Johann Shiller

Don Carlos
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ALVA.
You will beware a certain Marquis Posa
He has of late been secretly employed
In the king's service.

QUEEN.
            With delight I hear
The king has made so excellent a choice.
Report, long since, has spoken of the marquis
As a deserving, great, and virtuous man--
The royal grace was ne'er so well bestowed!

DOMINGO.
So well bestowed! We think far otherwise.

ALVA.
It is no secret now, for what designs
This man has been employed.

QUEEN.
               How! What designs?
You put my expectation on the rack.

DOMINGO.
How long is it since last your majesty
Opened your casket?

QUEEN.
           Why do you inquire?

DOMINGO.
Did you not miss some articles of value?

QUEEN.
Why these suspicions? What I missed was then
Known to the court! But what of Marquis Posa?
Say, what connection has all this with him?

ALVA.
The closest, please your majesty--the prince
Has lost some papers of importance;
And they were seen this morning with the king
After the marquis had an audience of him.

QUEEN (after some consideration).
This news is strange indeed--inexplicable
To find a foe where I could ne'er have dreamed it,
And two warm friends I knew not I possessed!

   [Fixing her eyes steadfastly upon them.

And, to speak truth, I had well nigh imputed
To you the wicked turn my husband served me.

ALVA.
To us!

QUEEN.
    To you yourselves!

DOMINGO.
              To me! Duke Alva!

QUEEN (her eyes still fastened on them).
I am glad to be so timely made aware
Of my rash judgment--else had I resolved
This very day to beg his majesty
Would bring me face to face with my accusers.
But I'm contented now. I can appeal
To the Duke Alva for his testimony.

ALVA.
For mine? You would not sure do that!

QUEEN.
Why not?

ALVA.
     'Twould counteract the services we might
Render in secret to you.

QUEEN.
             How! in secret?
   [With stern dignity.
I fain would know what secret projects, duke,
Your sovereign's spouse can have to form with you,
Or, priest! with you--her husband should not know?
Think you that I am innocent or guilty?

DOMINGO.
Strange question!

ALVA.
          Should the monarch prove unjust--
And at this time----

QUEEN.
Then I must wait for justice
Until it come--and they are happiest far
Whose consciences may calmly wait their right.

   [Bows to them and exit. DOMINGO and ALVA exeunt
   on the opposite side.



SCENE XV.

   Chamber Of PRINCESS EBOLI.
   PRINCESS EBOLI. CARLOS immediately after.

EBOLI.
Is it then true--the strange intelligence,
That fills the court with wonder?

CARLOS (enters).
                  Do not fear
Princess! I shall be gentle as a child.

EBOLI.
Prince, this intrusion!

CARLOS.
             Are you angry still?
Offended still with me----

EBOLI.
             Prince!

CARLOS (earnestly).
                  Are you angry?
I pray you answer me.

EBOLI.
            What can this mean?
You seem, prince, to forget--what would you with me?

CARLOS (seizing her hand with warmth).
Dear maiden! Can you hate eternally?
Can injured love ne'er pardon?

EBOLI (disengaging herself).
                Prince! of what
Would you remind me?

CARLOS.
           Of your kindness, dearest!
And of my deep ingratitude. Alas,
Too well I know it! deeply have I wronged thee--
Wounded thy tender heart, and from thine eyes,
Thine angel eyes, wrung precious tears, sweet maid!
But ah! 'tis not repentance leads me hither.

EBOLI.
Prince! leave me--I----

CARLOS.
            I come to thee, because
Thou art a maid of gentle soul--because
I trust thy heart--thy kind and tender heart.
Think, dearest maiden! think, I have no friend,
No friend but thee, in all this wretched world--
Thou who wert once so kind wilt not forever
Hate me, nor will thy anger prove eternal.

EBOLI (turning away her face).
O cease! No more! for heaven's sake! leave me, prince.

CARLOS.
Let me remind thee of those golden hours--
Let me remind thee of thy love, sweet maid--
That love which I so basely have offended!
Oh, let me now appear to thee again
As once I was--and as thy heart portrayed me.
Yet once again, once only, place my image,
As in days past, before thy tender soul,
And to that idol make a sacrifice
Thou canst not make to me.

EBOLI.
              Oh, Carlos, cease!
Too cruelly thou sportest with my feelings!

CARLOS.
Be nobler than thy sex! Forgive an insult!
Do what no woman e'er has done before thee,
And what no woman, after thee, can equal.
I ask of thee an unexampled favor.
Grant me--upon my knees I ask of thee
Grant me two moments with the queen, my mother!

   [He casts himself at her feet.



SCENE XVI.

   The former. MARQUIS POSA rushes in; behind him two
   Officers of the Queen's Guard.

MARQUIS (breathless and agitated, rushing between CARLOS and
     the PRINCESS).
Say, what has he confessed? Believe him not!

CARLOS (still on his knees, with loud voice).
By all that's holy----

MARQUIS (interrupting him with vehemence).
           He is mad! He raves!
Oh, listen to him not!

CARLOS (louder and more urgent).
            It is a question
Of life and death; conduct me to her straight.

MARQUIS (dragging the PRINCESS from him by force).
You die, if you but listen.
   [To one of the officers, showing an order.
               Count of Cordova!
In the king's name, Prince Carlos is your prisoner.

   [CARLOS stands bewildered. The PRINCESS utters a cry of
   horror, and tries to escape. The officers are astounded.
   A long and deep pause ensues. The MARQUIS trembles violently,
   and with difficulty preserves his composure.
                      [To the PRINCE.

I beg your sword--The Princess Eboli
Remains----
               [To the officers.
      And you, on peril of your lives,
Let no one with his highness speak--no person--
Not e'en yourselves.
   [He whispers a few words to one officer, then turns to the other.
           I hasten, instantly,
To cast myself before our monarch's feet,
And justify this step----
         [To the PRINCE.
             And prince! for you--
Expect me in an hour.

   [CARLOS permits himself to be led away without any signs
   of consciousness, except that in passing he casts a languid,
   dying look on the MARQUIS. The PRINCESS endeavors again to
   escape; the MARQUIS pulls her back by the arm.



SCENE XVII.

