Robert Louis Stevenson

Plays of William E. Henley and R.L. Stevenson
Go to page: 1234567
FENWICK.  Betrayed?

DOROTHY.  Ay, even so; I was betrayed.  The fault was mine that I
forgot our innocent youth, and your honest love.

FENWICK.  Dorothy, O Dorothy!

DOROTHY.  Yours is the pain; but, O John, think it is for your 
good.  Think in England how many true maids may be waiting for
your love, how many that can bring you a whole heart, and be a
noble mother to your children, while your poor Diana, at the
first touch, has proved all frailty.  Go, go and be happy, and
let me be patient.  I have sinned.

FENWICK.  By God, I'll have his blood.

DOROTHY.  Stop!  I love him.  (BETWEEN FENWICK AND DOOR, C.)

FENWICK.  What do I care?  I loved you too.  Little he thought of
that, little either of you thought of that.  His blood - I'll
have his blood!

DOROTHY.  You shall never know his name.

FENWICK.  Know it?  Do you think I cannot guess?  Do you think I 
had not heard he followed you.  Do you think I had not suffered -
O suffered!  George Austin is the man.  Dear shall he pay it!

DOROTHY (AT HIS FEET).  Pity me; spare me, spare your Dorothy!  I
love him - love him - love him!

FENWICK.  Dorothy, you have robbed me of my happiness, and now
you would rob me of my revenge.

DOROTHY.  I know it; and shall I ask, and you not grant?

FENWICK (RAISING HER).  No, Dorothy, you shall ask nothing,
nothing in vain from me.  You ask his life; I give it you, as I
would give you my soul; as I would give you my life, if I had any
left.  My life is done; you have taken it.  Not a hope, not an
end; not even revenge.  (HE SITS.)  Dorothy, you see your work.

DOROTHY.  O God, forgive me.

FENWICK.  Ay, Dorothy, He will, as I do.

DOROTHY.  As you do?  Do you forgive me, John?

FENWICK.  Ay, more than that, poor soul.  I said my life was
done, I was wrong; I have still a duty.  It is not in vain you
taught me; I shall still prove to you that it was not in vain. 
You shall soon find that I am no backward friend.  Farewell.


MUSICAL INDUCTION:  'THE LASS OF RICHMOND HILL.'


ACT II.

The Stage represents George Austin's dressing-room.  Elaborate 
toilet-table, R., with chair; a cheval glass so arranged as to 
correspond with glass on table.  Breakfast-table, L., front. 
Door, L.  The Beau is discovered at table, in dressing-grown,
trifling with correspondence.  MENTEITH is frothing chocolate.

SCENE I

AUSTIN, MENTEITH

MENTEITH.  At the barber's, Mr. George, I had the pleasure of 
meeting two of the Dook's gentlemen.

AUSTIN.  Well, and was his Royal Highness satisfied with his 
quarters?

MENTEITH.  Quite so, Mr. George.  Delighted, I believe.

AUSTIN.  I am rejoiced to hear it.  I wish I could say I was as 
pleased with my journey, Menteith.  This is the first time I ever
came to the Wells in another person's carriage; Duke or not, it 
shall be the last, Menteith.

MENTEITH.  Ah, Mr. George, no wonder.  And how many times have we
made that journey back and forth?

AUSTIN.  Enough to make us older than we look.

MENTEITH.  To be sure, Mr. George, you do wear well.

AUSTIN.  WE wear well, Menteith.

MENTEITH.  I hear, Mr. George, that Miss Musgrave is of the 
company.

AUSTIN.  Is she so?  Well, well! well, well!

MENTEITH.  I've not seen the young lady myself, Mr. George; but
the barber tells me she's looking poorly.

AUSTIN.  Poorly?

MENTEITH.  Yes, Mr. George, poorly was his word.

AUSTIN.  Well, Menteith, I am truly sorry.  She is not the first.

MENTEITH.  Yes, Mr. George.  (A BELL.  MENTEITH GOES OUT, AND RE-
ENTERS WITH CARD.)

AUSTIN (WITH CARD).  Whom have we here?  Anthony Musgrave?

MENTEITH.  A fine young man, Mr. George; and with a look of the 
young lady, but not so gentlemanly.

AUSTIN.  You have an eye, you have an eye.  Let him in.


SCENE II

AUSTIN, MENTEITH, ANTHONY

AUSTIN.  I am charmed to have this opportunity, Mr. Musgrave. 
You belong to my old corps, I think?  And how does my good
friend, Sir Frederick?  I had his line; but like all my old
comrades, he thinks last about himself, and gives me not of his
news.

ANTHONY.  I protest, sir, this is a very proud moment.  Your name
is still remembered in the regiment.  (AUSTIN BOWS.)  The Colonel
- he keeps his health, sir, considering his age (AUSTIN BOWS
AGAIN, AND LOOKS AT MENTEITH) - tells us young men you were a
devil of a fellow in your time.

AUSTIN.  I believe I was - in my time.  Menteith, give Mr.
Musgrave a dish of chocolate.  So, sir, we see you at the Wells.

ANTHONY.  I have but just alighted.  I had but one thought, sir: 
to pay my respects to Mr. Austin.  I have not yet kissed my aunt 
and sister.

AUSTIN.  In my time - to which you refer - the ladies had come 
first.

ANTHONY.  The women?  I take you, sir.  But then you see, a man's
relatives don't count.  And besides, Mr. Austin, between men of
the world, I am fairly running away from the sex:  I am
positively in flight.  Little Hortense of the Opera; you know;
she sent her love to you.  She's mad about me, I think.  You
never saw a creature so fond.

AUSTIN.  Well, well, child! you are better here.  In my time - to
which you have referred - I knew the lady.  Does she wear well?

ANTHONY.  I beg your pardon, sir!

AUSTIN.  No offence, child, no offence.  She was a very lively 
creature.  But you neglect your chocolate I see?

ANTHONY.  We don't patronise it, Mr. Austin; we haven't for some 
years:  the service has quite changed since your time.  You'd be 
surprised.

AUSTIN.  Doubtless.  I am.

ANTHONY.  I assure you, sir, I and Jack Bosbury of the
Fifty-Second -

AUSTIN.  The Hampshire Bosburys? -

ANTHONY.  I do not know exactly, sir.  I believe he is related.

AUSTIN.  Or perhaps - I remember a Mr. Bosbury, a cutter of
coats.  I have the vanity to believe I formed his business.

