close us slowly round,
And these sounds at fall of even
Dim the sight and muffle all the sound.
And at the married fireside, sleep of soul and sleep of fancy,
Joan and Darby.
Silence of the world without a sound;
And beside the winter faggot