   PRINCESS EBOLI, MARQUIS POSA.

EBOLI.
For Heaven's sake let me leave this place----

MARQUIS (leads her forward with dreadful earnestness).
                       Thou wretch!
What has he said to thee?

EBOLI.
              Oh, leave me! Nothing.

MARQUIS (with earnestness; holding her back by force).
How much has he imparted to thee? Here
No way is left thee to escape. To none
In this world shalt thou ever tell it.

EBOLI (looking at him with terror).
Heavens! What would you do? Would you then murder me?

MARQUIS (drawing a dagger).
Yes, that is my resolve. Be speedy!

EBOLI.
                   Mercy!
What have I then committed?

MARQUIS (looking towards heaven, points the dagger to her breast).
               Still there's time--
The poison has not issued from these lips.
Dash but the bowl to atoms, all remains
Still as before! The destinies of Spain
Against a woman's life!

   [Remains doubtingly in this position.

EBOLI (having sunk down beside him, looks in his face).
             Do not delay--
Why do you hesitate? I beg no mercy--
I have deserved to die, and I am ready.

MARQUIS (letting his hand drop slowly--after some reflection).
It were as cowardly as barbarous.
No! God be praised! another way is left.

   [He lets the dagger fall and hurries out. The PRINCESS
   hastens out through another door.



SCENE XVIII.

   A Chamber of the QUEEN.
   The QUEEN to the COUNTESS FUENTES.

What means this noisy tumult in the palace?
Each breath to-day alarms me! Countess! see
What it portends, and hasten back with speed.

   [Exit COUNTESS FUENTES--the PRINCESS EBOLI rushes in.



SCENE XIX.

   The QUEEN, PRINCESS EBOLI.

EBOLI (breathless, pale, and wild, falls before the QUEEN).
Help! Help! O Queen! he's seized!

QUEEN.
                  Who?

EBOLI.
                     He's arrested
By the king's orders given to Marquis Posa.

QUEEN.
Who is arrested? Who?

EBOLI.
            The prince!

QUEEN.
                   Thou ravest

EBOLI.
This moment they are leading him away.

QUEEN.
And who arrested him?

EBOLI.
            The Marquis Posa.

QUEEN.
Then heaven be praised! it was the marquis seized him!

EBOLI.
Can you speak thus, and with such tranquil mien?
Oh, heavens! you do not know--you cannot think----

QUEEN.
The cause of his arrest! some trifling error,
Doubtless arising from his headlong youth!

EBOLI.
No! no! I know far better. No, my queen!
Remorseless treachery! There's no help for him.
He dies!

QUEEN.
     He dies!

EBOLI.
          And I'm his murderer!

QUEEN.
What! Dies? Thou ravest! Think what thou art saying?

EBOLI.
And wherefore--wherefore dies he? Had I known
That it would come to this!

QUEEN (takes her affectionately by the hand).
               Oh, dearest princess,
Your senses are distracted, but collect
Your wandering spirits, and relate to me
More calmly, not in images of horror
That fright my inmost soul, whate'er you know!
Say, what has happened?

EBOLI.
             Oh, display not, queen,
Such heavenly condescension! Like hot flames
This kindness sears my conscience. I'm not worthy
To view thy purity with eyes profane.
Oh, crush the wretch, who, agonized by shame,
Remorse, and self-reproach writhes at thy feet!

QUEEN.
Unhappy woman! Say, what is thy guilt?

EBOLI.
Angel of light! Sweet saint! thou little knowest
The demon who has won thy loving smiles.
Know her to-day; I was the wretched thief
Who plundered thee.

QUEEN.
           What! Thou?

EBOLI.
                  And gave thy letters
Up to the king?

QUEEN.
         What! Thou?

EBOLI.
                And dared accuse thee!

QUEEN.
Thou! Couldst thou this?

EBOLI.
              Revenge and madness--love--
I hated thee, and loved the prince!

QUEEN.
                   And did
His love so prompt thee?

QUEEN.
And who arrested him?

EBOLI.
            I had owned my love,
But met with no return.

QUEEN (after a pause).
             Now all's explained!
Rise up!--you loved him--I have pardoned you
I have forgotten all. Now, princess, rise.

   [Holding out her hand to the PRINCESS.

EBOLI.
No, no; a foul confession still remains.
I will not rise, great queen, till I----

QUEEN.
                    Then speak!
What have I yet to hear?

EBOLI.
             The king! Seduction!
Oh, now you turn away. And in your eyes
I read abhorrence. Yes; of that foul crime
I charged you with, I have myself been guilty.

   [She presses her burning face to the ground. Exit QUEEN.
   A long pause. The COUNTESS OLIVAREZ, after some minutes,
   comes out of the cabinet, into which the QUEEN entered, and
   finds the PRINCESS still lying in the above posture. She
   approaches in silence. On hearing a noise, the latter looks
   up and becomes like a mad person when she misses the QUEEN.



SCENE XX.

   PRINCESS EBOLI, COUNTESS OLIVAREZ.

EBOLI.
Heavens! she has left me. I am now undone!

OLIVAREZ (approaching her).
My princess--Eboli!

EBOLI.
           I know your business,
Duchess, and you come hither from the queen,
To speak my sentence to me; do it quickly.

OLIVAREZ.
I am commanded by your majesty
To take your cross and key.

EBOLI (takes from her breast a golden cross, and gives it to the UCHESS).
               And but once more
May I not kiss my gracious sovereign's hand?

OLIVAREZ.
In holy Mary's convent shall you learn
Your fate, princess.

EBOLI (with a flood of tears).
           Alas! then I no more
Shall ever see the queen.

OLIVAREZ (embraces her with her face turned away).
              Princess, farewell.

   [She goes hastily away. The PRINCESS follows her as far as
   the door of the cabinet, which is immediately locked after
   the DUCHESS. She remains a few minutes silent and motionless
   on her knees before it. She then rises and hastens away,
   covering her face.



SCENE XXI.

   QUEEN, MARQUIS POSA.

QUEEN.
Ah, marquis, I am glad you're come at last!

MARQUIS (pale, with a disturbed countenance and trembling voice,
  in solemn, deep agitation, during the whole scene).
And is your majesty alone? Can none
Within the adjoining chamber overhear us?