ANTHONY.  I - I hope not, sir.  But as I was saying, I and this 
Jack Bosbury, and the Brummagem Bantam - a very pretty light-
weight, sir - drank seven bottles of Burgundy to the three of us 
inside the eighty minutes.  Jack, sir, was a little cut; but me
and the Bantam went out and finished the evening on hot gin. 
Life, sir, life!  Tom Cribb was with us.  He spoke of you, too,
Tom did:  said you'd given him a wrinkle for his second fight
with the black man.  No, sir, I assure you, you're not forgotten.

AUSTIN (BOWS).  I am pleased to learn it.  In my time, I had an 
esteem for Mr. Cribb.

ANTHONY.  O come, sir! but your time cannot be said to be over.

AUSTIN.  Menteith, you hear?

MENTEITH.  Yes, Mr. George.

ANTHONY.  The Colonel told me that you liked to shake an elbow.  
Your big main, sir, with Lord Wensleydale, is often talked about. 
I hope I may have the occasion to sit down with you.  I shall
count it an honour, I assure you.

AUSTIN.  But would your aunt, my very good friend, approve?

ANTHONY.  Why, sir, you do not suppose I am in leading-strings?

AUSTIN.  You forget, child:  a family must hang together.  When I
was young - in my time - I was alone; and what I did concerned 
myself.  But a youth who has - as I think you have - a family of 
ladies to protect, must watch his honour, child, and preserve his
fortune.  You have no commands from Sir Frederick?

ANTHONY.  None, sir, none.

AUSTIN.  Shall I find you this noon upon the Pantiles? . . . I 
shall be charmed.  Commend me to your aunt and your fair sister. 
Menteith?

MENTEITH.  Yes, Mr. George.  (SHOWS ANTHONY OUT.)


SCENE III

AUSTIN, MENTEITH, RETURNING

AUSTIN.  Was I ever like that, Menteith?

MENTEITH.  No, Mr. George, you was always a gentleman.

AUSTIN.  Youth, my good fellow, youth.

MENTEITH.  Quite so, Mr. George.

AUSTIN.  Well, Menteith, we cannot make no mend.  We cannot play 
the jockey with Time.  Age is the test:  of wine, Menteith, and 
men.

MENTEITH.  Me and you and the old Hermitage, Mr. George, he-he!

AUSTIN.  And the best of these, the Hermitage.  But come:  we
lose our day.  Help me off with this.  (MENTEITH TAKES OFF
AUSTIN'S DRESSING-GOWN; AUSTIN PASSES R. TO DRESSING-TABLE, AND
TAKES UP FIRST CRAVAT.)

AUSTIN.  Will the hair do, Menteith?

MENTEITH.  Never saw it lay better, Mr. George.  (AUSTIN PROCEEDS
TO WIND FIRST CRAVAT.  A BELL:  EXIT MENTEITH.  AUSTIN DROPS
FIRST CRAVAT IN BASKET AND TAKES SECOND.)

AUSTIN (WINDING AND SINGING) -

'I'd crowns resign To call her mine, Sweet Lass of Richmond
Hill!'

(SECOND CRAVAT A FAILURE.   RE-ENTER MENTEITH WITH CARD.) 
Fenwick? of Allonby Shaw?  A good family, Menteith, but I don't
know the gentleman.  (LAYS DOWN CARD, AND TAKES UP THIRD CRAVAT.) 
Send him away with every consideration.

MENTEITH.  To be sure, Mr. George.  (HE GOES OUT.  THIRD CRAVAT A
SUCCESS.  RE-ENTER MENTEITH.)  He says, Mr. George, that he has
an errand from Miss Musgrave.

AUSTIN (WITH WAISTCOAT).  Show him in, Menteith, at once. 
(SINGING AND FITTING WAISTCOAT AT GLASS) -

'I'd crowns resign To call her mine, Sweet Lass of Richmond
Hill!'


SCENE IV

AUSTIN, R. TO HIM MENTEITH AND FENWICK

MENTEITH (ANNOUNCING).  Mr. Fenwick, Mr. George.

AUSTIN.  At the name of Miss Musgrave, my doors fly always open.

FENWICK.  I believe, sir, you are acquainted with my cousin, 
Richard Gaunt?

AUSTIN.  The county member?  An old and good friend.  But you
need not go so far afield:  I know your good house of Allonby
Shaw since the days of the Black Knight.  We are, in fact, and at
a very royal distance, cousins.

FENWICK.  I desired, sir, from the nature of my business, that
you should recognise me for a gentleman.

AUSTIN.  The preliminary, sir, is somewhat grave.

FENWICK.  My business is both grave and delicate.

AUSTIN.  Menteith, my good fellow.  (EXIT MENTEITH.)  Mr.
Fenwick, honour me so far as to be seated.  (THEY SIT.)  I await
your pleasure.

FENWICK.  Briefly, sir, I am come, not without hope, to appeal to
your good heart.

AUSTIN.  From Miss Musgrave?

FENWICK.  No, sir, I abused her name, and am here upon my own 
authority.  Upon me the consequence.

AUSTIN.  Proceed.

FENWICK.  Mr. Austin, Dorothy Musgrave is the oldest and dearest
of my friends, is the lady whom for ten years it has been my hope
to make my wife.  She has shown me reason to discard that hope
for another:  that I may call her Mrs. Austin.

AUSTIN.  In the best interests of the lady (RISING) I question if
you have been well inspired.  You are aware, sir, that from such 
interference there is but one issue:  to whom shall I address my 
friend?

FENWICK.  Mr. Austin, I am here to throw myself upon your mercy. 
Strange as my errand is, it will seem yet more strange to you
that I came prepared to accept at your hands any extremity of
dishonour and not fight.  The lady whom it is my boast to serve
has honoured me with her commands.  These are my law, and by
these your life is sacred.

AUSTIN.  Then, sir (WITH HIS HAND UPON THE BELL), his
conversation becomes impossible.  You have me at too gross a
disadvantage; and, as you are a gentleman and respect another, I
would suggest that you retire.

FENWICK.  Sir, you speak of disadvantage; think of mine.  All my 
life long, with all the forces of my nature, I have loved this 
lady.  I came here to implore her to be my wife, to be my queen;
my saint she had been always!  She was too noble to deceive me. 
She told me what you know.  I will not conceal that my first mood
wasof anger:  I would have killed you like a dog.  But, Mr.
Austin - bear with me awhile - I, on the threshold of my life,
who have made no figure in the world, nor ever shall now, who had
but one treasure, and have lost it - if I, abandoning revenge,
trampling upon jealousy, can supplicate you to complete my
misfortune - O Mr. Austin! you who have lived, you whose
gallantry is beyond the insolence of a suspicion, you who are a
man crowned and acclaimed, who are loved, and loved by such a
woman - you who excel me in every point of advantage, will you
suffer me to surpass you in generosity?