QUEEN.
No one! But why? What news would you impart?

   [Looking at him closely, and drawing back alarmed.

And what has wrought this change in you? Speak, marquis,
You make me tremble--all your features seem
So marked with death!

MARQUIS.
            You know, perhaps, already.

QUEEN.
That Carlos is arrested--and they add,
By you! Is it then true? From no one else
Would I believe it but yourself.

MARQUIS.
                 'Tis true.

QUEEN.
By you?

MARQUIS.
     By me?

QUEEN (looks at him for some time doubtingly).
         I still respect your actions
E'en when I comprehend them not. In this
Pardon a timid woman! I much fear
You play a dangerous game.

MARQUIS.
              And I have lost it.

QUEEN.
Merciful heaven!

MARQUIS.
         Queen, fear not! He is safe,
But I am lost myself.

QUEEN.
            What do I hear?

MARQUIS.
Who bade me hazard all on one chance throw?
All? And with rash, foolhardy confidence,
Sport with the power of heaven? Of bounded mind,
Man, who is not omniscient, must not dare
To guide the helm of destiny. 'Tis just!
But why these thoughts of self. This hour is precious
As life can be to man: and who can tell
Whether the parsimonious hand of fate
May not have measured my last drops of life.

QUEEN.
The hand of fate! What means this solemn tone?
I understand these words not--but I shudder.

MARQUIS.
He's saved! no matter at what price--he's saved!
But only for to-day--a few short hours
Are his. Oh, let him husband them! This night
The prince must leave Madrid.

QUEEN.
                This very night?

MARQUIS.
All measures are prepared. The post will meet him
At the Carthusian convent, which has served
So long as an asylum to our friendship.
Here will he find, in letters of exchange,
All in the world that fortune gifts me with.
Should more be wanting, you must e'en supply it.
In truth, I have within my heart full much
To unburden to my Carlos--it may chance
I shall want leisure now to tell him all
In person--but this evening you will see him,
And therefore I address myself to you.

QUEEN.
Oh, for my peace of mind, dear marquis, speak!
Explain yourself more clearly! Do not use
This dark, and fearful, and mysterious language!
Say, what has happened?

MARQUIS.
             I have yet one thing,
A matter of importance on my mind:
In your hands I deposit it. My lot
Was such as few indeed have e'er enjoyed--
I loved a prince's son. My heart to one--
To that one object given.--embraced the world!
I have created in my Carlos' soul,
A paradise for millions! Oh, my dream
Was lovely! But the will of Providence
Has summoned me away, before my hour,
From this my beauteous work. His Roderigo
Soon shall be his no more, and friendship's claim
Will be transferred to love. Here, therefore, here,
Upon this sacred altar--on the heart
Of his loved queen--I lay my last bequest
A precious legacy--he'll find it here,
When I shall be no more.

   [He turns away, his voice choked with grief.

QUEEN.
              This is the language
Of a dying man--it surely emanates
But from your blood's excitement--or does sense
Lie hidden in your language?

MARQUIS (has endeavored to collect himself, and continues
     in a solemn voice).
               Tell the prince,
That he must ever bear in mind the oath
We swore, in past enthusiastic days,
Upon the sacred host. I have kept mine--
I'm true to him till death--'tis now his turn----

QUEEN.
Till death?

MARQUIS.
       Oh, bid him realize the dream,
The glowing vision which our friendship painted,
Of a new-perfect realm! And let him lay
The first hand on the rude, unshapened stone.
Whether he fail or prosper--all alike--
Let him commence the work. When centuries
Have rolled away shall Providence again
Raise to the throne a princely youth like him,
And animate again a favorite son
Whose breast shall burn with like enthusiasm.
Tell him, in manhood, he must still revere
The dreams of early youth, nor ope the heart
Of heaven's all-tender flower to canker-worms
Of boasted reason,--nor be led astray
When, by the wisdom of the dust, he hears
Enthusiasm, heavenly-born, blasphemed.
I have already told him.

QUEEN.
Whither, marquis? Whither does all this tend?

MARQUIS.
And tell him further, I lay upon his soul the happiness
Of man--that with my dying breath I claim,
Demand it of him--and with justest title.
I had designed a new, a glorious morn,
To waken in these kingdoms: for to me
Philip had opened all his inmost heart--
Called me his son--bestowed his seals upon me--
And Alva was no more his counsellor.

   [He pauses, and looks at the QUEEN for a few moments in silence.

You weep! I know those tears, beloved soul!
Oh, they are tears of joy!--but it is past--
Forever past! Carlos or I? The choice
Was prompt and fearful. One of us must perish!
And I will be that one. Oh, ask no more!

QUEEN.
Now, now, at last, I comprehend your meaning,
Unhappy man! What have you done?

MARQUIS.
                  Cut off
Two transient hours of evening to secure
A long, bright summer-day! I now give up
The king forever. What were I to the king?
In such cold soil no rose of mine could bloom;
In my great friend must Europe's fortune ripen.
Spain I bequeath to him, still bathed in blood
From Philip's iron hand. But woe to him,
Woe to us both, if I have chosen wrong!
But no--oh, no! I know my Carlos better--
'Twill never come to pass!--for this, my queen,
You stand my surety.
       [After a silence.
           Yes! I saw his love
In its first blossom--saw his fatal passion
Take root in his young heart. I had full power
To check it; but I did not. The attachment
Which seemed to me not guilty, I still nourished.
The world may censure me, but I repent not,
Nor does my heart accuse me. I saw life
Where death appeared to others. In a flame
So hopeless I discerned hope's golden beam.
I wished to lead him to the excellent--
To exalt him to the highest point of beauty.
Mortality denied a model to me,
And language, words. Then did I bend his views
To this point only--and my whole endeavor
Was to explain to him his love.

QUEEN.
                 Your friend,
Marquis! so wholly occupied your mind,
That for his cause you quite forgot my own--
Could you suppose that I had thrown aside
All woman's weaknesses, that you could dare
Make me his angel, and confide alone
In virtue for his armor? You forget
What risks this heart must run, when we ennoble
Passion with such a beauteous name as this.

MARQUIS.
Yes, in all other women--but in one,
One only, 'tis not so. For you, I swear it.
And should you blush to indulge the pure desire
To call heroic virtue into life?
Can it affect King Philip, that his works
Of noblest art, in the Escurial, raise
Immortal longings in the painter's soul,
Who stands entranced before them? Do the sounds
That slumber in the lute, belong alone
To him who buys the chords? With ear unmoved
He may preserve his treasure:--he has bought
The wretched right to shiver it to atoms,
But not the power to wake its silver tones,
Or, in the magic of its sounds, dissolve.
Truth is created for the sage, as beauty
Is for the feeling heart. They own each other.
And this belief, no coward prejudice
Shall make me e'er disclaim. Then promise, queen,
That you will ever love him. That false shame,
Or fancied dignity, shall never make you
Yield to the voice of base dissimulation:--
That you will love him still, unchanged, forever.
Promise me this, oh, queen! Here solemnly
Say, do you promise?

QUEEN.
           That my heart alone
Shall ever vindicate my love, I promise----

MARQUIS (drawing his hand back).
Now I die satisfied--my work is done.

   [He bows to the QUEEN, and is about to go.

QUEEN (follows him with her eyes in silence).
You are then going, marquis, and have not
Told me how soon--and when--we meet again?

MARQUIS (comes back once more, his face turned away).
Yes, we shall surely meet again!

QUEEN.
                 Now, Posa,
I understand you. Why have you done this?

MARQUIS.
Carlos or I myself!

QUEEN.
           No! no! you rush
Headlong into a deed you deem, sublime.
Do not deceive yourself: I know you well:
Long have you thirsted for it. If your pride
But have its fill, what matters it to you
Though thousand hearts should break. Oh! now, at length,
I comprehend your feelings--'tis the love
Of admiration which has won your heart----

MARQUIS (surprised, aside).
No! I was not prepared for this----

QUEEN (after a pause).
                   Oh, marquis!
Is there no hope of preservation?

MARQUIS.
                  None.

QUEEN.
None? Oh, consider well! None possible!
Not e'en by me?

MARQUIS.
         Not even, queen, by thee.

QUEEN.
You but half know me--I have courage, marquis----

MARQUIS.
I know it----

QUEEN.
       And no means of safety?

MARQUIS.
                    None

QUEEN (turning away and covering her face).
Go! Never more shall I respect a man----

MARQUIS (casts himself on his knees before her in evident emotion).
O queen! O heaven! how lovely still is life!

   [He starts up and rushes out. The QUEEN retires into her cabinet.



SCENE XXII.

   DUKE ALVA and DOMINGO walking up and down in silence and separately.
   COUNT LERMA comes out of the KING's cabinet, and afterwards DON
   RAYMOND OF TAXIS, the Postmaster-General.

LERMA.
Has not the marquis yet appeared?

ALVA.
                  Not yet.

   [LERMA about to re-enter the cabinet.

TAXIS (enters).
Count Lerma! Pray announce me to the king?

LERMA.
His majesty cannot be seen.

TAXIS.
               But say
That I must see him; that my business is
Of urgent import to his majesty.
Make haste--it will admit of no delay.

        [LERMA enters the cabinet.

ALVA.
Dear Taxis, you must learn a little patience--
You cannot see the king.

TAXIS.
             Not see him! Why?

ALVA.
You should have been considerate, and procured
Permission from the Marquis Posa first--
Who keeps both son and father in confinement.

TAXIS.
The Marquis Posa! Right--that is the man
From whom I bring this letter.

ALVA.
                Ah! What letter?

TAXIS.
A letter to be forwarded to Brussels.

ALVA (attentively).
To Brussels?

TAXIS.
       And I bring it to the king.

ALVA.
Indeed! to Brussels! Heard you that, Domingo?

DOMINGO (joining them).
Full of suspicion!

TAXIS.
          And with anxious mien,
And deep embarrassment he gave it to me.

DOMINGO.
Embarrassment! To whom is it directed?

TAXIS.
The Prince of Orange and Nassau.

ALVA.
                 To William!
There's treason here, Domingo!

DOMINGO.
                Nothing less!
In truth this letter must, without delay,
Be laid before the king. A noble service
You render, worthy man--to be so firm
In the discharge of duty.

TAXIS.
              Reverend sir!
'Tis but my duty.

ALVA.
          But you do it well.

LERMA (coming out of the cabinet, addressing TAXIS).
The king will see you.
         [TAXIS goes in.
             Is the marquis come?

DOMINGO.
He has been sought for everywhere.

ALVA.
                  'Tis strange!
The prince is a state prisoner! And the king
Knows not the reason why!

DOMINGO.
              He never came
To explain the business here.

ALVA.
                What says the king?

LERMA.
The king spoke not a word.

   [A noise in the cabinet.

ALVA.
              What noise is that?

TAXIS (coming out of the cabinet).
Count Lerma!
                [Both enter.

ALVA (to DOMINGO).
       What so deeply can engage them.

DOMINGO.
That look of fear! This intercepted letter!
It augurs nothing good.

ALVA.
             He sends for Lerma!
Yet he must know full well that you and I
Are both in waiting.

DOMINGO.
           Ah! our day is over!

ALVA.
And am I not the same to whom these doors
Flew open once? But, ah! how changed is all
Around me and how strange!

   [DOMINGO approaches the cabinet door softly, and remains
   listening before it.

ALVA (after a pause).
              Hark! All is still
And silent as the grave!' I hear them breathe.

DOMINGO.
The double tapestry absorbs the sounds!

ALVA.
Away! there's some one coming. All appears
So solemn and so still--as if this instant
Some deep momentous question were decided.



SCENE XXIII.

   The PRINCE OF PARMA, the DUKES OF FERIA and MEDINA
   SIDONIA, with other GRANDEES enter--the preceding.

PARMA.
Say, can we see the king?

ALVA.
              No!

PARMA.
                Who is with him?

FERIA.
The Marquis Posa, doubtless?

ALVA.
                Every instant
He is expected here.

PARMA.
           This moment we
Arrive from Saragossa. Through Madrid
Terror prevails! Is the announcement true?

Domingo.
Alas, too true!

FERIA.
         That he has been arrested
By the marquis!

ALVA.
         Yes.