AUSTIN.  You speak from the heart.  (SITS.)  What do you want
with me?

FENWICK.  Marry her.

AUSTIN.  Mr. Fenwick, I am the older man.  I have seen much of 
life, much of society, much of love.  When I was young, it was 
expected of a gentleman to be ready with his hat to a lady, ready
with his sword to a man; to honour his word and his king; to be 
courteous with his equals, generous to his dependants, helpful
and trusty in friendship.  But it was not asked of us to be
quixotic.  If I had married every lady by whom it is my fortune -
not my merit - to have been distinguished, the Wells would scarce
be spacious enough for my establishment.  You see, sir, that
while I respect your emotion, I am myself conducted by
experience.  And besides, Mr. Fenwick, is not love a warfare? has
it not rules? have not our fair antagonists their tactics, their
weapons, their place of arms? and is there not a touch of -
pardon me the word! of silliness in one who, having fought, and
having vanquished, sounds a parley, and capitulates to his own
prisoner?  Had the lady chosen, had the fortune of war been
other, 'tis like she had been Mrs. Austin.  Now I . . . You know
the world.

FENWICK.  I know, sir, that the world contains much cowardice. 
To find Mr. Austin afraid to do the right, this surprises me.

AUSTIN.  Afraid, child?

FENWICK.  Yes, sir, afraid.  You know her, you know if she be 
worthy; and you answer me with - the world:  the world which has 
been at your feet:  the world which Mr. Austin knows so well how
to value and is so able to rule.

AUSTIN.  I have lived long enough, Mr. Fenwick, to recognise that
the world is a great power.  It can make; but it can break.

FENWICK.  Sir, suffer me:  you spoke but now of friendship, and 
spoke warmly.  Have you forgotten Colonel Villiers?

AUSTIN.  Mr. Fenwick, Mr. Fenwick, you forget what I have
suffered.

FENWICK.  O sir, I know you loved him.  And yet, for a random
word you quarrelled; friendship was weighed in vain against the
world's code of honour; you fought, and your friend fell.  I have
heard from others how he lay long in agony, and how you watched
and nursed him, and it was in your embrace he died.  In God's
name have you forgotten that?  Was not this sacrifice enough? or
must the world, once again, step between Mr. Austin and his
generous heart?

AUSTIN.  Good God, sir, I believe you are in the right; I
believe, upon my soul I believe, there is something in what you
say.

FENWICK.  Something, Mr. Austin?  O credit me, the whole
difference betwixt good and evil.

AUSTIN.  Nay, nay, but there you go too far.  There are many
kinds of good:  honour is a diamond cut in a thousand facets, and
with the true fire in each.  Thus, and with all our differences,
Mr. Fenwick, you and I can still respect, we can still admire
each other.

FENWICK.  Bear with me still, sir, if I ask you what is the end
of life but to excel in generosity?  To pity the weak, to comfort
the afflicted, to right where we have wronged, to be brave in 
reparation - these noble elements you have; for of what besides
is the fabric of your dealing with Colonel Villiers?  That is
man's chivalry to man.  Yet to a suffering woman - a woman
feeble, betrayed, unconsoled - you deny your clemency, you refuse
your aid, you proffer injustice for atonement.  Nay, you are so
disloyal to yourself that you can choose to be ungenerous and
unkind.  Where, sir, is the honour?  What facet of the diamond is
that?

AUSTIN.  You forget, sir, you forget.  But go on.

FENWICK.  O sir, not I - not I but yourself forgets:  George
Austin forgets George Austin.  A woman loved by him, betrayed by
him, abandoned by him - that woman suffers; and a point of honour
keeps him from his place at her feet.  She has played and lost,
and the world is with him if he deign to exact the stakes.  Is
that the Mr. Austin whom Miss Musgrave honoured with her trust? 
Then, sir, how miserably was she deceived!

AUSTIN.  Child - child -

FENWICK.  Mr. Austin, still bear with me, still follow me.  O
sir, will you not picture that dear lady's life?  Her years how
few, her error thus irreparable, what henceforth can be her
portion but remorse, the consciousness of self-abasement, the
shame of knowing that her trust was ill-bestowed?  To think of
it:  this was a queen among women; and this - this is George
Austin's work!  Sir, let me touch your heart:  let me prevail
with you to feel that 'tis impossible.

AUSTIN.  I am a gentleman.  What do you ask of me?

FENWICK.  To be the man she loved:  to be clement where the world
would have you triumph, to be of equal generosity with the 
vanquished, to be worthy of her sacrifice and of yourself. 

AUSTIN.  Mr. Fenwick, your reproof is harsh -

FENWICK (INTERRUPTING HIM).  O sir, be, just be just! -

AUSTIN.  But it is merited, and I thank you for its utterance. 
You tell me that the true victory comes when the fight is won: 
that our foe is never so noble nor so dangerous as when she is
fallen, that the crowning triumph is that we celebrate over our
conquering selves.  Sir, you are right.  Kindness, ay kindness
after all.  And with age, to become clement.  Yes, ambition
first; then, the rounded vanity - victory still novel; and last,
as you say, the royal mood of the mature man; to abdicate for
others . . . Sir, you touched me hard about my dead friend; still
harder about my living duty; and I am not so young but I can take
a lesson.  There is my hand upon it:  she shall be my wife.

FENWICK.  Ah, Mr. Austin, I was sure of it.

AUSTIN.  Then, sir, you were vastly mistaken.  There is nothing
of Beau Austin here.  I have simply, my dear child, sate at the
feet of Mr. Fenwick.

FENWICK.  Ah, sir, your heart was counsellor enough.

AUSTIN.  Pardon me.  I am vain enough to be the judge:  there are
but two people in the world who could have wrought this change:  
yourself and that dear lady.  (TOUCHES BELL.)  Suffer me to
dismiss you.  One instant of toilet, and I follow.  Will you do
me the honour to go before, and announce my approach?  (ENTER
MENTEITH.)

FENWICK.  Sir, if my admiration -

AUSTIN.  Dear child, the admiration is the other way.  (EMBRACES 
HIM.  MENTEITH SHOWS HIM OUT.)