PARMA.
            And wherefore? What's the cause?

ALVA.
Wherefore? That no one knows, except the king
And Marquis Posa.

PARMA.
          And without the warrant
Of the assembled Cortes of the Realm?

FERIA.
That man shall suffer, who has lent a hand
To infringe the nation's rights.

ALVA.
                  And so say I!

MEDINA SIDONIA.
And I!

THE OTHER GRANDEES.
    And all of us!

ALVA.
            Who'll follow me
Into the cabinet? I'll throw myself
Before the monarch's feet.

LERMA (rushing out of the cabinet).
              The Duke of Alva!

DOMINGO.
Then God be praised at last!

LERMA.
               When Marquis Posa
Comes, say the king's engaged and he'll be sent for.

DOMINGO (to LERMA; all the others having gathered round him,
     full of anxious expectation).
Count! What has happened? You are pale as death!

LERMA (hastening away).
Fell villany!

PARMA and FERIA.
        What! what!

MEDINA SIDONIA.
              How is the king?

DOMINGO (at the same time).
Fell villany! Explain----

LERMA.
             The king shed tears!

DOMINGO.
Shed tears!

ALL (together with astonishment).
       The king shed tears!

   [The bell rings in the cabinet, COUNT LERMA hastens in.

DOMINGO.
                  Count, yet one word.
Pardon! He's gone! We're fettered in amazement.



SCENE XXIV.

   PRINCESS EBOLI, FERIA, MEDINA SIDONIA, PARMA,
   DOMINGO, and other grandees.

EBOLI (hurriedly and distractedly).
Where is the king? Where? I must speak with him.
   [To FERIA.
Conduct me to him, duke!

FERIA.
             The monarch is
Engaged in urgent business. No one now
Can be admitted.

EBOLI.
         Has he signed, as yet,
The fatal sentence? He has been deceived.

DOMINGO (giving her a significant look at a distance).
The Princess Eboli!

EBOLI (going to him).
           What! you here, priest?
The very man I want! You can confirm
My testimony!

   [She seizes his hand and would drag him into the cabinet.

DOMINGO.
        I? You rave, princess!

FERIA.
Hold back. The king cannot attend you now.

EBOLI.
But he must hear me; he must hear the truth
The truth, were he ten times a deity.

EBOLI.
Man, tremble at the anger of thy idol.
I have naught left to hazard.

   [Attempts to enter the cabinet; ALVA rushes out, his eyes
   sparkling, triumph in his gait. He hastens to DOMINGO,
   and embraces him.

ALVA.
                Let each church
Resound with high To Dennis. Victory
At length is ours.

DOMINGO.
          What! Ours?

ALVA (to DOMINGO and the other GRANDEES).
                 Now to the king.
You shall hereafter hear the sequel from me.




ACT V.

SCENE I.

   A chamber in the royal palace, separated from a large fore-court
   by an iron-barred gate. Sentinels walking up and down. CARLOS
   sitting at a table, with his head leaning forward on his arms, as
   if he were asleep. In the background of the chamber are some
   officers, confined with him. The MARQUIS POSA enters, unobserved
   by him, and whispers to the officers, who immediately withdraw.
   He himself steps close up to CARLOS, and looks at him for a few
   minutes in silent sorrow. At last he makes a motion which awakens
   him out of his stupor. CARLOS rises, and seeing the MARQUIS, starts
   back. He regards him for some time with fixed eyes, and draws his
   hand over his forehead as if he wished to recollect something.

MARQUIS.
Carlos! 'tie I.

CARLOS (gives him his hand).
         Comest thou to me again?
'Tis friendly of thee, truly.

MARQUIS.
                Here I thought
Thou mightest need a friend.

CARLOS.
               Indeed! was that
Thy real thought? Oh, joy unspeakable!
Right well I knew thou still wert true to me.

MARQUIS.
I have deserved this from thee.

CARLOS.
                 Hast thou not?
And now we understand each other fully,
It joys my heart. This kindness, this forbearance
Becomes our noble souls. For should there be
One rash, unjust demand amongst my wishes,
Wouldst thou, for that, refuse me what was just?
Virtue I know may often be severe,
But never is she cruel and inhuman.
Oh! it hath cost thee much; full well I know
How thy kind heart with bitter anguish bled
As thy hands decked the victim for the altar.

MARQUIS.
What meanest thou, Carlos?

CARLOS.
              Thou, thyself, wilt now
Fulfil the joyous course I should have run.
Thou wilt bestow on Spain those golden days
She might have hoped in vain to win from me.
I'm lost, forever lost; thou saw'st it clearly.
This fatal love has scattered, and forever,
All the bright, early blossoms of my mind.
To all the great, exalted hopes I'm dead.
Chance led thee to the king--or Providence,--
It cost thee but my secret--and at once
He was thine own--thou may'st become his angel:
But I am lost, though Spain perhaps may flourish.
Well, there is nothing to condemn, if not
My own mad blindness. Oh, I should have known
That thou art no less great than tender-hearted.

MARQUIS.
No! I foresaw not, I considered not
That friendship's generous heart would lead thee on
Beyond my worldly prudence. I have erred,
My fabric's shattered--I forgot thy heart.

CARLOS.
Yet, if it had been possible to spare
Her fate--oh, how intensely I had thanked thee!
Could I not bear the burden by myself?
And why must she be made a second victim?
But now no more, I'll spare thee this reproach.
What is the queen to thee? Say, dost thou love her?
Could thy exalted virtue e'er consult
The petty interests of my wretched passion?
Oh, pardon me! I was unjust----

MARQUIS.
                Thou art so!
But not for this reproach. Deserved I one,
I merit all--and then I should not stand
Before you as I do.
       [He takes out his portfolio.
           I have some letters
To give you back of those you trusted to me.

CARLOS (looks first at the letters, then at the MARQUIS, in
    astonishment).
How!

MARQUIS.
   I return them now because they may
Prove safer in thy custody than mine.

CARLOS.
What meanest thou? Has his majesty not read them?
Have they not been before him?

MARQUIS.
                What, these letters!

CARLOS.
Thou didst not show them all, then?

MARQUIS.
                   Who has said
That ever I showed one?

CARLOS (astonished).
             Can it be so?
Count Lerma----

MARQUIS.
        He! he told thee so! Now all
Is clear as day. But who could have foreseen it?
Lerma! Oh, no, he hath not learned to lie.
'Tis true, the king has all the other letters.

CARLOS (looks at him long with speechless astonishment).
But wherefore am I here?

MARQUIS.
             For caution's sake,
Lest thou should chance, a second time, to make
An Eboli thy confidant.

CARLOS (as if waking from a dream).
             Ha! Now
I see it all--all is explained.

MARQUIS (goes to the door).
                 Who's there?



SCENE II.

   DUKE ALVA. The former.

ALVA (approaching the PRINCE with respect, but turning his
   back on the MARQUIS during the whole scene).
Prince, you are free. Deputed by the king
I come to tell you so.

   [CARLOS looks at the MARQUIS with astonishment.
   General silence.

            And I, in truth,
Am fortunate to have this honor first----

CARLOS (looking at both with extreme amazement, after a pause,
    to the DUKE).
I am imprisoned, duke, and set at freedom,
Unconscious of the cause of one or other.

ALVA.
As far as I know, prince, 'twas through an error,
To which the king was driven by a traitor.

CARLOS.
Then am I here by order of the king?

ALVA.
Yes, through an error of his majesty.

CARLOS.
That gives me pain, indeed. But when the king
Commits an error, 'twould beseem the king,
Methinks, to remedy the fault in person.
I am Don Philip's son--and curious eyes
And slanderous looks are on me. What the king
Hath done from sense of duty ne'er will I
Appear to owe to your considerate favor.
I am prepared to appear before the Cortes,
And will not take my sword from such a hand.

ALVA.
The king will never hesitate to grant
Your highness a request so just. Permit
That I conduct you to him.

CARLOS.
              Here I stay
Until the king or all Madrid shall come
To lead me from my prison. Take my answer.

   [ALVA withdraws. He is still seen for some time
   lingering in the court and giving orders to the guards.



SCENE III.

   CARLOS and MARQUIS POSA.

CARLOS (after the departure of the DUKE, full of expectation and
    astonishment, to the MARQUIS).
What means all this? Inform me, Roderigo--
Art thou not, then, the minister?

MARQUIS.
                  I was,
As thou canst well perceive----
   [Going to him with great emotion.
                O Carlos! Now

I have succeeded--yes--it is accomplished--
'Tis over now--Omnipotence be praised,
To whom I owe success.

CARLOS.
            Success! What mean you?
Thy words perplex me.

MARQUIS (takes his hand).
           Carlos! thou art saved--
Art free--but I----
            [He stops short.

CARLOS.
          But thou----

MARQUIS.
                Thus to my breast
I press thee now, with friendship's fullest right,
A right I've bought with all I hold most dear.
How great, how lovely, Carlos, is this moment
Of self-approving joy?

CARLOS.
            What sudden change
I mark upon thy features! Proudly now
Thy bosom heaves, thine eyes dart vivid fire!

MARQUIS.
We must say farewell, Carlos! Tremble 'not,
But be a man! And what thou more shalt hear,
Promise me, not by unavailing sorrow,
Unworthy of great souls, to aggravate
The pangs of parting. I am lost to thee,
Carlos, for many years--fools say forever.

   [CARLOS withdraws his hand, but makes no reply.

Be thou a man: I've reckoned much on thee--
I have not even shunned to pass with thee
This awful hour--which men, in words of fear,
Have termed the final one. I own it, Carlos,
I joy to pass it thus. Come let us sit--
I feel myself grown weary and exhausted.

   [He approaches CARLOS, who is in a lifeless stupor, and
   allows himself to be involuntarily drawn down by him.

Where art thou? No reply! I must be brief.
Upon the day that followed our last meeting
At the Carthusian monastery the king
Called me before him. What ensued thou knowest,
And all Madrid. Thou hast not heard, however,
Thy secret even then had reached his ears--
That letters in the queen's possession found
Had testified against thee. This I learned
From his own lips--I was his confidant.

   [He pauses for CARLOS' answer, but he still
   remains silent.

Yes, Carlos, with my lips I broke my faith--
Guided the plot myself that worked thy ruin.
Thy deed spoke trumpet-tongued; to clear thee fully
'Twas now too late: to frustrate his revenge
Was all that now remained for me; and so
I made myself thy enemy to-serve thee
With fuller power--dost thou not hear me, Carlos,

CARLOS.
Go on! go on! I hear thee.

MARQUIS.
              To this point
I'm guiltless. But the unaccustomed beams
Of royal favor dazzled me. The rumor,
As I had well foreseen, soon reached thine ears
But by mistaken delicacy led,
And blinded by my vain desire to end
My enterprise alone, I kept concealed
From friendship's ear my hazardous design.
This was my fatal error! Here I failed!
I know it. My self-confidence was madness.
Pardon that confidence--'twas founded, Carlos,
Upon our friendship's everlasting base.

   [He pauses. CARLOS passes from torpid silence to
   violent agitation.

That which I feared befell. Unreal dangers
Alarmed your mind. The bleeding queen--the tumult
Within the palace--Lerma's interference--
And, last of all, my own mysterious silence,
Conspired to overwhelm thy heart with wonder.
Thou wavered'st, thought'st me lost; but far too noble
To doubt thy friend's integrity, thy soul
Clothed his defection with a robe of honor,
Nor judged him faithless till it found a motive
To screen and justify his breach of faith.
Forsaken by thy only friend--'twas then
Thou sought'st the arms of Princess Eboli--
A demon's arms! 'Twas she betrayed thee, Carlos!
I saw thee fly to her--a dire foreboding
Struck on my heart--I followed thee too late!
Already wert thou prostrate at her feet,
The dread avowal had escaped thy lips--
No way was left to save thee.

CARLOS.
                No! her heart
Was moved, thou dost mistake, her heart was moved.