SCENE V

AUSTIN

AUSTIN.  Upon my word, I think the world is getting better.  We 
were none of us young men like that - in my time, to quote my 
future brother.  (HE SITS DOWN BEFORE THE MIRROR.)  Well, here
ends Beau Austin.  Paris, Rome, Vienna, London - victor
everywhere:  and now he must leave his bones in Tunbridge Wells. 
(LOOKS AT HIS LEG.)  Poor Dolly Musgrave! a good girl after all,
and will make me a good wife; none better.  The last - of how
many? - ay, and the best!  Walks like Hebe.  But still, here ends
Beau Austin.  Perhaps it's time.  Poor Dolly - was she looking
poorly?  She shall have her wish.  Well, we grow older, but we
grow no worse.


SCENE VI

AUSTIN, MENTEITH

AUSTIN.  Menteith, I am going to be married.

MENTEITH.  Well, Mr. George, but I am pleased to hear it.  Miss 
Musgrave is a most elegant lady.

AUSTIN.  Ay, Mr. Menteith? and who told you the lady's name?

MENTEITH.  Mr. George, you was always a gentleman.

AUSTIN.  You mean I wasn't always?  Old boy, you are in the
right.  This shall be a good change for both you and me.  We have
lived too long like a brace of truants:  now is the time to draw
about the fire.  How much is left of the old Hermitage?

MENTEITH.  Hard upon thirty dozen, Mr. George, and not a bad cork
in the bin.

AUSTIN.  And a mistress, Menteith, that's worthy of that wine.

MENTEITH.  Mr. George, sir, she's worthy of you.

AUSTIN.  Gad, I believe it.  (SHAKES HANDS WITH HIM.)

MENTEITH (BREAKING DOWN).  Mr. George, you've been a damned good 
master to me, and I've been a damned good servant to you; we've 
been proud of each other from the first; but if you'll excuse my 
plainness, Mr. George, I never liked you better than to-day.

AUSTIN.  Cheer up, old boy, the best is yet to come.  Get out the
tongs, and curl me like a bridegroom.  (SITS BEFORE
DRESSING-GLASS; MENTEITH PRODUCES CURLING IRONS AND PLIES THEM. 
AUSTIN SINGS) -

'I'd crowns resign 
To call her mine, S
weet Lass of Richmond Hill!'

DROP


MUSICAL INDUCTION:  the 'Minuet' from 'DON GIOVANNI'


ACT III.

The stage represents Miss Foster's lodging as in Act I.

SCENE I

DOROTHY, R., at tambour; ANTHONY, C., bestriding chair; MISS 
FOSTER, L.C.

ANTHONY.  Yes, ma'am, I like my regiment:  we are all gentlemen, 
from old Fred downwards, and all of a good family.  Indeed, so
are all my friends, except one tailor sort of fellow, Bosbury. 
But I'm done with him.  I assure you, Aunt Evelina, we are
Corinthian to the last degree.  I wouldn't shock you ladies for
the world -

MISS FOSTER.  Don't mind me, my dear; go on.

ANTHONY.  Really, ma'am, you must pardon me:  I trust I
understand what topics are to be avoided among females - And
before my sister, too!  A girl of her age!

DOROTHY.  Why, you dear, silly fellow, I'm old enough to be your 
mother.

ANTHONY.  My dear Dolly, you do not understand; you are not a man
of the world.  But, as I was going on to say, there is no more 
spicy regiment in the service.

MISS FOSTER.  I am not surprised that it maintains its old 
reputation.  You know, my dear (TO DOROTHY), it was George
Austin's regiment.

DOROTHY.  Was it, aunt?

ANTHONY.  Beau Austin?  Yes, it was; and a precious dust they
make about him still - a parcel of old frumps!  That's why I went
to see him.  But he's quite extinct:  he couldn't be Corinthian
if he tried.

MISS FOSTER.  I am afraid that even at your age George Austin
held a very different position from the distinguished Anthony
Musgrave.

ANTHONY.  Come, ma'am, I take that unkindly.  Of course I know
what you're at:  of course the old put cut no end of a dash with
the Duchess.

MISS FOSTER.  My dear child, I was thinking of no such thing;
THAT was immoral.

ANTHONY.  Then you mean that affair at Brighton:  when he cut the
Prince about Perdita Robinson.

MISS FOSTER.  No, I had forgotten it.

ANTHONY.  O, well, I know - that duel!  But look here, Aunt 
Evelina, I don't think you'd be much gratified after all if I
were to be broke for killing my commanding officer about a
quarrel at cards.

DOROTHY.  Nobody asks you, Anthony, to imitate Mr. Austin.  I
trust you will set yourself a better model.  But you may choose a
worse.  With all his faults, and all his enemies, Mr. Austin is a
pattern gentleman:  You would not ask a man to be braver, and
there are few so generous.  I cannot bear to hear him called in
fault by one so young.  Better judges, dear, are better pleased.

ANTHONY.  Hey-day! what's this?

MISS FOSTER.  Why, Dolly, this is April and May.  You surprise
me.

DOROTHY.  I am afraid, indeed, madam, that you have much to
suffer from my caprice. (SHE GOES OUT, L.)


SCENE II

ANTHONY, MISS FOSTER

ANTHONY.  What is the meaning of all this, ma'am?  I don't like
it.

MISS FOSTER.  Nothing, child, that I know.  You spoke of Mr. 
Austin, our dear friend, like a groom; and she, like any lady of 
taste, took arms in his defence.

ANTHONY.  No, ma'am, that won't do.  I know the sex.  You mark my
words, the girl has some confounded nonsense in her head, and
wants looking after.

MISS FOSTER.  In my presence, Anthony, I shall ask you to speak
of Dorothy with greater respect.  With your permission, your
sister and I will continue to direct our own affairs.  When we
require the interference of so young and confident a champion,
you shall know. (CURTSIES, KISSES HER HAND, AND GOES OUT, L.)


SCENE III

ANTHONY

ANTHONY.  Upon my word, I think Aunt Evelina one of the most 
uncivil old women in the world.  Nine weeks ago I came of age;
and they still treat me like a boy.  I'm a recognised Corinthian,
too:  take my liquor with old Fred, and go round with the
Brummagem Bantam and Jack Bosb- . . . O damn Jack Bosbury.  If
his father was a tailor, he shall fight me for his ungentlemanly
conduct.  However, that's all one.  What I want is to make Aunt
Evelina understand that I'm not the man to be put down by an old
maid who's been brought up in a work-basket, begad!  I've had
nothing but rebuffs all day.  It's very remarkable.  There was
that man Austin, to begin with.  I'll be hanged if I can stand
him.  I hear too much of him; and if I can only get a good excuse
to put him to the door, I believe it would give Dorothy and all
of us a kind of a position.  After all, he's not a man to visit
in the house of ladies:  not when I'm away, at least.  Nothing in
it of course; but is he a man whose visits I can sanction?