MARQUIS.
Night overspread my mind. No remedy,
No refuge, no retreat was left to me
In nature's boundless compass. Blind despair
Transformed me to a fury--to a tiger--
I raised my dagger to a woman's breast.
But in that moment--in that dreadful moment--
A radiant sunbeam fell upon my soul.
"Could I mislead the king! Could I succeed
In making him think me the criminal!
However improbable, the very guilt
Will be enough to win the king's belief.
I'll dare the task--a sudden thunderbolt
May make the tyrant start--what want I further?
He stops to think, and Carlos thus gains time
To fly to Brussels."

CARLOS.
           And hast thou done this?

MARQUIS.
I have despatched a letter to Prince William,
Saying I loved the queen, and had escaped
The king's mistrust in the unjust suspicion
Which falsely fell on thee--that I had found
Means, through the monarch's favor, to obtain
Free access to the queen. I added, further,
That I was fearful of discovery--
That thou hadst learned my secret, and hadst sped
To Princess Eboli, with hopes through her
To warn the queen--that I had made thee prisoner--
And now that all seemed lost, I had resolved
To fly to Brussels. This same letter I----

CARLOS (interrupts him, terrified).
Hast surely not intrusted to the post!
Thou knowest that letters to Brabant and Flanders----

MARQUIS.
Are given to the king; and as things go
Taxis would seem to have discharged his duty.

CARLOS.
Heavens! then I'm lost.

MARQUIS.
             How lost? What meanest thou?

CARLOS.
And thou, alas! art lost together with me--
This dreadful fraud my father ne'er will pardon.

MARQUIS.
This fraud! Thou'rt mad! Who will disclose it to him?

CARLOS (regards him with a fixed look).
Who! Dost thou ask? I will myself.

MARQUIS.
                   Thou ravest!
Stand back----

CARLOS.
       Away! For heaven's sake hold me not.
While I stay here, he's hiring the assassins.

MARQUIS.
Then is our time more precious--and we still
Have much to say.

CARLOS.
          What! Before all is finished?

   [He makes another effort to go. The MARQUIS holds him
   by the arm, and looks at him impressively.

MARQUIS.
Carlos! was I so scrupulous--so eager--
When thou, a boy, didst shed thy blood for me?

CARLOS (with emotion, and full of admiration).
Kind Providence!

MARQUIS.
         Reserve thyself for Flanders!
The kingdom is thy destiny--'tis mine
To give my life for thee.

CARLOS (takes his hand with deep sensibility).
              No, no! he will not,
Cannot resist a virtue so sublime.
I will conduct thee to him, and together,
Arm linked in arm, will we appear before him.
Then thus will I address him: "Father, see,
This is the way a friend acts towards his friend."
Trust me, 'twill move him--it will touch his heart.
He's not without humanity,--my father.
Yes, it will move him. With hot tears, his eyes
Will overflow--and he will pardon us.

   [A shot is fired through the iron grating. CARLOS leaps up.

Whom was that meant for?

MARQUIS (sinking down).
             I believe--for me.

CARLOS (falling to the earth with a loud cry of grief).
O God of mercy!

MARQUIS.
         He is quick--the king.
I had hoped--a little longer--Carlos--think
Of means of flight--dost hear me?--of thy flight.
Thy mother--knows it all--I can no more.
                     [Dies.

   [CARLOS remains by the corpse, like one bereft of life.
   After some time the KING enters, accompanied by many GRANDEES;
   and starts, panic-struck, at the sight. A general and deep
   silence. The GRANDEES range themselves in a semi-circle round
   them both, and regard the KING and his SON alternately. The
   latter continues without any sign of life. The KING regards
   him in thoughtful silence.



SCENE IV.

   The KING, CARLOS, the DUKESS ALVA, FERIA, and MEDINA SIDONIA,
   PRINCE OF PARMA, COUNT LERMA, DOMINGO, and numerous GRANDEES.

KING (in a gentle tone).
Thy prayer hath met a gracious hearing, prince,
And here I come, with all the noble peers
Of this my court, to bring thee liberty.

   [CARLOS raises his eyes and looks around him like one awakened
   from a dream. His eyes are fixed now on the KING, now on the
   corpse; he gives no answer.

Receive thy sword again. We've been too rash!

   [He approaches him, holds out his hand, and assists him to rise.

My son's not in his place; Carlos, arise!
Come to thy father's arms! His love awaits thee.

CARLOS (receives the embrace of the KING without any consciousness.
    Suddenly recollects himself, pauses and looks fixedly at him).
Thou smell'st of blood--no, I cannot embrace thee!

   [Pushes his father back. All the GRANDEES are in commotion.
   CARLOS to them:--

Nay, stand not there confounded and amazed!--
What monstrous action have I done? Defiled
The anointed of the Lord! Oh, fear me not,
I would not lay a hand on him. Behold,
Stamped on his forehead is the damning brand!
The hand of God hath marked him!

KING (about to go quickly).
                 Nobles! follow.

CARLOS.
Whither? You stir not from this spot.

   [Detaining the KING forcibly with both hands, while with one
   he manages to seize the sword which the KING has brought with
   him, and it comes from the scabbard.

KING.
                    What! Draw
A sword upon thy father?

ALL THE GRANDEES (drawing their swords).
             Regicide!

CARLOS (holding the KING firmly with one hand, the naked sword
    in the other).
Put up your swords! What! Think you I am mad?
I am not so: or you were much to blame
Thus to remind me, that upon the point
Of this my sword, his trembling life doth hover.
I pray you, stand aloof; for souls like mine
Need soothing. There--hold back! And with the king
What I have yet to settle touches not
Your loyalty. See there--his hand is bloody!
Do you not see it? And now look you here!

   [Pointing to the corpse.

This hath he done with a well-practised hand.

KING (to the GRANDEES, who press anxiously around him).
Retire! Why do you tremble? Are we not
Father and son? I will yet wait and see
To what atrocious crime his nature----

CARLOS.
                   Nature
I know her not. Murder is now the word!
The bonds of all humanity are severed,
Thine own hands have dissolved them through the realm.
Shall I respect a tie which thou hast scorned?
Oh, see! see here! the foulest deed of blood
That e'er the world beheld. Is there no God
That kings, in his creation, work such havoc?
Is there no God, I ask? Since mother's wombs
Bore children, one alone--and only one--
So guiltlessly hath died. And art thou sensible
What thou hast done? Oh, no! he knows it not:
Knows not that he has robbed--despoiled the world
Of a more noble, precious, dearer life
Than he and all his century can boast.