SCENE IV

ANTHONY, BARBARA

BARBARA.  Please, Mr. Anthony, Miss Foster said I was to show
your room.

ANTHONY.  Ha!  Baby?  Now, you come here.  You're a girl of
sense, I know.

BARBARA.  La, Mr. Anthony, I hope I'm nothing of the kind.

ANTHONY.  Come, come! that's not the tone I want:  I'm serious.  
Does this man Austin come much about the house?

BARBARA.  O Mr. Anthony, for shame!  Why don't you ask Miss
Foster?

ANTHONY.  Now I wish you to understand:  I'm the head of this 
family.  It's my business to look after my sister's reputation,
and my aunt's too, begad!  That's what I'm here for:  I'm their
natural protector.  And what I want you, Barbara Ridley, to
understand - you whose fathers have served my fathers - is just
simply this:  if you've any common gratitude, you're bound to
help me in the work.  Now Barbara, you know me, and you know my
Aunt Evelina.  She's a good enough woman; I'm the first to say
so.  But who is she to take care of a young girl?  She's ignorant
of the world to that degree she believes in Beau Austin!  Now you
and I, Bab, who are not so high and dry, see through and through
him; we know that a man like that is no fit company for any
inexperienced girl.

BARBARA.  O Mr. Anthony, don't say that.  (WEEPING.)

ANTHONY.  Hullo! what's wrong?

BARBARA.  Nothing that I know of.  O Mr. Anthony, I don't think 
there can be anything.

ANTHONY.  Think?  Don't think?  What's this?

BARBARA.  O sir!  I don't know, and yet I don't like it.  Here's
my beautiful necklace all broke to bits:  she took it off my very
neck, and gave me her birthday pearls instead; and I found it 
afterwards on the table, all smashed to pieces; and all she
wanted it for was to take and break it.  Why that?  It frightens
me, Mr. Anthony, it frightens me.

ANTHONY (WITH NECKLACE).  This?  What has this trumpery to do
with us?

BARBARA.  He gave it me:  that's why she broke it.

ANTHONY.  He? who?

BARBARA.  Mr. Austin did; and I do believe I should not have
taken it, Mr. Anthony, but I thought no harm, upon my word of
honour.  He was always here:  that was six months ago; and
indeed, indeed, I thought they were to marry.  How would I think
else with a born lady like Miss Dorothy?

ANTHONY.  Why, Barbara, God help us all, what's this?  You don't 
mean to say that there was -

BARBARA.  Here it is, as true as true:  they were going for a 
jaunt; and Miss Foster had her gout; and I was to go with them;
and he told me to make-believe I was ill; and I did; and I stayed
at home; and he gave me that necklace; and they went away
together; and, oh dear!  I wish I'd never been born.

ANTHONY.  Together? he and Dolly?  Good Lord! my sister!  And
since then?

BARBARA.  We haven't seen him from that day to this, the wicked 
villain; and, Mr. Anthony, he hasn't so much as written the poor 
dear a word.

ANTHONY.  Bab, Bab, Bab, this is a devil of a bad business; this
is a cruel bad business, Baby; cruel upon me, cruel upon all of
us; a family like mine.  I'm a young man, Barbara, to have this
delicate affair to manage; but, thank God, I'm Musgrave to the
bone.  He bribed a servant-maid, did he?  I keep his bribe; it's
mine now; dear bought, by George!  He shall have it in his teeth. 
Shot Colonel Villiers, did he? we'll see how he faces Anthony
Musgrave.  You're a good girl, Barbara; so far you've served the
family.  You leave this to me.  And, hark ye, dry your eyes and
hold your tongue:  I'll have no scandal raised by you.

BARBARA.  I do hope, sir, you won't use me against Miss Dorothy.

ANTHONY.  That's my affair; your business is to hold your tongue. 
Miss Dorothy has made her bed and must lie on it.  Here's Jack 
Fenwick.  You can go.


SCENE V

ANTHONY, FENWICK

ANTHONY.  Jack Fenwick, is that you?  Come here, my boy.  Jack, 
you've given me many a thrashing, and I deserved 'em; and I'll
not see you made a fool of now.  George Austin is a damned
villain, and Dorothy Musgrave is no girl for you to marry:  God
help me that I should have to say it.

FENWICK.  Good God, who told YOU?

ANTHONY.  Ay, Jack; it's hard on me, Jack.  But you'll stand my 
friend in spite of this, and you'll take my message to the man, 
won't you?  For it's got to come to blood, Jack:  there's no way 
out of that.  And perhaps your poor friend will fall, Jack; think
of that:  like Villiers.  And all for an unworthy sister.

FENWICK.  Now, Anthony Musgrave, I give you fair warning; see you
take it:  one word more against your sister, and we quarrel.

ANTHONY.  You let it slip yourself, Jack:  you know yourself
she's not a virtuous girl.

FENWICK.  What do you know of virtue, whose whole boast is to be 
vicious?  How dare you draw conclusions?  Dolt and puppy! you can
no more comprehend that angel's excellencies than she can stoop
to believe in your vices.  And you talk morality?  Anthony, I'm a
man who has been somewhat roughly tried:  take care.

ANTHONY.  You don't seem able to grasp the situation, Jack.  It's
very remarkable; I'm the girl's natural protector; and you should
buckle-to and help, like a friend of the family.  And instead of 
that, begad! you turn on me like all the rest.

FENWICK.  Now mark me fairly:  Mr. Austin follows at my heels; he
comes to offer marriage to your sister - that is all you know,
and all you shall know; and if by any misplaced insolence of
yours this marriage should miscarry, you have to answer, not to
Mr. Austin only, but to me.

ANTHONY.  It's all a most discreditable business, and I don't see
how you propose to better it by cutting my throat.  Of course if 
he's going to marry her, it's a different thing; but I don't 
believe he is, or he'd have asked me.  You think me a fool?  Well
see they marry, or they'll find me a dangerous fool.


SCENE VI

TO THESE, AUSTIN, BARBARA ANNOUNCING

BARBARA.  Mr. Austin.  (SHE SHOWS AUSTIN IN, AND RETIRES.)

AUSTIN.  You will do me the justice to acknowledge, Mr. Fenwick, 
that I have been not long delayed by my devotion to the Graces.

ANTHONY.  So, sir, I find you in my house -

AUSTIN.  And charmed to meet you again.  It went against my 
conscience to separate so soon.  Youth, Mr. Musgrave, is to us 
older men a perpetual refreshment.

ANTHONY.  You came here, sir, I suppose, upon some errand?

AUSTIN.  My errand, Mr. Musgrave, is to your fair sister. 
Beauty, as you know, comes before valour.

ANTHONY.  In my own house, and about my own sister, I presume I 
have the right to ask for something more explicit.

AUSTIN.  The right, my dear sir, is beyond question; but it is
one, as you were going on to observe, on which no gentleman
insists.

FENWICK.  Anthony, my good fellow, I think we had better go.

ANTHONY.  I have asked a question.

AUSTIN.  Which I was charmed to answer, but which, on repetition,
might begin to grow distasteful.

ANTHONY.  In my own house -

FENWICK.  For God's sake, Anthony!

AUSTIN.  In your aunt's house, young gentleman, I shall be
careful to refrain from criticism.  I am come upon a visit to a
lady:  that visit I shall pay; when you desire (if it be possible
that you desire it) to resume this singular conversation, select
some fitter place.  Mr. Fenwick, this afternoon, may I present
you to his Royal Highness?

ANTHONY.  Why, sir, I believe you must have misconceived me.  I 
have no wish to offend:  at least at present.

AUSTIN.  Enough, sir.  I was persuaded I had heard amiss.  I
trust we shall be friends.

FENWICK.  Come, Anthony, come:  here is your sister.

(AS FENWICK AND ANTHONY GO OUT, C., ENTER DOROTHY, L.)


SCENE VII

AUSTIN, DOROTHY

DOROTHY.  I am told, Mr. Austin, that you wish to see me.

AUSTIN.  Madam, can you doubt of that desire? can you question my
sincerity?

DOROTHY.  Sir, between you and me these compliments are worse
than idle:  they are unkind.  Sure, we are alone!

AUSTIN.  I find you in an hour of cruelty, I fear.  Yet you have 
condescended to receive this poor offender; and having done so 
much, you will not refuse to give him audience.

DOROTHY.  You shall have no cause, sir, to complain of me.  I 
listen.

AUSTIN.  My fair friend, I have sent myself - a poor ambassador -
to plead for your forgiveness.  I have been too long absent; too 
long, I would fain hope, madam, for you; too long for my honour
and my love.  I am no longer, madam, in my first youth; but I may
say that I am not unknown.  My fortune, originally small, has not
suffered from my husbandry.  I have excellent health, an
excellent temper, and the purest ardour of affection for your
person.  I found not on my merits, but on your indulgence.  Miss
Musgrave, will you honour me with your hand in marriage?

DOROTHY.  Mr. Austin, if I thought basely of marriage, I should 
perhaps accept your offer.  There was a time, indeed, when it
would have made me proudest among women.  I was the more
deceived, and have to thank you for a salutary lesson.  You chose
to count me as a cipher in your rolls of conquest; for six months
you left me to my fate; and you come here to-day - prompted, I
doubt not, by an honourable impulse - to offer this tardy
reparation.  No:  it is too late.

AUSTIN.  Do you refuse?

DOROTHY.  Yours is the blame:  we are no longer equal.  You have 
robbed me of the right to marry any one but you; and do you think
me, then, so poor in spirit as to accept a husband on compulsion?

AUSTIN.  Dorothy, you loved me once.

DOROTHY.  Ay, you will never guess how much:  you will never live
to understand how ignominious a defeat that conquest was.  I
loved and trusted you:  I judged you by myself; think, then, of
my humiliation, when, at the touch of trial, all your qualities
proved false, and I beheld you the slave of the meanest vanity -
selfish, untrue, base!  Think, sir, what a humbling of my pride
to have been thus deceived:  to have taken for my idol such a
commonplace imposture as yourself; to have loved - yes, loved -
such a shadow, such a mockery of man.  And now I am unworthy to
be the wife of any gentleman; and you - look me in the face,
George - are you worthy to be my husband?

AUSTIN.  No, Dorothy, I am not.  I was a vain fool; I blundered 
away the most precious opportunity; and my regret will be
lifelong.  Do me the justice to accept this full confession of my
fault.  I am here to-day to own and to repair it.

DOROTHY.  Repair it?  Sir you condescend too far.

AUSTIN.  I perceive with shame how grievously I had misjudged
you.  But now, Dorothy, believe me, my eyes are opened.  I plead
with you, not as my equal, but as one in all ways better than
myself.  I admire you, not in that trivial sense in which we men
are wont to speak of women, but as God's work:  as a wise mind, a
noble soul, and a most generous heart, from whose society I have
all to gain, all to learn.  Dorothy, in one word, I love you.

DOROTHY.  And what, sir, has wrought this transformation?  You
knew me of old, or thought you knew me?  Is it in six months of
selfish absence that your mind has changed?  When did that change
begin?  A week ago?  Sure, you would have written!  To-day?  Sir,
if this offer be anything more than fresh offence, I have a right
to be enlightened.

AUSTIN.  Madam, I foresaw this question.  So be it:  I respect,
and I will not deceive you.  But give me, first of all, a moment
for defence.  There are few men of my habits and position who
would have done as I have done:  sate at the feet of a young boy,
accepted his lessons, gone upon his errand:  fewer still, who
would thus, at the crisis of a love, risk the whole fortune of
the soul - love, gratitude, even respect.  Yet more than that! 
For conceive how I respect you, if I, whose lifelong trade has
been flattery, stand before you and make the plain confession of
a truth that must not only lower me, but deeply wound yourself.

DOROTHY.  What means - ?

AUSTIN.  Young Fenwick, my rival for your heart, he it was that 
sent me.

DOROTHY.  He?  O disgrace!  He sent you!  That was what he meant?
Am I fallen so low?  Am I your common talk among men?  Did you
dice for me?  Did he kneel?  O John, John, how could you!  And
you, Mr. Austin, whither have you brought me down? shame heaping
upon shame - to what end! oh, to what end?

AUSTIN.  Madam, you wound me:  you look wilfully amiss.  Sure,
any lady in the land might well be proud to be loved as you are
loved, with such nobility as Mr. Fenwick's, with such humility as
mine.  I came, indeed, in pity, in good-nature, what you will. 
(See, dearest lady, with what honesty I speak:  if I win you, it
shall be with the unblemished truth.)  All that is gone.  Pity?
it is myself I pity.  I offer you not love - I am not worthy.  I
ask, I beseech of you:  suffer me to wait upon you like a
servant, to serve you with my rank, my name, the whole devotion
of my life.  I am a gentleman - ay, in spite of my fault - an
upright gentleman; and I swear to you that you shall order your
life and mine at your free will.  Dorothy, at your feet, in
remorse, in respect, in love - O such love as I have never felt,
such love as I derided - I implore, I conjure you to be mine!