KING (with a tone of softness).
If I have been too hasty, Carlos--thou
For whom I have thus acted, should at least
Not call me to account.

CARLOS.
             Is't possible!
Did you then never guess how dear to me
Was he who here lies dead? Thou lifeless corpse!
Instruct him--aid his wisdom, to resolve
This dark enigma now. He was my friend.
And would you know why he has perished thus?
He gave his life for me.

KING.
             Ha? my suspicions!

CARLOS.
Pardon, thou bleeding corpse, that I profane
Thy virtue to such ears. But let him blush
With deep-felt shame, the crafty politician,
That his gray-headed wisdom was o'erreached,
E'en by the judgment of a youth. Yes, sire,
We two were brothers! Bound by nobler bands
Than nature ties. His whole life's bright career
Was love. His noble death was love for me.
E'en in the moment when his brief esteem
Exalted you, he was my own. And when
With fascinating tongue he sported with
Your haughty, giant mind, 'twas your conceit
To bridle him; but you became yourself
The pliant tool of his exalted plans.
That I became a prisoner, my arrest,
Was his deep friendship's meditated work.
That letter to Prince William was designed
To save my life. It was the first deceit
He ever practised. To insure my safety
He rushed on death himself, and nobly perished.
You lavished on him all your favor; yet
For me he died. Your heart, your confidence,
You forced upon him. As a toy he held
Your sceptre and your power; he cast them from him,
And gave his life for me.

   [The KING stands motionless, with eyes fixed on the ground;
   all the GRANDEES regard him with surprise and alarm.

              How could it be
That you gave credit to this strange deceit?
Meanly indeed he valued you, to try
By such coarse artifice to win his ends.
You dared to court his friendship, but gave way
Before a test so simple. Oh, no! never
For souls like yours was such a being formed.
That well he knew himself, when he rejected
Your crowns, your gifts, your greatness, and yourself.
This fine-toned lyre broke in your iron hand,
And you could do no more than murder him.

ALVA (never having taken his eyes from the KING, and observing his
 emotion with uneasiness, approaches him with apprehension).
Keep not this deathlike silence, sire. Look round,
And speak at least to us.

CARLOS.
              Once you were not
Indifferent to him. And deeply once
You occupied his thoughts. It might have been
His lot to make you happy. His full heart
Might have enriched you; with its mere abundance
An atom of his soul had been enough
To make a god of you. You've robbed yourself--
Plundered yourself and me. What could you give,
To raise again a spirit like to this?

   [Deep silence. Many of the GRANDEES turn away, or conceal
   their faces in their mantles.

Oh, ye who stand around with terror dumb,
And mute surprise, do not condemn the youth
Who holds this language to the king, his father.
Look on this corpse. Behold! for me he died.
If ye have tears--if in your veins flow blood,
Not molten brass, look here, and blame me not.

   [He turns to the KING with more self-possession and calmness.

Doubtless you wait the end of this rude scene?
Here is my sword, for you are still my king.
Think not I fear your vengeance. Murder me,
As you have murdered this most noble man.
My life is forfeit; that I know full well.
But what is life to me? I here renounce
All that this world can offer to my hopes.
Seek among strangers for a son. Here lies
My kingdom.

   [He sinks down on the corpse, and takes no part in what follows.
   A confused tumult and the noise of a crowd is heard in the distance.
   All is deep silence round the KING. His eyes scan the circle over,
   but no one returns his looks.

KING.
      What! Will no one make reply?
Each eye upon the ground, each look abashed!
My sentence is pronounced. I read it here
Proclaimed in all this lifeless, mute demeanor.
My vassals have condemned me.

   [Silence as before. The tumult grows louder. A murmur is heard
   among the GRANDEES. They exchange embarrassed looks. COUNT LERMA
   at length gently touches ALVA.

LERMA.
                Here's rebellion!

ALVA (in a low voice).
I fear it.

LERMA.
It approaches! They are coming!



SCENE V.

   An officer of the Body Guard. The former.

OFFICER (urgently).
Rebellion! Where's the king?
   [He makes his way through the crowd up to the KING.
                Madrid's in arms!
To thousands swelled, the soldiery and people
Surround the palace; and reports are spread
That Carlos is a prisoner--that his life
Is threatened. And the mob demand to see
Him living, or Madrid will be in flames.

THE GRANDEES (with excitement).
Defend the king!

ALVA (to the KING, who remains quiet and unmoved).
         Fly, sire! your life's in danger.
As yet we know not who has armed the people.

KING (rousing from his stupor, and advancing with dignity among then).
Stands my throne firm, and am I sovereign yet
Over this empire? No! I'm king no more.
These cowards weep--moved by a puny boy.
They only wait the signal to desert me.
I am betrayed by rebels!

ALVA.
             Dreadful thought!

KING.
There! fling yourselves before him--down before
The young, the expectant king; I'm nothing now
But a forsaken, old, defenceless man!

ALVA.
Spaniards! is't come to this?

   [All crowd round the KING, and fall on their knees before
   him with drawn swords. CARLOS remains alone with the corpse,
   deserted by all.

KING (tearing off his mantle and throwing it from him).
                There! clothe him now
With this my royal mantle; and on high
Bear him in triumph o'er my trampled corpse!

   [He falls senseless in ALVA's and LERMA's arms.

LERMA.
For heaven's sake, help!

FERIA.
             Oh, sad, disastrous chance!

LERMA.
He faints!

ALVA (leaves the KING in LERMA's and FERIA's hands).
      Attend his majesty! whilst I
Make it my aim to tranquillize Madrid.

   [Exit ALVA. The KING is borne off, attended by all the grandees.



SCENE VI.

   CARLOS remains behind with the corpse. After a few moments Louis
   MERCADO appears, looks cautiously round him, and stands a long time
   silent behind the PRINCE, who does not observe him.

MERCADO.
I come, prince, from her majesty the queen.
   [CARLOS turns away and makes no reply.
My name, Mercado, I'm the queen's physician
See my credentials.
   [Shows the PRINCE a signet ring. CARLOS remains still silent.
           And the queen desires
To speak with you to-day--on weighty business.
                
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