DOROTHY.  Too late! too late.

AUSTIN.  No, no, not too late:  not too late for penitence, not
too late for love.

DOROTHY.  Which do you propose? that I should abuse your 
compassion, or reward your treachery?  George Austin, I have been
your mistress, and I will never be your wife.

AUSTIN.  Child, dear child, I have not told you all:  there is 
worse still:  your brother knows; the boy as good as told me.  
Dorothy, this is scandal at the door - O let that move you:  for 
that, if not for my sake, for that, if not for love, trust me, 
trust me again.

DOROTHY.  I am so much the more your victim:  that is all, and 
shall that change my heart?  The sin must have its wages.  This, 
too, was done long ago:  when you stooped to lie to me.  The
shame is still mine, the fault still yours.

AUSTIN.  Child, child, you kill me:  you will not understand. 
Can you not see? the lad will force me to a duel.

DOROTHY.  And you will kill him?  Shame after shame, threat upon 
threat.  Marry me, or you are dishonoured; marry me, or your 
brother dies:  and this is man's honour!  But my honour and my 
pride are different.  I will encounter all misfortune sooner than
degrade myself by an unfaithful marriage.  How should I kneel 
before the altar, and vow to reverence as my husband you, you who
deceived me as my lover?

AUSTIN.  Dorothy, you misjudge me cruelly; I have deserved it. 
You will not take me for your husband; why should I wonder?  You
are right.  I have indeed filled your life with calamity:  the
wages, ay, the wages, of my sin are heavy upon you.  But I have
one more thing to ask of your pity; and O remember, child, who it
is that asks it:  a man guilty in your sight, void of excuse, but
old, and very proud, and most unused to supplication.  Dorothy
Musgrave, will you forgive George Austin?

DOROTHY.  O, George!

AUSTIN.  It is the old name:  that is all I ask, and more than I 
deserve.  I shall remember, often remember, how and where it was 
bestowed upon me for the last time.  I thank you, Dorothy, from
my heart; a heart, child, that has been too long silent, but is
not too old, I thank God! not yet too old, to learn a lesson and
to accept a reproof.  I will not keep you longer:  I will go - I
am so bankrupt in credit that I dare not ask you to believe in
how much sorrow.  But, Dorothy, my acts will speak for me with
more persuasion.  If it be in my power, you shall suffer no more
through me:  I will avoid your brother; I will leave this place,
I will leave England, to-morrow; you shall be no longer tortured
with the neighbourhood of your ungenerous lover.  Dorothy,
farewell!


SCENE VIII

DOROTHY; TO WHOM, ANTHONY, L.

DOROTHY (ON HER KNEES, AND REACHING WITH HER HANDS.)  George, 
George!  (ENTER ANTHONY.)

ANTHONY.  Ha! what are you crying for?

DOROTHY.  Nothing, dear!  (RISING.)

ANTHONY.  Is Austin going to marry you?

DOROTHY.  I shall never marry.

ANTHONY.  I thought as much.  You should have come to me.

DOROTHY.  I know, dear, I know; but there was nothing to come 
about.

ANTHONY.  It's a lie.  You have disgraced the family.  You went
to John Fenwick:  see what he has made of it!  But I will have
you righted:  it shall be atoned in the man's blood.

DOROTHY.  Anthony!  And if I had refused him?

ANTHONY.  You? refuse George Austin?  You never had the chance.

DOROTHY.  I have refused him.

ANTHONY.  Dorothy, you lie.  You would shield your lover; but
this concerns not you only:  it strikes my honour and my father's
honour.

DOROTHY.  I have refused him - refused him, I tell you - refused 
him.  The blame is mine; are you so mad and wicked that you will 
not see?

ANTHONY.  I see this:  that man must die.

DOROTHY.  He? never!  You forget, you forget whom you defy; you
run upon your death.

ANTHONY.  Ah, my girl, you should have thought of that before. 
It is too late now.

DOROTHY.  Anthony, if I beg you - Anthony, I have tried to be a 
good sister; I brought you up, dear, nursed you when you were
sick, fought for you, hoped for you, loved you - think of it,
think of the dear past, think of our home and the happy winter
nights, the castles in the fire, the long shining future, the
love that was to forgive and suffer always - O you will spare,
you will spare me this.

ANTHONY.  I will tell you what I will do, Dolly:  I will do just 
what you taught me - my duty:  that, and nothing else.

DOROTHY.  O Anthony, you also, you to strike me!  Heavens, shall
I kill them - I - I, that love them, kill them!  Miserable,
sinful girl!  George, George, thank God, you will be far away!  O
go, George, go at once!

ANTHONY.  He goes the coward!  Ay, is this more of your 
contrivance?  Madam, you make me blush.  But to-day at least I
know where I can find him.  This afternoon, on the Pantiles, he
must dance attendance on the Duke of York.  Already he must be
there;  and there he is at my mercy. DOROTHY.  Thank God, you are
deceived:  he will not fight.  He  promised me that; thank God I
have his promise for that.

ANTHONY.  Promise!  Do you see this? (PRODUCING NECKLACE) the
thing he bribed your maid with?  I shall dash it in his teeth
before the Duke and before all Tunbridge.  Promise, you poor
fool? what promise holds against a blow?  Get to your knees and
pray for him; for, by the God above, if he has any blood in his
body, one of us shall die before to-night.  (HE GOES OUT.)

DOROTHY.  Anthony, Anthony! . . . O my God, George will kill him.

MUSIC:  'CHE FARO,' AS THE DROP FALLS.

DROP.


MUSICAL INDUCTION:  'Gavotte;' 'IPHIGENIE EN AULIDE.' GLUCK


ACT IV.

The Stage represents the Pantiles:  the alleys fronting the 
spectators in parallel lines.  At the back, a stand of musicians,
from which the 'Gavotte' is repeated on muted strings.  The music
continues nearly through Scene I.  Visitors walking to and fro 
beneath the lines.  A seat in front, L.

SCENE I

MISS FOSTER, BARBARA, MENTEITH; VISITORS

MISS FOSTER (ENTERING; ESCORTED BY MENTEITH, AND FOLLOWED BY 
BARBARA).  And so, Menteith, here you are once more.  And vastly 
pleased I am to see you, my good fellow, not only for your own 
sake, but because you harbinger the Beau.  (SITS, L.; MENTEITH 
STANDING OVER HER.)

MENTEITH.  Honoured madam, I have had the pleasure to serve Mr. 
George for more than thirty years.  This is a privilege - a very 
great privilege.  I have beheld him in the first societies,
moving among the first rank of personages; and none, madam, none
outshone him.

BARBARA.  I assure you, madam, when Mr. Menteith took me to the 
play, he talked so much of Mr. Austin that I couldn't hear a word
of Mr. Kean.

MISS FOSTER.  Well, well, and very right.  That was the old
school of service, Barbara, which you would do well to imitate. 
This is a child, Menteith, that I am trying to form.

MENTEITH.  Quite so, madam.

MISS FOSTER.  And are we soon to see our princely guest,
Menteith?

MENTEITH.  His Royal Highness, madam?  I believe I may say quite 
so.  Mr. George will receive our gallant prince upon the Pantiles

(LOOKING AT HIS WATCH) in, I should say, a matter of twelve
minutes from now.  Such, madam, is Mr. George's order of the day.

BARBARA.  I beg your pardon, madam, I am sure, but are we really
to see one of His Majesty's own brothers?  That will be pure!  O 
madam, this is better than Carlisle.

MISS FOSTER.  The wood-note wild:  a loyal Cumbrian, Menteith.

MENTEITH.  Eh?  Quite so, madam.

MISS FOSTER.  When she has seen as much of the Royal Family as
you, my good fellow, she will find it vastly less entertaining.

MENTEITH.  Yes, madam, indeed; In these distinguished circles,
life is but a slavery.  None of the best set would relish
Tunbridge without Mr. George; Tunbridge and Mr. George (if you'll
excuse my plainness, madam) are in a manner of speaking
identified; and indeed it was the Dook's desire alone that
brought us here.

BARBARA.  What? the Duke?  O dear! was it for that?

MENTEITH.  Though, to be sure, madam, Mr. George would always be 
charmed to find himself (BOWING) among so many admired members of
his own set.

MISS FOSTER.  Upon my word, Menteith, Mr. Austin is as fortunate
in his servant as his reputation.

MENTEITH.  Quite so, madam.  But let me observe that the 
opportunities I have had of acquiring a knowledge of Mr. George's
character have been positively unrivalled.  Nobody knows Mr.
George like his old attendant.  The goodness of that gentleman -
but, madam, you will soon be equally fortunate, if, as I
understand, it is to be a match.

MISS FOSTER.  I hope, Menteith, you are not taking leave of your 
senses.  Is it possible you mean my niece?

MENTEITH.  Madam, I have the honour to congratulate you.  I put a
second curl in Mr. George's hair on purpose.


SCENE II

TO THESE, AUSTIN.  MENTEITH FALLS BACK, AND AUSTIN TAKES HIS
PLACE IN FRONT OF MISS FOSTER, HIS ATTITUDE A COUNTERPART OF
MENTEITH'S.

AUSTIN.  Madam, I hasten to present my homage.

MISS FOSTER.  A truce to compliments!  Menteith, your charming 
fellow there, has set me positively crazy.  Dear George Austin,
is it true? can it be true?

AUSTIN.  Madam, if he has been praising your niece he has been
well inspired.  If he was speaking, as I spoke an hour ago
myself, I wish, Miss Foster, that he had held his tongue.  I have
indeed offered myself to Miss Dorothy, and she, with the most
excellent reason, has refused me.

MISS FOSTER.  Is it possible? why, my dear George Austin . . . . 
then I suppose it is John Fenwick after all!

AUSTIN.  Not one of us is worthy.

MISS FOSTER.  This is the most amazing circumstance.  You take my
breath away.  My niece refuse George Austin? why, I give you my 
word, I thought she had adored you.  A perfect scandal:  it 
positively must not get abroad.

AUSTIN.  Madam, for that young lady I have a singular regard.  
Judge me as tenderly as you can, and set it down, if you must, to
an old man's vanity - for, Evelina, we are no longer in the
heyday of our youth - judge me as you will:  I should prefer to
have it known.

MISS FOSTER.  Can you?  George Austin, you?  My youth was
nothing; I was a failure; but for you? no, George, you never can,
you never must be old.  You are the triumph of my generation,
George, and of our old friendship too.  Think of my first dance
and my first partner. And to have this story - no, I could not
bear to have it told of you.

AUSTIN.  Madam, there are some ladies over whom it is a boast to 
have prevailed; there are others whom it is a glory to have
loved.  And I am so vain, dear Evelina, that even thus I am proud
to link my name with that of Dorothy Musgrave.

MISS FOSTER.  George, you are changed.  I would not know you.

AUSTIN.  I scarce know myself.  But pardon me, dear friend
(TAKING HIS WATCH), in less than four minutes our illustrious
guest will descend amongst us; and I observe Mr. Fenwick, with
whom I have a pressing business.  Suffer me, dear Evelina! -


SCENE III

To these, FENWICK.  MISS FOSTER remains seated, L.  AUSTIN goes
R. to FENWICK, whom he salutes with great respect

AUSTIN.  Mr. Fenwick, I have played and lost.  That noble lady, 
justly incensed at my misconduct, has condemned me.  Under the 
burden of such a loss, may I console myself with the esteem of
Mr. Fenwick?

FENWICK.  She refused you?  Pardon me, sir, but was the fault not
yours?

AUSTIN.  Perhaps to my shame, I am no novice, Mr. Fenwick; but I 
have never felt nor striven as to-day.  I went upon your errand; 
but, you may trust me, sir, before I had done I found it was my 
own.  Until to-day I never rightly valued her; sure, she is fit
to be a queen.  I have a remorse here at my heart to which I am a
stranger.  Oh! that was a brave life, that was a great heart that
I have ruined.

FENWICK.  Ay, sir, indeed.

AUSTIN.  But, sir, it is not to lament the irretrievable that I 
intrude myself upon your leisure.  There is something to be done,
to save, at least to spare, that lady.  You did not fail to
observe the brother?

FENWICK.  No, sir, he knows all; and being both intemperate and 
ignorant -

AUSTIN.  Surely.  I know.  I have to ask you then to find what 
friends you can among this company; and if you have none, to make
them.  Let everybody hear the news.  Tell it (if I may offer the 
suggestion) with humour:  how Mr. Austin, somewhat upon the wane,
but still filled with sufficiency, gloriously presumed and was
most ingloriously set down by a young lady from the north:  the
lady's name a secret, which you will permit to be divined.  The
laugh - the position of the hero - will make it circulate; - you
perceive I am in earnest; - and in this way I believe our young
friend will find himself forestalled.
                
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